Antique Indian carved figure of Ganesha, the elephant headed Hindu deity known as the Remover of Obstacles. Carved of soapstone and with traces of pigment. Ganesha sits on a bench with one leg up. His gently curling trunk rests on his large round belly. According to legend, Ganesha was created from mud by the goddess Parvati in order to guard her while she bathed...

Antique Indian figure of dancing Ganesha. Carved of stone, possibly serpentine. Ganesha, the Remover of Obstacles stands on one foot with knees bent as he dances. In one hand he holds a string of prayer beads and in the other, a club. By his right hand is his vehicle (vahana), a mouse. Ganesha is the beloved child of Shiva and Parvati.

Age: 19th century

Dimensions: 8" high x 4 1/2" wide x 1 1/2" deep

Small Indian deity cast in bronze with a high copper content depicting the dancing god Krishna as a child holding in one hand a butter ball. Condition: patina, traces of usage, rubbed. Dimension: 8.3 cm high.

18th century Indian bronze chhappa (a tantric ritual stamp), its base leaving an imprint of a peacock feather. The chhappas were used during tantric temple ceremonies to stamp the proscribed parts of the body such as the forehead, cheeks, shoulders, forearms and stomach with a paste of white (for Vaishnavites) or red (for Shaivites) sandalwood. The marks on the body provide a visual display of the adherent’s devotion and transfer the beneficence of the deity to the wearer...

18th century Indian bronze chhappa (a tantric ritual stamp), its base leaving an imprint of a peacock feather. The chhappas were used during tantric temple ceremonies to stamp the proscribed parts of the body such as the forehead, cheeks, shoulders, forearms and stomach with a paste of white (for Vaishnavites) or red (for Shaivites) sandalwood. The marks on the body provide a visual display of the adherent’s devotion and transfer the beneficence of the deity to the wearer...

Four 18th century Indian bronze chhappa (a tantric ritual stamp), their bases leaving imprints of: a sacred text, a conch shell and 2 of satkona yantra surrounded by sun rays. The chhappas were used during tantric temple ceremonies to stamp the proscribed parts of the body such as the forehead, cheeks, shoulders, forearms and stomach with a paste of white (for Vaishnavites) or red (for Shaivites) sandalwood...

Late 18th to early 19th century small Indian bronze votive sculpture of Vitthali and his consort Rukmini standing on a base next to each other with an ornate probhavali behind their backs. Vitthali is regarded as a form of Vishnu or Krishna, h name means “standing on a brick”, he is usually shown in characteristic stance with his hands on his hips. He is also known as Vithoba or Panduranga, and is worshipped in particular in Pandharpur, not far from Bombay...

Old tribal necklace made of twenty strands of old glass beads of various colours. North East India, Naga ethnic group. Length: around 29 cm. Very good condition. Provenance: 1) old European collection 2) auction sale.

Old tribal necklace, made of old glass beads of various colours with a bronze ornament in the shape of a double fish tail. North East India, Naga ethnic group. Length: around 34 cm. Very good condition. Provenance: 1) old European collection, 2) auction sale.

Old tribal necklace, made of old red and yellow glass beads and small bronze bells, with a bronze ornament in the shape of three heads to indicate head-taking status. North East India, Naga ethnic group. Length: around 37 cm. Very good condition. Provenance: 1) old European collection, 2) auction sale.

Old tribal necklace, made of old glass beads with a bronze ornament in the shape of a fish tail. North East India, Naga ethnic group. Length: around 37 cm. Very good condition. Provenance: 1) old European collection, 2) auction sale.

Watercolour over pencil on paper showing camels and figures, domed buildings on the horizon. Unsigned, in the style of David Roberts Location unidentified. Undated, estimated to be late 19 th century. 36x26 cm

18th century Indian bronze votive sculpture of Nandi - the vehicle of Shiva, or sometimes considered to be a form of Shiva himself. It stands wearing rich trappings, Shiva lingam in front of him, and a protective Naga (cobra) with widely spread hood facing the lingam on the opposite side. Very nice casting, brassy metal, good patina and wear. Very good devotional object, pleasantly heavy. Part of the collection assembled by an American couple that extensively traveled in India in 1950s...

Antique Indian Mughal miniature painting of a court princess, holding a child's crown on a small, round tray. She is draped in shear yellow robes with red salwar and she is bedecked with jewels. Her long black hair flows down her back. Here beautiful face has a slight smile. Behind her are tall plants flowering yellow and white. This court painting was probably once an album leaf from an illuminated text...

Antique Indian Mughal album leaf miniature painting most likely of the Emperor Jahangir on horseback. A halo and bejeweled crown imply his Imperial rank. Jahangir was ambitious about taking over the reign of his father, Akbar the Great, and the two were at odds until reconciling later in life. Akbar was a patron of the arts and it was he who brought together the Indian and Persian artists who defined the genre of Mughal miniature painting...

Antique Indian Mughal album leaf miniature painting of a prince with tiger. He stands adorned in sumptuous clothing, intricately embroidered with tiny florals. A blue halo and bejeweled crown imply his Imperial rank. He holds a small pink blossom. This is most likely a portrait of the Emperor Jahangir, son of Akbar the Great. Beside him sits a tiger, emphasizing the Emperor's power and wealth as well as an appreciation of the beauty of nature often found in Mughal art...

Indian Sri Cakra Yantra. Red and black ink on old cotton. 66 cm.sq. Undated. 2 areas of losses as shown in photos. Black ink inscription on right side. Currently framed, can be removed and sent folded worldwide.

19th century small votive Indian bronze sculpture of Ganesha sitting on a square base. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking. He bestows good luck on his worshippers, and is invoked in marriage ceremonies and in some forms of Tantric worship. This Ganesha has his trunk turned to the left, and it is strongly advisable for worshippers to keep left sided Ganesha statue at home. They are believed to be representing Ida Nadi (lunar energy) with its moonli...