A kakemono presenting an example of calligraphy by Shunsui Rai, 1743 ~ 1813. Shunsui was a Confucian scholar of some influence in the Hiroshima district and an historian. He is the father of Sanyo Rai, 1781~1832, who also became a notable calligrapher and a painter and scholar.

Overall the dimensions are 170cm x 36cm. The picture size is 91cm x 25cm. The scroll ends are rosewood. Good condition overall with just minor horizontal creases noted...

Antique Japanese scroll painting of a tiger. Every strand of his striped fur is painted. The tiger stands under a pine tree, facing the viewer. His mouth is open, displaying large teeth. Painted in ink and light colors on paper. With artist's seals.

Age: Meiji Period (1868-1912)

Dimensions: Total size: 74" high x 24 1/2" wide (76 1/2" wide including rollers). Size of art: 46" high x 18 1/4" wide.

An antique Japanese scroll of a recumbent cat gazing into the foreground amongst the blooming Peony flowers. Hand painted on silk using opaque pigments. Subject was painted in the style reminiscent of the Sung and Ming dynasty images of cats with the unusual exception of its gaze towards the viewer rather than looking up or at the flowers. Both the cat and the Peonies are auspicious symbols in the Japanese culture and often depicted in its art and poetry...

Antique Japanese scroll painting of a young woman with a younger girl , dressed in beautiful flowing kimono and standing below a cherry blossom branch. There are three chops altogether, one is of a very unusual shape of a vase. Beautiful calligraphy along the upper region with artist's signature below in corner. Tomobako is included.

18th century

Size: 61" H x 17" W (entire scroll) 33" H x 11.5" W (artwork only)

New Arrival

Antique Japanese shikishi panel with beautiful calligraphy by famous poet Otagaki Rengetsu (1791-1875)...

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.5 x 3 inches, 24 x 7.5 cm, Mounting: 13.75 x 7.25 inches, 35 x 18.5 cm.

Long a symbol of longevity, good luck, and support in many parts of Asia; in Japan the turtle has the added symbolism of being one of the cardinal protectors of Heian, the ancient capital city of Kyoto. This rendition of a turtle basking on a sunny riverbank was done by one of the most renowned and loved Waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875)...

A beautifully hand painted two panel byobu screen depicting a young samurai being prepared for battle. Signed and sealed by artist 仙挙 Senkyo. Painting is of a servant kneels before the samurai helping to assemble the many layers of protective clothing an armor...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father...

Two erotic shunga drawings in black ink and mineral colors on thin paper.
On the right hand painting a double-sided dildo, to pleasure two women at the same time. The left half is made of tortoise shell (yellow with black patches), the right half is probably indicating buffalo horn.
The left-hand painting shows how to use the dildo properly.

Unsigned.

Japan, 19th century.

Each drawing 9.75 x 9.75 inches...

A work so compositionally striking we chose it for the cover of the exhibition catalog by Shirakura Niho titled Baika Shoin Zu (The Plum Blossom Retreat). Pigment on silk in a silk border enclosed in the original signed wooden box. It is 55.5 x 127.5㎝ (21-3/4 x 50 inches) and is in excellent condition.
Shirakura Kinichiro (Kinro, Niho or Jiho, Kanyu, 1896-1974) was born the first son of lawyer and scholar Shirakura Shigeichi in Shibata city, Niigata...

A peaceful cluster of homes blanketed in snow by Shirakura Niho enclosed in the original signed wooden box titled Kamo Sekkei (Kamo in Snow). This is likely an image from very close to the artists heart, he lived west of the Kamo River in Kyoto, and one can imagine this being one of the bridges spanning that river he has seen out on a winter day. Ink,Gofun & Light color on Silk bordered in light colored cloth...

Additional photos for Japanese Byobu Screen, Genpei Gassen

Half portrait of Daruma in bold strokes of gray and black. Lower right signature Isshin hitsu and two seals. Black and gray ink on paper. Painted area 36 ½ x 8 ½ inches. Toned, some horizontal creases, repaired missing area at lower middle. Celluloid scroll ends.

Feel free to ask for more pictures.

A six panel screen with mineral colors, and gold leaf clouds meandering though out scenes depicting a view from the Tale of Genji. The chapter that would be closely associated to the screen is Chapter 19, Usugumo, translated as Wisp of Clouds. The scene is showing Prince Genji wearing a white informal court robe, lined with red and is selecting robes for the visit of Lady Akashi.

Age: Late 18th to Early 19th century, Edo Period

Size: Length 109" Height 47.5"

An exquisite bird and flower painting features a Java sparrow rests on a branch in resurrection lily. Circa early Edo period, early 17th Century. This delicate painting is executed on paper with ink and pigments. The both Java sparrow and the flower are not native to Japan, but they were imported as early as 17th century from China, when the artist was a official painter to the Tokugawa shogunate...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature...

A large sized hanging scroll of a landscape in the literati style by Okuhara Seikou (1837-1913). Seikou was one of the few female artists who specialized in the literati tradition (known as Bunjinga or sometimes associated with Nanga). An inscription can be found on the top left of the painting where a short Chinese poem is describing how the guests are approaching through the mists found among the hills of the landscape. Interestingly, at the end of the inscription the artist signs that she com...