KUGUTSU

Mask part of primitive wooden puppet as the original form transitioning to Ningyo Joruri (Japanese puppet drama) called Kugutsu. Edo period (1603-1868). approx. 14.3 x 19.5 x 6 cm (5.62 x 7.67 x 2.36in)...

Pair of zelkova elm temple 'Baku' bad dream devourers. 22cm long by 12cm tall and 7cm deep. Extremely well carved and very good condition. Ca. 1890 late Meiji Period. Ask for shipping quote.

Antique Japanese Noh mask of the O-beshimi fierce deity, or mythical tengu. "Beshimi" means "mouth clamped shut". This mask is hand-carved from kiri wood, and inside you can see the chisel marks left behind by the artist. There are visible traces of white gesso in the crevices of the face, which was used as a filler to cover the wood grain. Edo period, 19th century Size: 9.5" tall, 7" wide

An antique Japanese large Jizai (hearth hook) used above an Irori (fire hearth) and hung beneath the house rafter to support a rope and hook or a Jizai Kagi (adjustable hook) to hold a kettle or large teapot above the burning charcoal. Carved from one solid piece of Keyaki (Zelkova) wood, this sculpture epitomizes the true feeling of the Japanese word Mingei (folk art)...

DESCRIPTION: In Japanese lore, there are countless tales about the mischievous Tanuki, a real animal native to Japan. Masked like a raccoon but big and stocky like a badger, they are said to have supernatural powers to transform into any living or inanimate shape. Often they assume the form of a monk, as our Tanuki does here. This Tanuki okimono is hand crafted from a single piece of wood in the best of Mingei traditions...

Small, sturdy platter, called ishizara, used as kitchen ware. Gray stoneware decorated with underglaze iron black and cobalt blue tama (sacred jewels) and characters, covered by a creamy, yellowish translucent and finely crackled glaze. Five spurmarks. Mingei.

Seto region, Japan, Edo period, 1800-1850

H 2 x Diam 10.5 in.

Several knicks and chips esp. on the rim edges and a short, old crack commensurate with age and heavy usage...

Eye-catching gold gilt Meiji Period C.1900 sake shop sign. Kanji characters read `Kiwami no Kotobuki` sake or Ultimate Happiness sake. The carving is in the shape of a sake keg. Excellent condition with minor lacquer wear. Old iron clamps were added in the back. See pictures. Size is 15" tall and 13" wide. Ask for shipping quote.

Beautiful small wooden jizai, or pothook. This type is called Daikoku, after the shape of Daikoku’s hat. These hangers were suspended with a rope from a heavy beam, over the sunken hearth. From the hanger an adjustable hook was hung that held the kettle. Good piece of mingei.
Zelkova wood with rests of smut, especially in the grooves.
Japan, 19th century.
H 9.5; w 9.25; 2.75 inches.
Slight traces of usage, very good condition.

Lovely Negoro lacquer'Yuto' water pot from the Meiji Period, Ca.1900. Natural cylindrical body carved out of cypress wood and flush fitting cover all with beautiful negoro lacquer finish. Copper metal fittings. Slight tiny wear on the handle corner. (see picture). H:12" x W: 12" x diameter 8". Ask for shipping quote.

Japanese bamboo brush pot on three feet carved in sunken relief with the head of Zen patriarch Daruma, also known as Bodhidharma, holding a fly-whisk. Fly-whisks were carried by Buddhist priests to wave away flies which, according to Buddhist tenets, they could not kill. The fly-whisk is also a symbol of leadership. Early 20th century. 6 1/2" high x 4 7/8” diameter. Very good overall condition with typical wear from use. There are some small separations in the bamboo...

Antique Japanese small Gigaku performance mask. Gigaku (literally meaning "skill music") is an earlier form of Japanese theatre that was brought over from Korea and China in 612. Gigaku reached a high point during the Nara Period and continued it's popularity until it was eventually replaced by Bugaku theatre. Traditionally performed outdoors at a temple, Gigaku masks were carved with exaggerated features in order for them to be seen by an audience seated at a distance...

Pair Japanese carved solid Wood Shrine Guardian Lions, 10 1/2" high, 6" wide, 11" deep each, wonderfully aged, bleached and weathered being outside above Shrine or Temple heavy door frames. These Guardians also called Protector, or Shishi Dog, one mouth open and another mouth closed, always as a pair, placed on the top of the door hinges or under the eave in front of the Shrine doors to protect and stand Guard outside before entering the Shrine...

Japanese pair of shrine figures depicting two Lucky Gods, Ebisu and Daikoku. On the left is Ebisu, a popular god of business prosperity and abundant crops as well as the patron of fishermen. Carved from wood, he stands with a fish under one arm and a smile on his face. On the right is Daikoku, who represents prosperity and is the protector of crops. He is the patron of cooks, farmers and bankers. Carved from wood, he stands on bales of grain with a big bag slung over his shoulder...

This 8" high wooden figure of the sitting Tenjin was carved during the Edo period, the mid 19th century (1850). Tenjin is the Japanese "god" name name given to the Japanese statesman and scholar, Sugawarea Michizane, the 9th century poet and writer of Chinese prose and verse.

Possibly carved from cryptomera wood and darkened with age, this carved figure has both a simplicity and elegance which are, for me, the major characteristics of Japanese asthetics.

Rustic round platter with wide rim, called ishizara in Japanese, used in kitchens and commoners’ households. Pale yellow glaze that typically leaves the foot free, turning a pale pink and then dark in the center. The plate is slightly warped, as is common with ishizara.
Nine spurmarks in the center.

Mingei

Seto ware, Japan, Edo period, 1800-1850

H 2-2.25 x diam...

Exceptional and rare thick earthenware ceramic ebisu and daikoku masks that have slots on the top of their heads for money. Holes on the back to hang but piggy banks would have to be broken to get out the money. Great expressions and beautifully made folk art. 11" high by 10" wide. Ask for shipping quote.

Sculpture of Daikoku sitting on a rice bale with a big grin on his face, spilling countless jewels (tama) from his treasure bag.
Keyaki (Paulownia) wood, carved in a slightly abstracted manner, called ittobori.
Unsigned. Mingei (folk art)
Japan, 19th century.

H ca. 11 x W 10½ in.

Tension cracks (consistent with material and age), several scuff marks, painters tape on bottom.

Daikoku is one of the seven gods of good fortune. He stands for good fortune and wealth. T...

Antique Japanese fireman's pick axe (tobiguchi), made with a hardwood handle with iron bars and ring, an iron axehead and secondary tool at the bottom of the handle with a nice, aged patina. Edo period (1615-1867) Size: 23.5" length, 4" axehead