A very fine solid cast Tibetan bronze depicting a six-armed Mahakala. Excellent detail- note the finely cast skull crown as well as the excellent facial detail. The piece is free of any damage and measures 4-5/8" in height

Authentic antique 18th -19th century finely painted on cloth Tibetan Tangka – Thanka of Chenrezig -Avalokiteshvara - Buddha of compassion.

The deity, with white skin, is seated majestically on a grand throne, elegantly dressed in a traditional dhoti, and adorned with an array of ribbons and intricate jewelry, which adds to the overall grandeur of the scene. The deity is surrounded by a radiant nimbus and aureole, which further emphasizes the deity's divine nature...

Small antique Tibetan bronze cup. Intended for holding water in a Buddhist shrine. Made of bronze and shaped in the form of a lotus with petals starting in a gardroon and ending in a scalloped edge just below a ring around a smooth rim.

17th century

Dimensions: 2" high

Tibetan painted Zitan wood figure of a standing Padmapani Bodhisattva one of the many forms of Avalokitheshvara. Tibet or Nepal, 18th cent. His right hand lowered and extended in varadamudra while the left is raised in vitarkamudra. His face has a serene expression; he is wearing a dhoti, a scarf and jewels. The Bodhisattva only has been made of precious Zitan wood. Standing on a separate carved lotus base, behind him a flaming halo, both base and halo made of a different type of wood...

Antique Himalayan tsha tsha (small votive plaque) depicting White Tara seated on a lotus throne. White Tara (the Mother of all Buddhas) is worshipped as the embodiment of the maternal aspect of compassion. Her seven eyes allow her to see all suffering.
Tsha Tsha were cast of clay mixed with ground incense and sacred ash. They were dried in the sun and painted with polychrome pigments. Small votives like this one were left as offerings at spiritual sites along a pilgrim's route...

THANGKA

Tibetan Buddhist thangka painting on silk and cotton fabric mounted as a portable scroll for the monk who visit the villages and use it for telling Buddhist doctrine or Buddha's biography to the people. 18th century. Rare valued piece with calm and mercy. The condition is as seen. (lack of a rod, but attached with a gut for hanging) approx...

A delicately cast fire-gilt bronze image of the Four-armed Avalokitesvara (Tibetan: Chenrezig; Chinese: Sibi Guanyin), the Bodhisattva who embody the Universal Compassion, seated in Dyana-asana on a lotus flower. Original sealed bottom. Tibet, 17th cent. H 11 cm. Condition: very good gilding with natural patina due to handling.

18th century Tibetan thangka in original mounts depicting Begtse standing on a lotus throne trampling on the corpses of horses and humans, brandishing a sword, supporting a lance and a bow and devouring a human heart. Rather rare icon, Beg-tse (also called Jamsaran) is a dharmapala (the Defender of the Buddhist Law) and the Lord of War, in origin a pre-Buddhist war god of the Mongols - his name means “hidden coat of mail”...

Nepalese painted manuscript cover, 4 illustrations, colours on wood, 5x23.5 cm, wax seal, undated estimated to be 18th cent or earlier, can be viewed in central London and shipped worldwide.

Indian painting of a woman on a black background upon a marbled page.Undated, estimated to be late 18th century. 41 x 30 cm. Surrounded by hand drawn calligraphy between elaborate borders. Text on reverse. Framed and glazed.

Interesting early brass figure of the reclining Bull Nandi, Southern India, c. 18th. century.

A finely made figure, much older than most we've seen on the market.

Size: c. 9 cm. tall and 6,5 cm. wide.

Condition: Choice Very fine, smooth wear from use and polishing, redish patina inside, remnants of pigments.

Ex. Private collection of Ulf Gudmundsen from the 1950s and onwards. An important collection of Tribal African and Asian antiques.

18th century Indian bronze votive sculpture of Ganesha sitting on a square throne, with his vahana (vehicle) - a bandicoot rat - in his lap, and holding his usual attributes in his 4 hands. There is a protective naga (cobra) wrapped around his waist. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking. He bestows good luck on his worshippers, and is invoked in marriage ceremonies and in some forms of Tantric worship...

18th century Indian bronze votive sculpture of dancing Krishna playing a flute, cast in the State of Orissa. This avatar of Vishnu playing flute for gopis is known as Krishna Venugopala (as always in this image, flute was cast separately, and is missing). Excellent casting and detailing (see the loose ends of his tied loincloth), wonderful face, beautiful patina, very pleasant feel of age to the sculpture. Height 5 1/4 inches.

Miniature 18th century Indian bronze shrine for a home altar in a form of a courtyard with generally recognizable figures of Shiva, his wife Parvati, Naga (hooded cobra), and facing them their elephant-headed son Ganesha, another Naga, Nandi the bull of Shiva and Shiva lingam. Very nice simple devotional sculpture with earnest casting and detailing, good patina from being touched during worship, a lot of compressed dust, very pleasant feel of age. Length 15/16 inches.

18th century Indian bronze votive sculpture of Ganesha sitting on an elevated base and holding his usual attributes in his 4 hands. There is a protective naga (cobra) wrapped around his waist. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking such as marriage or new business. He bestows good luck on his worshippers, and is prayed to in some forms of Tantric worship...

18th century Indian bronze votive sculpture of standing Bhairava accompanied by a small figure of a saddled horse. Govinda Bhairava is a syncretic form of Vishnu and Shiva. The upper hands are holding Vishnu’s attributes (Chakra and Shankha) and the lower hands are holding Shiva’s attributes (staff and begging bowl). Rare icon,. wonderful casting, beautiful devotional wear, excellent patina, traces of red sandalwood paste used during worship. Height 2 3/8 inches.

18th century Indian framed watercolor of a maiden wearing rich clothes and holding a flower in one hand and what is probably a long necked perfume bottle in the other. Excellent delicate painting, superb detailing, has good presence. Old tear above her head as seen on photos, overall in very good condition. Framed and glazed, image in sight 5 1/2 x 3 3/4 inches, frame 11 5/8 x 9 1/2 inches.

Double sided manuscript leaf. Rajasthan, 1776 From a dispersed copy of the Shalibhadra Caupi. The story of Sangam. Composed by Dharma Kumar. Gujarati version. Sirohi manuscript: Sangama herds cattle and the four neighbours bring the ingredients for khir and 3v: Dhanna cooks khir, Sangama gives his food to the monk breaking his fast and Dhanna gives the boy the rest of the food.See p.104 'Steps to Liberation', Jan van Alphen, Antwerp, 2000 11cm high x 26.7 cm wide. Good condition