Antique, 19th century, finely beaded flap from a pouch - bag embroidered by North American Iroquois Indians. Made of early trade velvet and silk clothes and embroidered with colored glass trade beads in traditional floral and leaf motifs.

MEASUREMENTS:

Overall length: 13 cm (5.1 inches). Width: 7 cm (2.8 inches).

CONDITION:

Shows the age and use, loss of beads, minor wear normal for age...

Antique, circa 1900 A.D. Native American Indians. finely beaded belt pouch, I made of trade silk fabric embroidered with glass trade seed beads. The back is fitted with a belt loop.

MEASUREMENTS: Overall length: 14.3 cm (5.6 inches). Height: 9 cm (3.5 inches).

CONDITION: Shows the age and use, loss of beads, minor wear normal for age. Please note that this is an authentic antique, over the 100-year-old pouch, which was well used, so a perfect condition cannot be expected.

very nice old beaded choker/armband in good condition. measures 2.25 x 13.5 inches

Men's Navajo turquoise single shank square blue turquoise ring. It has a square bezel with a sliver twisted wire attachment. ca. 1920-30, Size 7-7 1/2

White face mask with secular eyes hachured areas or red spots on the cheeks. Butterfly and feathers on the tableta. Earrings below the tableta. Costume may be a white and embroidered, ceremonial robe and a kilt worn like a blouse. A black dress with a yellow maiden's shawl. The feet are wearing moccasins. Fewkes, 1983. Steven, 1936. Earl Kennard, 1938. 15 1/2" height x 4 1/4" width, c.1920

This impressive boxlike purse was hand beaded and constructed as a souvenir by a member of the Iroquois nation at the turn of the century. The beadwork — all of it intact — tells the story: the maker beaded the words and numerals ‘Box,’ ‘Montreal’ and ‘1907’ on the top, front and back. There are sunburst-like designs on each side, and the handle is made of two twisted strands of clear beads; three groups of looped strands dangle from the bottom...

Antique American Indian Beaded Dance Harness Authentic Antique 19th century American Indian (Canadian Plains Cree from Saskatchewan) dance harness composed of black trade silk fabric with twelve rosettes white red and blue glass beads sown to hide discs enclosed by hanging feather attachments. The central panel of the bandoleer is constructed in a geometrical pattern beaded with emerald green and burgundy glass beads on a thick fabric. The entire sewing was done by hand...

A rare Arapahoe beaded Strike-A-lite with christian crosses from Ghost Dance period. C. 1890 4 1/2" length 3 1/2" Width at the widest point

Jimmmie Koots(James Koots, Jimmy Koots, James Kootshongsie, James Kotshongsi, [2nd] Jimmy K., James Danaqyumptewa), 1916-1996, Hotevilla, Third Mesa, Arizona Hopi polychrome Katsina doll Koshare or clown katsina. c.1940-50, Height 7" X Width across the shoulders 2 7/8"

A pair of early 19th century beaded deer hide moccasins. Seed beads, deer skin, clear beads, silk ribbon. The moccasins are probably from Niagara Falls area. c. 1830-40 Length 9" Provenance: Owned by Thomas Wistar (1798-1876) a Quaker, who was commissioned by President Grant to arrange treaties with Indian tribes. His papers are in the collection of Haverford College. Sale 1262 Lot 167, Freeman's Auction House in Philadelphia, Pennsylvania, on November 18, 2006.

Sioux Beaded Hide Child's Moccasins on hide with green trade cloth decoration. Excellent condition. The inner soles are buffalo painted parfleches. c.1900 Length 4 3/4" X Width 2 1/4"

Each with a hard parfleche soles, sinew sewn in dark blue, white, greasy yellow, and pink against a white lazy stitched ground. Showing a typical lightning pattern. c. 1890 Length 9 1/4" X Width 3 1/2"

With a buffalo parfleche hard sole. Small seed bead. In pink, green, brown, and greasy yellow. Peco beaded black beads surrounding a red silk edging. c. 1860-70 Length 10 1/4" X Width 3 3/8"

A matched pair of Sioux medicine cylinder parfleches, with red textile material, painted in yellow, red, blue, green c.1890, Large one: length 10 1/4", top diameter 3", bottom diameter 2", Small one: length 12 1/8", top diameter 3 7/8", bottom diameter 2 3/8"

A variant of Hopi Mona Kachina River or Thunder Kachina -Green case mask, triangular mouth, a band across the forehead. Fur ruff. Kilt, sash, woman's belt, red moccasins. Bluish body paint. Appears singly in Mixed Kachina Dances. Third Mesa. -Height: 9 inches -Width: 2.5 inches -c.1930-1940

-Reddish brown sack mask to which are fastened three gourds, one on top and one over each ear, and painted reddish brown. Rag ruff. Kilt made from a woman’s old dress. Body painted with red-brown clay. He carries a feather and a rattle. Koyemsi is the most common Hopi clown. He appears in Mixed Kachina Dances and sometimes a group of Koyemsi appear in a dance of their own. At First Mesa they are said to sing Zuni songs...

-She wears a white sack mask with red spots painted on her cheeks, fox skin ruff, woman’s dress, and maiden’s shawl. She may be barefooted or wear white boots. She usually carries a gourd filled with water. She is said to be the mother of all the kachinas, and is a principal actor in the Water Serpent Ceremony. She may appear at other ceremonies such as the Niman Kachina Dance. --Provenance: Dorothy Louise Luhrs PHD...

- Green case mask with black crow wings on the side. Fox skin ruff. She wears a woman's dress and ceremonial robe with green moccasins. At Oraibi she carries a yucca whip, at Second Mesa a tray of corn. The Crow Mother is mother of the Hu Kachinas and appears in the Bean Dance. By some Hopis she is considered to be the mother of all the kachinas...

An animated clown in motion with his hands raised above his head. Height: 10.25" c.1930

It's a variant of the Butterlfy Kachina from Jemez that went to Zuni before it reached the Hopi. Its name is Poli Sio Hemis. White and red case mask, tableta similar to Hemis Kachina except for the addition of a tube mouth. White kilt, sash, etc. White,red, and yellow body paint. Ordinary Kachina dance. White and black eagle feathers painted on the tableta. Height:15.5'' Width (shoulder to shoulder) :4.5'' C.1900

Hopi Polychrome Wood Rügan Kachina Doll *Rügan Rasp Kachina -A class of male kachinas that come in groups, accompanied by the Corn Maidens, who play on rasp musical instruments. There are said to be various types who have the same songs but my informants could not name or describe them all. The feather headdress made of four eagle feathers, two projecting horizontally above each ear, seems to be characteristic of all kachinas called Rügan...

-Hopi Polychrome Wood Kachina Doll -Rare Variant either Red Fox Kachina(Sikyataqa A Runner) or Chipmunk Kachina (Kona A Runner) -Red Fox Kachina : Yello sack mask with feathers on top of head. Rag ruff, Breech Clout. Yellow body paint. He carries a yucca leaf whip to whip his victims. Chipmunk Kachina : Yellow Case mask with tube mouth, with black, white, and red vertical stripes on back similar to those on the head. He carries a yucca leaf whip and whips his victims...

-Hopi Wood Polychrome Kachina Doll -Bison Maiden Kachina Doll -Mosairu Kachina Buffalo Girl -Height: 9 1/4 inches -C.1920 - The Buffalo Dance my be given during the interval between the Soyal or Solistice Ceremony and the Powamu or Bean Dance. Usually, two girls and two boys dance as Buffalo and Buffalo Girl accompanied by a large male chorus. It is one of the dances most frequently seen off reservation.

A hand carved cottonwood Hopi Kachina Doll, representing a variant of the Kwasus Alektaqa Kachina, circa 1880. Provenance: Harrisburg, PA - collection acquired in 1940s from Arizona University. 11" tall.

A medium-sized Hopi Kachina doll hand carved by Wilson Tewaquaptewa circa 1910. With painted details, carved arms, attached protruding ears and tableta. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market. His dolls are usually monochromatic in color (brown, ochre and white and black). His use of symbols, painted on ...

A small Hopi Kachina doll, possibly depicting Samawutaqa, circa 1930-1940. Description of Samawutaqa from Colton, 1949, p. 61: "Appears in Mixed Kachina Dance. This is said to be the only kachina that the Tewa people brought with them from the Rio Grande to Hano about 1700." 7" tall.

A cottonwood Hopi Mudhead Kachina doll circa 1900. Depicting Koyemsi, the Mudhead Clown, of slightly attenuated form, arms hugging the torso, the case mask decorated with three circular attachments, representing gourds; painted with red, black and brown pigments. Description by Colton, 1949, p.59: "Koyemsi is the most common Hopi clown. He appears in Mixed Kachina Dances and sometimes a group of Koyemsi appear in a dance of their own, At First Mesa they are said to sing Zuni songs." 8 1/2" tall.

A small Hopi Kachina Doll hand carved and painted by Wilson Tewaquaptewa circa 1930-1940, with chicken feathers. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market. His dolls are usually monochromatic in color (brown, ochre and white and black). His use of symbols, painted on the case mask, seems to be arbitrary. DIM...

A small Hopi Kachina Doll hand carved and painted by Wilson Tewaquaptewa circa 1915. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market. His dolls are usually monochromatic in color (brown, ochre and white and black). His use of symbols, painted on the case mask, seems to be arbitrary. DIMENSIONS 6" tall x 2.5" wide ...

A coin silver cigar band with a primitive, stamped, coin-silver button ring, circa 1890-1900. Similar examples of this button can be found in, "Indian Silver Jewelery of the Southwest 1868-1930," by Larry Frank. Page 66, item 68 shows a very similar set of six stamped buttons with a high domed centers circa 1890s, found at Hopi in 1911.

A medium sized Hopi Kachina doll carved by Wilson Tewaquaptewa circa 1930. Tewaquaptewa (1871-1960) was the last chief of Old Oraibi. He produced Kachina dolls which are a combination of many dolls and figments of his own imagination. He believed that you didn't carve actual Kachinas for the tourist market. His dolls are usually monochromatic in color (brown, ochre and white and black). His use of symbols, painted on the case mask, seems to be arbitrary. DIMENSIONS: 7" tall.

A medium sized carved wood Hopi Kachina doll - Hornet Kachina (Tatangaya) circa 1930. Description of Tatangaya from Colton: "Two types...At Second and Third Mesas he wears a green case mask with datura flower ears. Stripes of all colors surround the face. Cloth ruff, breech clout, and green moccasins. Yellow and red body paint. The Hornet Kachina appears in groups or singly in Mixed Kachina Dance, and the Pamuya. He is said to be of Zuni origin." DIMENSIONS: 7" tall.

A rare Jimmie Kootz carving of a Double Eagle Kachina in puppet form circa 1940-1950. DIMENSIONS: ~5 1/2" tall (arms extended upward); 1 3/4" wide (at midsection including second doll).

A rare Jimmie Kootz carving of Koshare Clown Kachina in puppet form circa 1940-1950. With articulated arms and legs and two independent strings, one attached to the top of each arm. Koshare's general description from Colton: "Face mask painted white with black eyes and mouth. Two soft black and white striped horns on top of head. Rag ruff. Breech clout. Bare feet. Body painted in black and white horizontal stripes. No regular accessories." DIMENSIONS: 7 3/8" tall (arms extended upward); 1 7/8" w...

A rare large pictorial beaded Iroquois animal whimsey, circa 1890. Depicting what looks like a mythological deer or elk figure. A great folk art piece. One of the largest and most spectacular whimseys known. With a great sculptural relief, and beaded in white, blue, green, copper, light tan, numerous beaded suspensions with tubular beads, sequins. Excellent Condition. 11 1/8" wide; 12 1/2" tall; 15 3/8" tall (w/suspensions).

A Hopi polychrome wood Kachina doll depicting Hólolo, circa 1915-1920. Description from Colton, "Case mask painted green or brown, with pop eyes, snout, cheeks painted with half moons or small circles. Douglas fir or juniper ruff. Kilt, sash, fox skin, and green moccasins. Body painted red with yellow shoulders, forearms and lower legs. Carriers rattle and bow and arrows. Appears in kivas in spring or in Mixed Kachina Dance." Good Condition consistent with age, some paint loss. 14" tall, 5 5/8"...

A New Mexican straw-overlay black-stained pine document box circa 1850. Provenance: Al Luckett Collection, sold at Sotheby's "American Furniture and Decorative Arts from Spain's Northern Colonial Frontier", New York, Thursday January 15, 1998, Lot No. 39. Extremely Fine Condition considering the age. 16 1/8" long, 10 3/8" wide, 7 1/4" high.

A San Juan carved wood figure from mid-twentieth century. Secular carving of the Deer Dancer. Excellent condition. 12 1/4" tall.

A uncommon Hopi polychrome mudhead pottery vessel circa 1920-1930. It is very unusual to have a mudhead depicted on a pottery vessel. Excellent condition, with no loss. 6 1/2" diameter

A polychrome Hopi wicker tray circa 1920-1930. Depicting a Palik Mana wearing an elaborate tableta and a woman's shawl. On the back of the tray there is an uncommon reversal of the image which shows the figure's backside. It is also rare in that the entire body is shown, rather than just the face. Excellent condition, with normal fading on the front. 13" diameter

A pair of Sioux buffalo hide moccasins circa 1880. With dark blue, red, white hearts, and green in geometric square and triangular designs. Excellent condition.

Hopi Hemis Kachina doll with tablita. Circa 1880-1890. Minor paint and wood loss. Dimensions: 14 1/4" tall.

A rarely carved secular version of the Buffalo Dance figure. Circa 1920. Having secular eyes, a buffalo dance headdress with horns, kilt, arm bands, and moccasins, and wearing a decorative, wooden, tail-like appendage. Excellent condition with only minor paint loss. In the four decades that I've been collecting and dealing kachinas, this is the first Buffalo Dance figure I've had. Dimensions: 8 1/2" tall.

Circa 1840-1850. Buffalo hide quiver with traces of red and green pigment. Contains seven arrow shafts, four with metal points. Ash bow with original animal hair and fiber string. Provenance: Mordecai Thomas Bertram (1843-1904) collected c. 1860-1870 on the Sauk and Fox reservation, then descended within the family.

Circa 1875-1880. Depicting a warrior killing or scalping another man, the warrior holding an elaborate war shield with long feather decorated panel hanging from its center and followed by his horse. The word "Owl" above. On the reverse is written, "This drawing was from a book shown by Robert Miller Gallery N.Y. 1970's. I think it is Southern Cheyenne. George Terasaki sold the book to Miller. Modern artists like David Hockney and Janet Fish received drawing from this book. Don Crouch" Dimensions...

Circa 1875-1880. Depicting two warriors on horseback in combat. The warrior on the left wears a long feather headress and carries a pistol. The warrior on the right carries a bow case across his shoulder and holds an arrow in his left hand. "Kaw Indian" written in ink below. On the reverse is written, "This drawing I purchased from George Terasaki in late 1960's early 1970 from George. This page is Southern Cheyenne, could be Northern Cheyenne. It was from a group of drawings from a loose book....

Rare, beaded hide, sinew sewn, miniature Sioux Blanket Strip circa 1880. Decorated with four central medallions with geometric designs. It is attached to a red textile. This may be one of the smallest blaket strips known. The strip measures 30 1/2" Long x 1 1/2" Wide, and the medallions are 2 1/8" in diameter. The red textile measures 43" Tall x 40" Wide.

Rare Kiowa belt with 10 German silver conchos on a harness leather strip with buckskin tie suspensions and rectangular cutouts on each end of the leather strip. Belt is 34" long x 3" wide. Conchos are 2 7/8" in diameter. One Concho has different design elements from the other 9. Most likely a man's belt. Circa 1900.

Navajo silver canteen, circa 1920. Excellent condition; shows use. Stamped with various geometric decorations. Beautiful cap with handmade silver chain. 3" long; 2 7/8" diameter.

Navajo Turquoise and Silver Cross, mid-twentieth century c.1950. Sand cast, silver cross with central turquoise stone set in silver bezel. Heavy casting. 2 1/2" L x 1 3/4" W.

Northwest coast model totem pole c.1910-1920. Vancouver BC inscribed on the back, "Sam" inscribed on the front. 12 1/4" h, cedar. Minor wood loss, minor paint loss. Otherwise good condition. $275.00

Hopi Polychromed cylinder doll c.1880-90. With pop-eyes, snout, hands carved in relief, red stripe, red dots, green copper carbonate case mask. 5" in height. George Blitz collection, New York

Plateau Parfleche c.1880-1890, size 24" x 13 1/4", Buffalo hide tie, Provenance: Nelson - Atkins Museum Trust, Kansas City, MO, excellent condition, slight soiling from age and wear.

Navajo Squash Blossom Necklace, circa 1930-40. Size 13 1/2 inches per side. Provenance: Belonging to Dorcas Trilostson Crawford, Albuquerque, NM. Decended in the family. Price: $5,950.

Rare Mandan Beaded and Quilled Hide Tobacco Bag. Tin cone and red feather suspensions, hide fringe. Size: 26" length x 6.25" width. Excellent condition. Circa 1870 - 1880. Provenance: Paul Dyke, Artist, Rimrock, AZ

c. 1910. The cape and skirt are of early cotton and calico material in an early patchwork design. She has a painted wood face, wood hands, and wood column body. 13.5" tall.

This is a Crow parfleche made of raw hide, used as storage containers. c. 1890-1900, 25.25" x 11.5"

Cheyenne beaded bag with tin cone suspensions. c. 1880, 5.75" x 2.375".

c. 1920, 11.25" tall by 3.5" wide. Wood loss on one foot, one foot has been reattached, cracking to the cottonwood on the casemask and rear of the doll; otherwise in very good condition considering the age. Some paint loss.