Finely crafted French Enamel over brass Vase. Depicting a couple in the countryside. Signed "Gamet, France" along the lower edge, late 19th century period. Size; Height of vase is 7 inches tall, no condition issues noted.

French enamel vase, artist signed, excellent antique condition. Measurements as follows, height of 10.75 inches. (27 cm). Diameter of 4.5 inches. (11 cm). Condition Report; Condition consistent with age.

An enamel and gilt clasp, French, cloisonné decoration in the Empire revival style of the 1880’s. Width "2/ 5,5 cm. Condition: a few hardly visible chips to the enamel.

Italian Renaissance-Revival 3-piece gilt brass and enamel serving set, ca. 1860. This set comprises spoon, fork, and knife.

The handles are straight and tapering with knops and enameled Grotesque ornament on white ground. The spoon has shaped bowl. The fork has shaped shank and four tines. The knife has curvilinear blade. The spoon and knife have figural mounts. A beautiful set that reflects the Victorian interest in Renaissance Italy. In fitted case. Unmarked...

A late 18thC Qing Dynasty Canton enamel bowl. This high quality bowl has original gilding and it dates to circa 1770 - 1800. This lobed quatrefoil shaped bowl measures 7-3/4" x 6-1/4" and it is 3-1/8" in height. The enamelling is particularly fine, done to the Chinese taste. The rim of the bowl retains much of its original gilding. The interior is a pale blue enamel, the bottom is speckled white. The upper rim has a Greek key design border...

A rare Bilston enamel cow patchbox with floral 1770-1790. This antique English Georgian period Bilston enamel patchbox or patch box features an enamelled lying cow on the top and a painted porcelain floral on the bottom circa. This 1-7/8" x 1-5/8" copper/brass mounted box was used to hold patches, the applied facial beauty marks popular at this time. It stands 1-1/4" high, and the hand painted cow has a well-painted face, with green, pink, white, yellow and black enamel...

An Enameled Teapot or Coffee Pot, with a hinged Pewter Lid. Depicts a Different Hand Painted Scene of a Heron on Each Side. French, circa 1900-1910. Dimensions; 10.5" high x 5" wide. Excellent condition.

An Enameled Teapot or Coffee Pot, with a Hinged Pewter Lid. Depicts a Scene of a Mill in winter on Both Sides. French, circa 1900-1910. Dimensions; 9.5" high x 5" wide. Excellent condition.

This pair of bronze candlesticks was produced in France in the late 19th century. They measure 6 3/4 inches high and the base has a diameter of 4 1/2 inches. There are 3 areas on the candlesticks that have the champlevé enamel decorations, the cup that holds the candle, the bobeche and the base. The enamel decoration is elaborate and very colorful. There are girl and boy cherub figures creating the shaft of both pieces. They are in excellent, antique condition.

Attributed to South Staffordshire, England, Possibly Bilston, late 18th century. The “gingham finish” was principally produced in this area. By placing a piece of cambric over solid ground color and then applying white enamel this finish was achieved. The three dimensional decoration was also found in the area. It was normally created by applying several layers of enamel. In addition, the unusual heart shape has been found in other Bilston boxes...

18th-century English Transferware Patch Box; Now known as Royal Leamington Spa, the town of Leamington began its prodigious spa industry in 1784 when it began building baths around its salt springs. Consequently, the image on this patch box displays a Classical figure holding a caduceus, a symbol of the medical community dating back the sixteenth century. Thus, it is safe to say that this could have been produced no earlier than the last quarter of the eighteenth century...

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. They were also purchased as souvenirs while traveling. They frequently started with the phrase “A trifle from...” as seen on this box. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. However, this box is particularly unusual in its mention of Blockley...

English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day.

Allover cracking...

Most likely French, 19th century. A nineteenth-imitation of the extremely popular souvenir boxes made in Bilston at the end of the eighteenth century (see 5218-18). However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, and the inferior quality of the painting identify this box as a nineteenth-century creation. It’s also important to note that the use of the French on the lid is not indicative of its origin, but rather another attempt at eight...

Most likely French, 19th century, snuff/pill box, However, it clearly dates to the late nineteenth century. The lug and ribbed banding on the metal hinge, as well as the loose hand-painted nature of the lid identify this box as a nineteenth century creation.

Very good condition. Some loss to interior enamel and on the underside.

English, most likely Bilston, eighteenth century. The elongated oval shape, all over floral decoration, and the unusual brown painted panels are not infrequent characteristics of Bilston’s “gingham finish” enamel boxes, hence the Bilston attribution.

Fine cracks to enamel, and small losses on both sides and back.

Source:

Susan Benjamin. English Enamel Boxes. (1976.)

5218-21: English, Bilston, late 18th century, patch box these memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, there decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This box reads "Unity is the bond of society."

English, Bilston, late 18th century, patch box,

These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, the decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This one reads "The Absent Not Forgotten."

Source:
Susan Benjamin. En...