Pre-Columbian Jalisco Male Figure. Circa. 300 B.C. – 300 A.D. Standing Male figure with a cream slip with blacken facial markings with head, nose and ear ornaments showing extensive mineralization.. 9 1/2” x 6 1/2”. Provenance: John Platt Collection

This figure is a flat, pottery warrior statue from the Colima culture in the area of Western Mexico, Tecoman and coastal area, ca. 200 BCE - 200 CE. The style of this unslipped buff figurine is typical of Tecoman and the coastal area. It blends the typical coffee-bean eyes and facial features with a plate-flat body and string arms...

Aztec Serpent Censer. Central Valley Mexico. Aztec. Circa. 1350 A.D. – 1520 A.D. 2” x 5.25” x 25”. Musical Fire Censer in the form a of a serpent, very highly detailed piece. Repaired from several breaks multi color red, buff, cream, and brown. Very unique and beautiful. Provenance: Howard Rose, NY,NY

Colima Flat Male, 7 1/2" by 4". CA. 300 B.C. 500 A.D. Repaired break right arm with break line showing, otherwise intact. This is a very nice gingerbread man. Does not include stand.

Pre-Columbian, Very large, very striking female figure from Nayarit Mexico. 22" x 11" x 7". Fine detail throughout. Extensive mineral deposits. Provenance:Ronald Normandeau Collection, Laguna Beach, California.

Teotihuacan Articulated Maskette. Mexico. A natural buff-brown pottery mask depicting an wrinkled faced male, probably representing Huehueteotl, the fire god. Articulated lower jaw, upper with two teeth. Perforated eyes and ears and incised wrinkles. Repaired from approximately six original pieces with some fill along the break lines. Perforated along the rim for attachment. A rare example. 5”H. x 5 ½” W. ” Circa: 600 A.D. – 800 A.D. Provenance: Howard S...

Pre-Columbian Maya Eccentric Obsidian Scepter. Cira.600 A.D. to 900 A.D. 5” x 0.625” x 14.5. These visually complex silhouette scepters, many found at Copan,embodied their role as cutting weapons and were symbolic of the martial pursuits of most late classic period rulers. Repaired break. Ref. Maya pg. 259, Rizzoli, 1998. Provenance: Spencer Throckmorton Gallery, NY, NY.

Exceptional Type 10 Mezcala Figure. 5 1/2" x 2 1/2" x 1 1/2" CA. 1500-300 B.C. This very mint gray stone figure has no modern day chips or marks, it does have the classic upper top of the head fracture area. This figure has a very nice plumpness to it. It comes with a custom made black metal stand. Mineral and root marks over all.

Standing female Figure. Vera Cruz, Mexico. Circa. 450 -1521 A.D. 7” x 5” x 2”. These figures are believed to be a representation of a harness device holding a person for sacrifice or imprisonment. Various repaired breaks throughout. Provenance: Arte Primitivo.

An attractive red terracotta stamp seal, carved in deep relief with a cruciform pattern, Pre-Columbian, Nicoya, Linea Vieja, 1st. mill. AD

Well-made in a wonderful condition. Almost stone-like density of this red ceramic.

Size: 43 mm. tall and c. 47-48 mm. in diameter.

Condition: Extremely Fine.

Ex. German Private Collection and ex a Dorotheum auctionsale in 1980, where it was purchased!

Rare antique, circa 500 - 1500 AD. Pre-Columbian Tairona Culture necklace comprised of a finely hand carved bone figurine-pendant, depicts a standing figure of a Priest with crossed arms wearing a tall elaborate ceremonial feather headdress, armlets on his uppers arms and bracelets on the wrists and a belt across the waist , mounted on a necklace made of various sizes round disk shell beads and 14 bulbous Carnelians beads...

A couple of very rare Pre-Columbian containers, made of a long hollowed bone, clad in leather and decorated with shells, Chancay or earlier, pre 15th. century AD

Containers for holding pins, likely darts for a blow gun!

Size: 17 cm. for the longest and 11,5 cm for the smaller.

Condition: Choice, some loss to leather and shell decorations, but remarkable intact for type and age. With remnants of a cord on one of them...

A massive and elaborate seal of the rare roller seal group, probably for decorating bread, Pre-Columbian Carchi culture, Ecuador. 500 BC-500 AD.

A very beautiful and impressive seal decorated with geomethric patterns in solid grey stoneware. The seal born with protruding handles, to make it easier to use.

Size: 12 cm. long!

Condition: Extremely fine.

Ex. Lyngbye Collection, Jan Pelle, aquired in the 1960s, with his old tag made later.

A wonderful sturdy cloakpin of silver with the substantial finial in gold, Chimú-Inca period, ca. 12th.-15th. century AD.

Size 14,1 cm. and weighing 10 grams.

German Private Collection, aquired between 1975-1985.

Peru Moche culture 200 bc-700 ad very rare solid copper beads . With a total of 19 pieces they seem to be all solid copper and many of the beads have designs such as birds, geometrics, melon shapes circles dots and edge trim designs. Most all have heavy patina but could be cleaned. largest bead 3/4" wide tallest almost 1/2" I have two lots with the same description just different quantity.this lot 19pc

This is a very unusual artifact. It is bone that has been covered with 22K hammered gold. It is 8" long. It is either a pectoral or perhaps a nose ornament. The bone is broken near the center, but is completely covered by the gold. It is from La Tolita, Ecuador C500BC-500AD. This piece was found with a gold death mask in a tomb. It was found lying next to the mask and was part of the mask. The two were separated. The mask sold for $75,000. It is from the Ken Klassen collection, Bogota.

This stunning pure gold necklace is from the El Bolo treasure, 200BC-200AD. It was found by treasure hunters who struck a deal with the Colombian government, the Bank of Colombia and the local peasants whereby the treasure was divided up. The Royal Family of Saudi Arabia purchased many of the pieces including full body suits. Artifacts from this treasure can be readily identified by the extreme purity of the gold which is 23K-24K. The Bank of Colombia among other items had 8 gold necklaces...

This matching pair of Nayarit gold and silver spiral pendants were found together. The gold is 22K and hand cut, an amazing feat for today's jeweler and an unknown process with ancient tools. They are paper thin and spring-like, although lay flat. They are wearable. This is very desirable universal iconography. Purchased from the famous Lynn Langdon collection.