A Japanese silk oohi (Buddhist priest's ritual shoulder covering), deep salmon pink brocade silk with an overall design of overlapping fan shaped panels and snowflakes interspersed with daisies and Chinese bell flowers, etc; internal corners with Japanese symbols on a white ground. The ties and liner are green silk. Meiji period. Dimensions - 12 1/2" x 58 1/2".

A Japanese priest's silk ouhi (Buddhist priest's ritual arm - shoulder covering), the green/gray/black brocade silk with an overall design of cranes, pine, stylized shells, verlaid with white line divisions and asymetric gold thread kikyo (Chinese bell flower) designs, pale pink silk liner. Late Edo period. Dimensions - 11 1/8" x 54".

Antique Japanese Fukusa (gift cover), Kinko (Ch. Qin Gao) on a giant carp. According to old Chinese legend, only a mighty carp can climb the upstream of the Yellow River where water plunges a hundred feet, turning into a water fall. When it does happen, a carp can turn into a dragon and is able to ascend to heaven. Based on the legend, a task that seems almost impossible to attain is called ‘passing the Dragon Gate’...

A daimyo’s firefighting wool jacket with a Kiri-no-mon crest, chest protector baring the same crest. It has a silk liner decorated with old marble dye. Dated from late Edo period (1603-1868),

Japanese could not produce wool of their own during the Edo period. Totally depending on Nanban trading, wool was pretty rare and pricey commodity. The liner for this jacket is also unusual. This is our first and only antique marble dyed fabric ever...

This is a gorgeous hagi-isho juban ( under kimono ) which is made of many kinds of silk such as plain silk with katazome ( stencil-dyeing ), silk crepe with itajime ( board-clamp-dyeing ) and katazome ( stencil-dyeing ) and shibori ( tie-dyeing ), wild silk and so on. This piece was exhibited in the show in Japan. It has thin cotton lining inside. Late Edo or early Meiji period ( ca. mid 19th C to early 20th C ). In excellent condition except for a few tiny moth holes...

This is boro sashiko noragi hanten textile at Meiji era (1868-1912). It is very nice touch of the indigo dye cotton. It is very charming. The indigo dye of hemp has adhered back. It is exactly a work of art. Size:94cm/37"x 86cm/33.9"

Hand-woven Kasuri ramie (high quality hemp) taken from a man’s kimono with a pattern of small arrows. This type of kasuri fabric was not for common people. It was too expensive so it was only worn by wealthy merchants or the samurai class. 3 1/3" cut in the middle, 1 to 2 small hole. Meiji period (1868-1912). 13 1/8” x 111 1/4”

Antique Yogi (Japanese futon bed cover), hand drawn in Tsutsugaki paste resist dye with an auspicious design of a phoenix (ho-o) bird and paulownia tree. The family mon (crest) is a wild goose. Meiji Period (1868-1912). Approximately 59" wide x 74 1/4" long.

The phoenix is a mythological bird known to appear during times of peace and prosperity. It symbolizes immortality, resurrection, and life after death. Its appearance is said to resemble a heron, eagle, and peacock...

This is a horse cover in Edo period. It is very cotton of wonderful tsutsugaki. The touch of cotton is very nice. The wave and the motif of the family crest are very impressive with the rabbit. There is a little small hole. However, the state is very good. This is the one in the Tohoku region. size:127cm50" x 57cm/22.4"

This is samurai's battle surcoat in Edo period. It is a family crest of the deer horn and the character in the cotton of the indigo dye. There is a motif of Maru also in surroundings of the skirt. It is very a battle surcoat of Chatami. There are discoloration in the plain wood cotton and the white ground of the collar.There is no damage. It is very good. It is a very valuable excellent article. In this item, the family crest (mark of the deer horn) in the part of the back is tsutsugsaki...

Antique uchishiki, Japanese alter cloth, embroidered on silk satin with Chinese theme, “The Seven Sages of the Bamboo Grove”. Probably from late 18th to mid 19th century. 26 3/8" x 25" (67cm x 63 1/2cm).

Condition: This is a beautiful antique textile even with some obvious damage and wear, still solid with a thick cotton backing. The wear is seen particularly on both ends of the design. This quality of needle work is seldom seen.

This is Japanese Antique Edo Horse 's string Hemp katazome rare. There are a stain and damage. The string of the same harness as the material pavilion of the Honda family in the Kanazawa city is exhibited. However, it has not seen in another. It is a very valuable excellent article. Please add to your collection. Size:302cm x 27cm (118" x10.6")

This is Japanese EDo Indigo dye asamai-shibori dangawari-dye kimono. All asamai-shibori was made from the hand. The indigo dye is indigo of nature. It is a technology that dangawari is high. It is very charming. This was washed in water. There is a little stain. There is no damage...

It is gosyo-katsugi(imperial palace katsugi) in the Edo age of this.This katsugi is a museum class. Please add to your collection. It is katsugi of Kyoto. This is a rare very valuable excellent article. Daimon in surroundings of the neck is tsutsugaki(frieehand paste-resist decoration). It is a dye of the indigo dye and the Indian ink. Katazome(paste-resist stencil decoration) of komon is made from dangawari. The katazome part near the chest uses the dye of thin yellow on. The material is...

This is Japanese EDo Indigo dye asamai-shibori dangawari-dye kimono. All asamai-shibori was made from the hand. The indigo dye is indigo of nature. It is a technology that dangawari is high. It is very charming. This was washed in water. There is a little stain. There is no damage. The state is very good. The techniques of several kinds of shibori are expressed in this one kimono. It is very beautiful, and wonderful. It is thick cotton. The The part of the cuff Is fabric at the edo chirimen silk...

This is a rare museum item. This is kimono for a child with design of blossoming cherries, fans, and hemp shibori tie-dyeing. It is the one at the Meiji era. It is kimono explained in this book. (Kyouto shoin's art library of japanese textile No.11 Japanese Tie-dyeingIt page 16) dyes it with a very valuable safflower. Moreover, it is very unusual and valuable that there is a motif of the rising-sun flag in the design. There are a thin stain and a small hole. However, the state is very ...

Japanese altar cloth, uchishiki, decorated with sets of kara-shishi (Chinese-lions), peonies, rocks and clouds. Silk with cotton liner, some soiling and some stains 27" x 29" (68.6cm x 73.7cm)

The lion is the king of beasts and is considered a messenger for Monju Bosatsu. They are often found guarding either side of a Shinto Shrine in Japan. The peony is the sovereign of the flowers, which symbolizes wealth and honor. The scene here is famous from the noh play, Shakkyo (stone bridge) ...

This is very a silk Fukusa cloth of the highest class in Edo period(1800-1850). There is neither stain nor damage, too. There is a part where the color changes into the lining. It is a great condition. Everything is embroidered by the hand with silk. It recommends it for your collection. It is a design of the five festival days in Japan. Culture and manners on turning point of season (Refer it) at the festival of five ([sekku]) that holds a traditional annual event and the day when it beco...