Impressive Japanese Kyo-yaki Chawan, hand molded by legendary Nin'ami Dohachi during the Edo Period. His signature is written on the bottom of the chawan.

It comes with an older wooden box. Size: 7,5 cm height x 14,8 cm in diameter.

Chawans of Nin’ami Dohachi are exhibited in the most important museums, for example the British Museum...

A beautifully crafted and remarkable example of an early Edo period (1603-1868) Raku Chawan. This bowl is strongly reminiscent of the Chōjirō tea bowls, the first head of the Raku family.

This exceptionally well-crafted tea bowl has a very meditative presence and reveals its highlights of a typically Momoyama Period classic black glaze. It comes with an old Japanese wooden box...

We are glad to offer you a rare and stunning Kosobe-yaki Chawan with a beautiful hand painting of pines and cranes, under thick cream colored glaze on very thinly potted clay blended with shiseki for great effect. This is likely the work of the second or third generation Shinbei, both known for their Korai-Utsushi (Korean style) wares. Finding such a delicate Chawan in such good condition from the Edo period is exceedingly rare...

Japanese Yama Chawan (literally 'Mountain Tea Bowl'), biscuit firing ware with impressive natural glaze and slightly distorted form. It dates back to the Kamakura Period (1185 - 1333). Highlight is big golden Foo Dog which was added by a former owner as a kind of Kintsugi to close a damage on the inside surface...

Heavily distorted shoe shaped (kutsu) Chawan from the early 17th century with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

Two 'windows' on two sides have been left unglazed...

This chawan will make your eyes shine with its beauty. Wonderful distorted Suhama-gata (shoreline type) Chawan of Arita ware with finest golden lines of a real high class kintsugi...

Slightly distorted cylinder shaped (tsuzu) tea bowl with straight walls, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife around the foot ring.

The bowl was covered with black iron oxide glaze of the non glossy type (preferable!) and then covered with a black glaze in the style of a Seto-guro bowl...

Slightly distorted cylinder shaped (hanzutsu) tea bowl made of fine, light, unrefined Mino clay, containining a little iron oxide. Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immediate surrounding was left unglazed...

Is there a tea ceremony connaisseur, who does not like to have a true Edo Ko-Hagi Chawan with beautiful loquat color?

Take a look on this rounded wan-shaped bowl. The light, sandy clay with enclosures is expertly thrown. Including the foot ring the bowl is covered with a mixed feldspar and ash glaze.

The light iron oxide in the clay produded a beautiful loquat color known from Korean Ido chawans...

Surely an extraordinary confluence of circumstances must have come into alignment in order to bring this remarkable composition into existence. Done in the Korai style - referring to the heavy influence from Korean forms and glazing - this exquisite late Momoyama/early Edo period (1590-1620) Karatsu-ware tea bowl is really rare.

Regular formed wan shaped, showing fine finger marks from throwing. The iron bearing clay remained unglazed at the footring and its surrounding area, which ...

Magnificent Nezumi-Shino Chawan with a true wabi sabi aesthetic form and a thick feldsparic glaze on a classic background of Nezumi-Shino — an art form dating back to the Momoyama period of Japan that was revived in the mid-1900s by legendary potter Arakawa Toyozo and others.

The tea bowl was made of little reddish, coarse, unrefined Mino clay and the expertly thrown body was trimmed with a potter's knife in its lower part.

With such glaze and form, this Chawan is one o...

A cultural treasure - our oldest and most important mizusashi: wonderful Chosen Karatsu Tataki Mizusashi from the Momoyama Period (1573 - 1603). It was perfectly thrown first into a cylinder shape and then squeezed and paddled into a distorted pear. Iron oxide glaze has been poured inside and out.

On the rim a blueish rice straw ash glaze has been applied in the typical Chosen Karatsu fashion. The mizusashi is supplied with a tailor made lacquer lid of a somewhat later date. The lid...

A beautifully crafted and remarkable example of Edo period Raku pottery. Iridescent reds rise like a deep space cloud from the meteoric surface of this 300 year old Kuro Raku Chawan.

This exceptionally well-crafted tea bowl has a very meditative presence and reveals its highlights of various shades of red through a classic black glaze when held up to the light.

Characterized by a complex glaze texture achieved through kiln firing in contrast to the simplicity of the form.

Momoyama to early Edo period made, little distorted half cylinder ki-Seto (yellow Seto) chawan with a great wabi-sabi atmosphere, rarely seen on ki-Seto items.

Ki-Seto is said to have been the outcome of the attempts of potters to recreate Chinese celadon wares. A fortunate mistake, for a new ware was born. The ash glaze looks like deep-fried tofu and has been given the name aburaage-de. Almost all Ki-Seto wares are serving utensils - exept some few tea bowls. We have only few in o...

This is pure antique Edo: Wan-shaped tea bowl made of dark, iron oxide bearing, sandy Karatsu clay. The thinly thrown body is covered with the typical white, feldspatic Shino type glaze. It differs from the Mino Shino glaze by being glossier due to a higher ash content.

Under the glaze a line was applied in iron oxide resembling the skin of a whale (kawakujira). Just the foot ring and its immediate surrounding was left unglazed. The glaze has a beautiful fine crazing.

This e...

A magnificent Kogaratsu Katakuchi Chawan (Ko-Karatsu tea bowl with a pouring spout), fired between the Azushi Momoyama period (1573-1603) and the early stage of the Edo Period (1603-1868).

It is no exaggeration to say that this tea bowl needs to be described as a true museum quality piece of art.

Especially such old Karatsu bowls are rarely available in the version of a Katakuchi bowl. Essentially, it's a bowl with a spout. But not just any bowl: its details are special...