An antique Japanese six panel screen depicting a quiet pool with birds taking a rest amongst the grasses and flowers. Ink and light colors on paper. Silk boarder. Condition consistent with age.

Date: Taisho Period (early 20th Century, 1912-1926

Dimensions: 65” high X 148” wide

Japanese scroll painting with a figure of Manjusri in the center of a circular chart below which sits a fu-dog; the very bottom of the scroll has numerous signatures and seal marks. The waves along the border of the circle indicate that this is a Sea-Crossing Manjusri (Tokai Monju). The text within the circle indicates that the painting comes from the Matsumoto castle in the Shinano province (the Nagano prefecture in central Japan)...

Jurōjin / Gama Deity of Good Luck. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. It is attributed to Tosa Mitsusada.

In Japan, Jurōjin, also known as Gama, is known as one of the Seven Gods of Fortune. He is the God of longevity. Jurōjin is originated from the Chinese Taoist god, the old man of the south pole. He is known as the immortal of the Northern Song dynasty (960 – 1127), and may have been a historical figure of the period...

The theme of this very rare screen traces the story of the great battle of Yashima, in the 12th century, between the Taira and Minamoto clans. It owes its name to the contraction of Minamoto Gen (Chinese reading) and the Taira Hei clan, hence the name Heike. Also called Heike Monogotari. This is a naval battle, the Battle of Yashima (ichi no tani) in 1184, where the Taira clan retreated to an island off Shikoku in the inland sea...

Hanging scroll painting ink and polychrome of Buddha sitting on lotus and many figures and animals representative of the Buddhist pantheon. Origin: Japan. Edo Period 19th century.

An erotic scene of a young couple in a fan-shaped cartouche, painted in ink and colors on silk. The paper folder labeled "August". Condition: bottom corners creased, folder with few tears. Dimension painting: 27.2 cm x 33.6 cm

A small yet resplendent Japanese four panel folding screen. In Japan, small screens are often referred to as, Hina Byobu. The view is showing a waterfall with different flora and fauna.The work has the distinct characteristics of the Kano school which was the dominant school of painting in Japan. Age: 19th century Size: Length 31.75" Height 17.75"

NUDE

Hand-drawn Japanese painting on thin silk backed with paper, Meiji-Taisho period, early 20th century, Japan, 39 x 28 cm (15.35 x 11.02in). Very early unique Japanese modern style with traditional Japanese technique and method combined with the taste of Western romance and decadence. Aged deterioration as is, and backing paper pasted on just one side among the four sides, as seen...

Beautiful large Japanese antique scroll painting depicting a scene of Mt. Fuji with clouds and rural village below, leaves of the trees in the foreground are painted in Autumn colors, painted in sumi ink and light colors on paper, silk mounting. Regarding translation of calligraphy on scroll, the language formally states that this painting is respectfully given to a person (Sei in) from another person (Koō yoū ro)...

Japanese scroll painting in ink on paper depicting a silhouette of a geisha. Signed YOSHIKUNI by the artist and dated 1917, followed by a red seal of the artist. Excellent composition, great depiction of robe lines beautifully done in ink washes. Silk brocade mounts, wooden scroll ends, creases as can be seen on photos. Painting size 50 x 11.5 inches, scroll size 70 x 15.75 inches.

Antique Japanese 4-panel small screen painting of landscape. Mountain landscape with rocky outcroppings, huts and trees on the edge of a wide expanse of water. A group of scholars contemplate a water fall. More figures sit outside waterside huts. A lone figure fishes from a boat. Painted in ink and light colors on paper. Signed Unkoku Toeki (1591-1644).
Unkoku Toeki was the second son of Unkoku Tōgan...

Japanese Edo Period Four Panel Screen Painting of a Court Scene. This elegant image is finely painted with floating gold leaf clouds, pine and willow trees, and brings the viewer into the intimacy of the court chamber. The figures are wonderfully animated with expressive faces. 100.5 x 36 inches, 255 x 91.5 cm.

Japanese black lacquer standing screen, decorated with a painting of a hawk in a pine tree on one side and a group of blossoming peonies on the other. Beautiful detail. Painted in mineral colors and sumi ink on paper and signed by the artist. Taisho Period. Total size: 51 1/4" high x 45 1/2" wide x 19" deep.

Kakemono (kakejiku), black ink (sumi-e) scroll painting on paper of a bamboo whose top is lost in the clouds evanescently. The power of the line, as traced by a single brushstroke, gives a strength synonymous with permanence in the face of the vagaries of time. Bamboo, a symbol of prosperity, is one of thte three auspicious plants, pine-bamboo-plum (shochikubai). Height approximately 2meter.

Antique Japanese scroll painting of two tigers. One looks back as it climbs up a rocky hill while the other looks out from it's shelter under an outcropping. Beautifully painted with details of every stripe and whisker. Ink and colors on silk. Signed by the artist.

Age: Taisho Period (early 20th century)

Dimensions: Size of scroll: 78 1/2" high x 21 5/8" wide (24" wide including rollers). Painting: 44 3/4" high x 16 1/4" wide

Wonderful Japanese 2-panel byobu screen painting, 2 intricately painted Meiji Period fans, probably once used in a Noh performance and later mounted on a screen, each fan is painted in colorful mineral pigments with gold leaf, the fan on the left depicts white wild flowers blossoming near a meandering stream with billowing gold mist, the fan on the right is painted with a scene of 3 cranes flying over sea crests and a weeping willow tree, the two fans are mounted on a ground of gold flecks...

Sparrows in the wisteria trellis. Beautiful old calligraphy are also depicted. Painted with ink and pigments on paper. The artist is unknown. Circa 19th C.

Some insignificant light marks, traces of crease that has been restored on the back, and foxing are present on the painting, otherwise the painting is in very good condition for the age...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature...