Shrine with inside the figure of the bodhisattva Jizo. He sits on a lotus base, positioned on a rock, his left leg hanging down, the foot resting on a small lotus base. In his left hand he holds a sacred jewel, in the right he formerly held his staff. The rock is placed onto a six tiered hexagonal, elaborately decorated base...

1930's Japanese Gilt Bronze Buddha Sankosho & Tokkosho (Dokkosho)

The sankosho is 5.6 inches (14.2 cm) tall by 1.6 inches (4.3 cm) wide. The tokkosho is 5.2 inches (13.3 cm) tall by 0.6 inch (1.7 cm) wide. They are 0.6 Lb.

It have rubbing of gilt, oxidation, and surface wears and scratches (as seen in the photos).

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Plain wooden sculpture of the deity Shichimen Daimyojin. She is sitting on the top of mount Shichimen, crossing her left leg over the right, holding a jewel in her left hand. She is positioned on a rectangular elevation, painted green on top and gilded over lacquer on the sides. Behind her a jewel decorated nimbus. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. Crown of gilded metal. On the back in black ink inscription reading ‘Nichiren’...

Very small, black lacquered shrine (gilded on the inside) with inside the wooden figure of the Bodhisattva Marishi-ten in three-headed form (left head is a boar's head), sitting on a lotus base carried on the backs of seven boars. In his hands he holds a branch of the asoka tree, a sword, bow and arrows. The carving is slightly abstracted, but nevertheless full of detail...

An incredible and massive Japanese Buddhist Temple Ranma (transom) carving of a crouching Shishi (Fu Dog) under an overhanging pine tree flanked on both sides by exaggerated Peonies. Beautifully hand carved with great detail. The pine tree represents longevity while the large Peonies symbolize an abundance of wealth. The frame and carving both are made of Hinoki (Cypress) wood. Very good original condition...

Antique Japanese zushi shrine for travelers. Doors open to reveal Aizen-Myōō, one of the Wisdom Kings. Venerated in Japanese Esoteric and Vajrayana Buddhism, Aizen-Myōō is known for transforming worldly lust into spiritual awakening. In his six hands he hold attributes including a bell which calls awareness and a vajra which represents the diamond that cuts through illusion...

Buddhist shrine with sculpture of the bodhisattva Myoken, deity of the Polar Star and of the Big Dipper.
He is dressed in Chinese garment, standing on the back of a kida (a beast that is half turtle, half dragon-snake), holding an enormous sword. Behind his back a nimbus with seven discs, representing the seven stars of the Big Dipper. To the left of the rock base the head of a snake pops out. (Probably a snake was wound ”around” the giant turtle and broke off...

Antique Japanese Buddhist Diamond Realm Mandala thangka painting (Kongokai Mandara). In Vajrayana Buddhism, the Diamond Realm (vajradhatu kongokai) is a metaphysical space inhabited by the Five Wisdom Buddhas. The Diamond Realm Mandala is based on an esoteric Buddhist sutra called Vajrasekhara Sutra. Shuji Mandala of the Two Worlds, Vajradhatu Mandala does not directly express the forms of the buddhas but expresses them in Sanskrit character (Siddham) called Shuji seed letter...

Sculpture of Shomen Kongo, standing with 6 arms, holding ghanta and sword, bow and arrow, halberd and chakra. Shomen Kongo protects against demons and diseases. Wood stained black, with metal parts. Japan, Edo period, shortly after 1800.
H ca. 11 inches.
Sword missing, few traces of usage. All in all very good condition.

Late 18th to early 19th century Japanese lacquered wood Boddhisattva with his hands in praying attitude, mounted on burlwood plaque. Wonderful beatific face, quiet dignity in its posture, old nicks here and there, overall in great condition for a 200 year old piece. very pleasant patina. Newer burl board with beautiful texture resembling dense swirling clouds, nice metal fitting for hanging. Good devotional or decorative object. Board height 6 7/8 inches, figure height 3.5 inches.

Antique Japanese copper censer with handles. The pierced copper lid has a repousse design of a dragon in swirling storm clouds with lightening. The body of the censer is hammered copper and has two warabite shaped handles on either side.

Age: Meiji Period (1868-1912)

Dimensions: 7" high x 11" wide (including handles)

18th century or earlier Japanese magatama bead made out of muddy green jadeite. Magatama are curved beads which first appeared in Japan during the Jomon period (circa 1000 BCE), and in Korea during the Prehistoric period, mainly in the Bronze Age and Neolithic. They are found in mounded tumulus graves as offerings to deities, and continued to be popular with the ruling elite throughout the Kofun Period, and are often romanticized as indicative of the Yamato Dynasty of Japan. It is believed that ...

Fabulous cypress wood dragon carving from a zen temple. Well preserved. Stands upright. Excellent condition. When the carp swims up a waterfall and makes it over the top it becomes a dragon and resides in the celestial realm protecting the buddha`s teachings. 34" long bu 11" wide. Ask for shipping quote.

Antique Japanese mokugyo, fish bell, carved of keyaki (zelkova, elm) wood with traces of red and white lacquer. This wooden temple bell was used by Buddhist priest during religious ceremonies and chants. Laid on it's side on a pillow, the bell was struck to a rhythm to match the cadence of the chant. The carving on the bell is of two fish embracing a pearl, a symbol of unity. The fish themselves symbolize wakefulness, in this case to remind the chanters to focus on the sutra.

Hanging scroll with image of the descent of the Buddha to welcome the souls of the deceased and accompany them to the Western Paradise. He is standing on a lotus on clouds and holds his hand in gebon josho. The mudra is the appropriate level for common citizens to be reborn in. Mineral colors and gold on silk. The garment exquisitely decorated in gold. Japan, late Muromachi or early Edo period, 16th century.
Image: 38 ¼ X 15 ¾ inches. Mounting: 84 ¼ x 21 3/8 inches.
Missing areas...

An antique Japanese Buddhist altar stand made of Keyaki (Zelkova) wood. All original Urushi lacquer and each part was hand carved. Featuring a center lotus flower with a 4 petal Dorje Vajra on each side. Beautiful craftsmanship throughout. Slight loss to back leg support.

Age: Meiji Era (1868-1912)

Dimensions: 24 1/2" Wide by 9" High by 11 3/4" Deep

Antique Japanese small drum. Likely for ceremonial use, this drum could have been placed on a stand or held by its handle while in use. Made of keyaki (zelkova elm) wood and painted leather with iron and bronze.

Age: Meiji Period (1868-1912)

Dimensions: 7 3/4" wide x 4" deep

Japanese antique 4 section butsudan (Buddhist shrine for household use). The exterior is lacquered all black with double cabinet doors to the shrine area. The interior of the butsudan is lacquered gold and black and has ornate carved details of phoenixes and a dragon just below the shrine roof area. Details of birds and waves are carved in the area below. The interior shrine compartment has a slide out tray as well as a small compartment with gold lacquer sliding panels. The bottom two sect...

Antique Japanese tall and graceful lotus blossom. Made to be part of a Buddhist altar arrangement. The lotus represents enlightenment blooming from out of the mud. Carved of wood and lacquered gold. Lotus petals are carved separately and joined. Fitted with a custom metal stand.

Age: Meiji Period (1868-1912)

Dimensions: 27" high (including stand)

Late Meiji (1890s to 1912) Japanese boxwood seal, most probably used in a temple to stamp pilgrimage papers. The impression of the seal is shown on the first photo (image is flipped left to right to present the image as it will actually print on paper). Excellent quality crisp carving of 2 rows of differently sized characters, caked old red seal paste on the bottom. Metal stud on the side indicates the position of the top of the imprint. Beautiful patina on the surface of wood. Height 2 3/16 inc...

Edo Period Portable Wood Buddhist Shrine with Exquisite Carving. 17h x 12w inches, 43h x 30.5w cm. In Buddhism, portable shrines were made so that devout travelers with nowhere to worship could carry their shrines with them. The shrines were made with closing doors, to preserve the artwork. This shrine features exquisitely carved deities and finely lacquered details.

Antique pair of small Inari Shinto shrine foxes carved of wood. Originally painted, these foxes have acquired a deep, dark over many years. Also called Zenko, these good spirit Kitsune (foxes) are specifically associated with the Goddess, Inari.
Believed to be both messengers and guardians, Kitsune serve Inari in her role as the Goddess of agriculture, specifically rice. Part of the folklore surrounding the fox is it's ability to shape shift into a human form. It is believed that Inari ...

This is a rare and exquisite antique Japanese Baku corbel carving from the Edo period (early 19th century). The Baku is a mythical spiritual creature that resides in the Buddhist realm and is known for devouring evil spirits and nightmares. This architectural sculpture is carved from one solid block of Keyaki (Zelkova) wood and has stood the test of time. It is a large example of an antique Japanese Baku corbel used in a temple or shrine. This piece is a beautiful representation of Japanese and ...

Small Buddhist shrine, or zushi, containing the figure of the Bodhisattva Kannon Nyoirin in six-armed form, sitting on a lotus base positioned on rocks. Kannon sits in position of royal ease, his head resting on his main right arm. In his other right hands he holds the wish-granting jewel (nyoi hoju) and a rosary of stringed beads. His main left hand rests on the lotus, while the others hold a script and a, now missing, lotus flower. He wears a crown and jewelry on his chest made of gilt metal a...

Large Japanese antique processional temple cart, base made of keyaki (elm) wood with copper hardware, drum is also made of keyaki wood with a large brass rooster on top, wonderful condition (wheels roll!), lovely carving and lacquer detail, unusual and striking! Meiji/ Taisho Period (early 20th century). Size: 90" high x 69" long x 42 1/2" deep.

Midsize Buddhist shrine, zushi, with double doors on front and back, housing a suiseki (scholar’s rock) placed on a lotus base. Zushi black lacquer on outside with brown copper hardware engraved with flowers, the roof decorated above the doors with cranes painted in black ink. Inside covered with gold lacquer, the pillars decorated with lotus petals. Japan, Edo period, 19th century.

H zushi 9 inches

Some traces of usage (chips on lotus base, rubbing of painting), one door with minor da...

Antique Japanese bronze with gilt traces Quanyin statue, standing on a lotus pedestal.She holds a bottle in her left hand and a seashell in her right hand. With remnants of lacquer and gilt pigment.

18th century or later.

Dimensions: 12"H x 4" W x 4" D

19th century or earlier Japanese magatama bead made out of lapis lazuli. Magatama are curved beads which first appeared in Japan during the Jomon period (circa 1000 BCE), and in Korea during the Prehistoric period, mainly in the Bronze Age and Neolithic. They are found in mounded tumulus graves as offerings to deities, and continued to be popular with the ruling elite throughout the Kofun Period, and are often romanticized as indicative of the Yamato Dynasty of Japan. It is believed that magatam...

Small shrine with a wooden sculpture of Jizo, standing with a jewel in one hand (which are missing), his staff (which is missing) in the other. Here he is represented as Danda Jizo, assisting those who are suffering in hell and saving small children from the wheel of rebirth. The paintings on the doors show naked children chased by demons in hell. Polychromed wood with delicate details. Metal madorla. Japan, late Edo period, around 1800.
Height zushi: ca. 7 ½ inches.
Paintings on the...

Elegant gold gilt Meiji Period c.1900 Zen Buddhist Altar Inner Mirror meant to reflect the soul. Beautifully carved buddhist clouds and waves. Holds a bevelled round mirror. Back is thick black lacquer. Ecellant condition. 11" by 11". Ask for shipping quote from California warehouse.

19th century Japanese wooden nyoi - a Buddhist scepter - with scrolling finial. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge. Dense sakura (cherry) wood with beautiful texture, simple elegant carving, wonderful patina to the surface from being handled, old ink spots in places, very pleasant to hold. Excellent subtle piece for a scholar’s desk, or a practicing Buddhist, and is indispensable for hitting acolytes who have fallen asleep during meditati...

Museum piece with extraordinary history. This altar table was one of 4 pieces we acquired at auction from the private residence of the 14th and final Daimyo (Lord)of the Tokushima Han (clan) Hachisuka Mochiaki of Awa Province on Shikoku Island in central Japan in the Edo Period. He lived 1846-1918. Hachisuka Koroku, his great grandfather, was one of Hideyoshi's (the 2nd Shogun) top generals in early Edo Period and Hideyoshi awarded the Hachisuka the province of Tokushima in Awa (Shikoku) and the...

Regal and Compassionate Ca. 1930 iron standing bodhisattva 'Kannon' diety. Standing 81cm tall x 26cm wide x 22cm deep. Lovely patina and facial expression. Ask for shipping quote.

Antique Japanese small zushi (traveler's shrine) with unusual scene of Buddha seated on a lotus throne which rises out of billowing waves. Below him, two lords stand on top of the water while smaller lotuses bloom around them. Carved of wood with painted and lacquered details.

Age: Edo Period (1603 - 1867)

Dimensions: 5 1/2" high x 4 1/4" wide (9 1/4" wide when open) x 2 5/8" deep.

Finely carved wooden figure of Gyochu Kishimojin, the hands folded together in prayer, standing on an upside down lotus leaf, positioned on a rocky base. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. The base and the lotus gilded over lacquer. Inscribed on back: Kishibojin, opening of the eyes, Nichiren. Inscribed in black ink on bottom of lotus leaf: Hirono Naomasa. Japan, Edo period, 18th century.
Height without base 7 ¼ in. (18.3 cm).
Le...

Japanese Buddhist scroll painting with the image of Amida raigo, the descent of Amida Buddha from the Western Paradise to earth. He comes down to transport the newly deceased devotee to the Western Paradise. In the middle Amida, to his right the bodhisattva Seishi, hands folded in prayer, to his left Kannon holding the lotus throne for transporting the deceased to Paradise. A ray of light comes from Amida’s urna. All three figures are standing on lotus thrones, floating on white clouds. They a...