A fabulous early Meiji era silk fukusa with two cranes, pine trees and the brilliant sun, all symbols of longevity and good fortune. Techniques used to create this wonderful fukusa were yuzen resist dying, sumi-e hand painting, free-hand embroidery, and gold foil couching. The cranes’ crests were created with tiny hand embroidered knots...

This japanese antique katazome thick noragi is made by splicing together fabrics from the Edo and Taisho periods. The katazome of the Edo period, hand-spun indigo dyed cotton, is very beautiful. Light stains do not stand out. There is one damage on the back. Size:Length:82cm (32.2inch) Cuff to cuff: 122cm 48.0inch)

This is a gorgeous hagi-isho juban ( under kimono ) which is made of many kinds of silk such as plain silk with katazome ( stencil-dyeing ), silk crepe with itajime ( board-clamp-dyeing ) and katazome ( stencil-dyeing ) and shibori ( tie-dyeing ), wild silk and so on. This piece was exhibited in the show in Japan. It has thin cotton lining inside. Late Edo or early Meiji period ( ca. mid 19th C to early 20th C ). In excellent condition except for a few tiny moth holes...

Japanese antique indigo dye soft Choma Ramie tsutsugaki katabira kimono of echigo-jyofu.There are thin Stain and discoloration and small holes. It is a Kyoho era(1716-1736). Shochiku Umebun's bamboo is reminiscent of flowing water, and there is movement, and a delicate and flowing pattern is expressed throughout. Sprinkling sparrows here and there and adding moving sparrows to bamboo that looks like running water is a good combination of "bamboo sparrow" and "Shochiume" pattern...

This is Tsutsugaki Noren used in the rich merchant's family of the Shonai, Yamagata district for Edo period. It is a characteristic of Edo period that a motif has dynamism. Good cotton spun by hand is used. The characteristic tortoise expresses Edo period well. This is dyed with a very good-quality indigo plant very densely. The movement of a crane and the tortoise. The movement of a wave and the cloud. The expression of the trees and plants. All these lines were created by good creativity...

Kake-fukusa which is used to cover a gift on the occasion of auspicious events. It is made of tapestry weave silk with auspicious omen motifs, pine tree, plum tree with bloom and bamboo. Generally, in good condition except for a rift of the black yarn in the pine tree circle and some stains in the blue ground, and also three holes in the red silk lining in the back. Meiji period (1868~1912) 67cm x 72cm

This is Fukusa of beautiful hand embroidery made in Kyoto in the Edo era.(1800-1867) As for the embroidery, the thread which gold leaf was rolled round is used and is made all by hand. The surface does not have a stain and the damage. And there are a few stains to the lining. It does not stand out. This is embroidery of a lucky bird. Size:Length:71cm(27.9inch ) / Width: 67cm( 26.3inch)

This hemp Kyogen costumes hakama was used by Kyogen actors in the Edo period(1800-1867). The light green color is dyed by mixing natural bark and indigo dye.It's a very natural and beautiful color. This hemp is hand spun. Round flowers and maple patterns are impressive. This one has some wear and tear due to age. There are several small holes here. Recommended for antique textile collections. Size :: Length:98cm (38.5inch) / wide bottom::75cm (29.5inch)

Japanese Koto Cover featuring a magnificent Phoenix. The Koto is a traditional Japanese stringed musical instrument. This Koto Cover was for an important Koto player. A textile of this quality rarely comes along for sale. Beatifully hand painted with some embroidery on fine silk. Really a work of art. 96 x 13.5 inches, 244 x 34 cm. Excellent Condition. From a prominent and widely exhibited collection.

This is Tsutsugaki Yogi having the biggest lobster for Edo period. The bold lobster pattern of Edo period has three-dimensional movement of Edo period. As for this, the lobster which was greatly drawn on the good-quality Hanada-colored basic center is impressive at all. You can know the characteristic of three-dimensional movement of Tsutsugaki immediately for Edo period by watching this item. As for this, cotton is spun by hand and has a good texture...

This is a Japanese antique natural indigo dye shibori (Tie-dye)silk han-jyuban edo period. It has stitches for reinforcement, but the others are in very good condition. The lining is indigo cotton. You wear it and enjoy it and it display it and Because this fabric is strong,Good for home decor,wall display,remaking materials such as the patchwork and You wear it and enjoy it....etc size: Length: 67cm / 26.3inch Cuff to cuff, across the back: 124cm / 48.8inch

It is a sashiko hanten from the Meiji era. All sashiko are hand-sashiko. It was made in Hirosaki City, Aomori Prefecture during the Meiji era. The white thread is used to express indigo-dyed cotton-type dyeing with sashiko stitches. There is a little dirt. But it doesn't stand out. There is no damage. The condition is very good. Cotton is thick and feels good. It is a valuable gem. Size::length 70cm (27.6inch)

A set of kamishimo and hakama made from cotton used to dress a bunraku puppet. The fabric is utilizing a cherry blossom pattern with a wave motif. The cherry blossoms are done in a style known as katagami, where the pattern is printed using a paper cut out placed on top of the fabric and dye is coated over it. The wave patterns are done in a print format similar to a technique known as inkin, where a woodblock is used to stamp the pattern...

This is a Japanese antique indigo dye cotton Excellent Boro noragi of patched and sashiko stitch Meiji (1868-1912). It was repaired many times, and the boro rag that were used became wonderful folk art by themselves. The patchwork & sashiko stitch of the indigo dye cotton for the repaired is very beautiful. This noragi can enjoy both sides. size: Length:85cm (33.4inch) sleeve to sleeve :87cm (34.2inch)

Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed)...

Hand-woven Kasuri ramie (high quality hemp) taken from a man’s kimono with a pattern of small arrows. This type of kasuri fabric was not for common people. It was too expensive so it was only worn by wealthy merchants or the samurai class. 3 1/3" cut in the middle, 1 to 2 small hole. Meiji period (1868-1912). 13 1/8” x 111 1/4”

This is Fukusa used in Kyoto for Edo period. It is very beautiful fukusa.This has a line of delicate Tsutsugaki and embroidery and a delicate sumi painting. This is produced by a bold design. This has a few stains, but does not stand out.However, there is no damage.They are not disturbing, and as a whole it is in very good condition. Size:Length 49cm (19.2inch) Width 52cm (20.4inch)

Antique Japanese Buddhist Pilgrim's coat. Buddhist monks associated with the teachings of Kukai (or Kobo Daishi) would embark on a pilgrimage to visit the 88 temples on the island of Shikoku. Upon arriving to each temple, the monk would bathe before giving offerings and reciting prayers as well as receive a stamp distinctive to each temple...