Wan shape with a small foot and no Kagami (mirror - tea pool) inside.

The light iron bearing clay is decorated in the style of a Korean Miji-Hakaeme bowls: inside and the upper three quarters on the outside covered with a whitish Engobe over which a transparent ash glaze was applied, just sparing the inner part of the foot.

The Uchigaso kiln was the second of the Takatori kilns established by Korean potters, it was active between 1614 and 1624.

The bowl was ex...

The jet-black glaze of this cha-ire (tea caddy) nicely highlights the Chrysanthemum flowers (Kiku) adorning the upper surface—long considered auspicious symbols of longevity and rejuvenation in Japan. When first introduced to the island nation during the Nara period (710 – 793 AC), the Japanese Royal Family was fascinated with the Chrysanthemum. Over time, it became the Imperial Family Emblem and during certain eras was generally forbidden to be used by the general public...

This very unusual Kyoto ware chawan is decorated in underglaze blue on a buff stoneware body.

The motifs are very odd and present mysterious pictures a poetic calligraphy.

Inside are 5 spur marks indicating that these bowls were stacked inside each other in the kiln. A previous owner has obviously been very attached to the bowl as it has several fine "kintsugi" gold lacquer repairs.

The Teabowl was made in Edo Period at the end of the 18th. century...

Today we like to offer you a very old Yuzamashi from the Edo period.

The yuzamashi is used to allow the boiled water to cool to the proper temperature before mixing with the matcha.

It is hand molded in the shape of lotus leaf.

No repairs, only natural inborn kiln cracks.

Size: 2,5'' height - 4,11'' width.

Shipping included

19th century Japanese ceramic Shigaraki ware chawan (tea bowl) with celadon color glaze. Shigaraki is one of the six ancient kilns of Japan with long history dating back to the medieval period. Typical Shigaraki coarse clay body with large sand particles, elegant conical shape, beautiful potting with a sublime Japanese touch of a finger print of the potter with identifiable friction ridges (located on unglazed portion of the side by white spots on the left of Enlargement 1)...

Top Quality Korean Gohon Chawan made in the Joseon Dynasty (16-17cc)...

Late 19th century Japanese stoneware kogo (box for incense during tea ceremony) in a form of Daikoku holding a rice bale in front of him. Daikoku is one of the 7 Gods of Good Fortune, that of rice, and, as a consequence, of wealth. Stoneware with wonderful potting, beautiful celadon glaze, very pleasant patina. Great piece in Japanese taste. Height 2 inches.

Heavily distorted shoe shaped (kutsu) Chawan from the early 17th century with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

Two 'windows' on two sides have been left unglazed...

We kindly like to offer you a very unique tea bowl, made around 1800. Very sophisticated Karatsu Chawan, perfect in form and shape.

It presents a real wabi sabi aura with its fantastic lacquer-silver repair and its antique Japanese characters on. The 1st one seem to be Sakura (Cherry), and the 2nd probably Umi (ocean), but they are hard to read.

Size: 10 cm height x 10,5 cm in diameter.

Shipping included

Satsuma hibi-yaki tea bowl from the late Edo, early Meiji Period with its antique wood box.

The bowl has a narrow meshed net of fine cracks and a tasteful gold lacquer. Great work.

Size: 7,6 cm height x 12 cm diameter.

Shipping included

An unusual Seto Tea Bowl, shaped like a flower in the upper area, with stunning glaze and a wonderful foot ring, made around 100 years ago during the Taisho Period (1912-1926).

It is in great condition with no chips or cracks - ready to use for the tea ceremony.

Ceramics produced in Seto City are known as Setomono (Seto ware), which has become a generic word for ceramics not only in Japan but also world-wide...

Late Edo period (19cc) Shino ware Chawan for tea ceremony Wabi Sabi

The fine crackle look with natural kiln vivid cracks gives the bowl an authentic wabi sabi feel.
Overall, it is a great example of an old, beautifully crafted Shino tea bowl.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size:
Height 7 cm
Width 11 cm

Conditio...

Japanese Meiji period cast iron tetsubin in lotus form with a Chinese inscription dating 1702 on one petal. The inscription reads “Kangxi forty-second year, 9th month, 6th day, auspicious day made.” Lotus form lid. Measures about 8 1/4” in length by 4 3/4” high (8” including handle). 19th century. Very good overall condition. The handle can stand upright, but it does not balance easily. There is rust to the interior. From a Scottsdale, Arizona collection.

Wonderful Shigaraki Hira Chawan with artistic and shiny glaze, made around the end of the 19th century. No cracks or repairs. A real aesthetic chawan.

The original wood box and shipping are included.

Size: 4,9 cm height x 16,6 (max) in diameter.

Charming Middle to Late Edo period (18-19cc) Kuro Oribe Chawan
The body covered with black dull glaze and white Oribe style scenery, with unglazed foot ring and surrounding area.

Size
Height 8.3cm
Width 12-13cm

Condition
Very good considering the age.
There is tiny lacquer repair of the rim.
There are scratches of the glaze due to age.

Supplied with the old box which says Kuro Oribe Chawan

Oribe ware is a type of Japanese...

Up for sale is this wonderfully textured 19th century Japanese cast iron tea kettle made by noted Kyoto-school tetsubin craftsman Kibundo ( 1812-1892 ).

It is cast in high relief with the image of a landscape and plants.

This fine kettle bears the body-mark “Kibundo zo” and a remnant of the square seal mark of Kibundo on the bottom.

The quality of the relief casting is superb...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

This piece is quite unique for its brown color which may have been produced using a copper glaze under very specific conditions...

This is pure antique Edo: Wan-shaped tea bowl made of dark, iron oxide bearing, sandy Karatsu clay. The thinly thrown body is covered with the typical white, feldspatic Shino type glaze. It differs from the Mino Shino glaze by being glossier due to a higher ash content.

Under the glaze a line was applied in iron oxide resembling the skin of a whale (kawakujira). Just the foot ring and its immediate surrounding was left unglazed. The glaze has a beautiful fine crazing...