Antique Fukusa, a Japanese gift cover with a pair of cranes and pine Tree. This type of silk fukusa was used as a gift cover at the time of a gift-giving ceremony held prior to a wedding. This was one of the rare occasions that the recipients were expected to keep the fukusa as a gift since any return associated with a wedding was considered a bad omen.

The crane and pine trees are both regarded as the symbol of harmonious marriage and longevity in Japan...

The pine, bamboo and plum blossoms are all auspicious motifs found in nature. The evergreen pine symbolizes the strength and devotion of men; plum blossoms are the purity, subtle beauty and inner strength of women. Bamboos are often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo, it could also mean flexible (bendable) to a large extent...

Japanese antique fukusa, a gift cover embroidered with "The Old Couple of Takasago" on wool (rasha, felt like), padded and lined with orange crepe silk, Meiji period (1868-1912).

The story of the old couple, Jo and Uba, came from the Noh play, Takasago, which was written during the Muromachi period (1336-1573) by Zeami. Jo and Uba were spirits who resided in an old pine tree which was two trees that grew together over the years...

Thick cotton, Katazome stencil dye, aizome Japanese indigo dye with beni flowers. 70 1/2" x 13". The width changes to 12 1/2 after 39 1/2" where the fabric is torn. One 1/2" round stain (at 20 inches from torn end). Weakened at the seam (visible in some area from reverse side).

This is a Japanese fukusa, a gift cover with the design of the “Eight Views of Omi”. In the beginning of the 16th century, eight scenic spots in Omi (Shiga, Japan) were selected by closely following the Chinese “The Eight Views of the Xiao and Xiang Rivers”...

Very attractive Japanese Yogi (bed comforter) with a pattern of chrysanthemums and scrolling vine, rice paste resist Katazome stencil dye. The cotton is not as thick as the other yogi. Excellent condition, It is an another "tsukurioki" (it had not been used after it was made - t just sit in the storage as a spare bedding for guests. One of the photo shows where the cotton wadding was taken out before the shipment. The seam at the center of the liner was opened...

Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era...

There is no visible image of God in the Japanese Shinto religion. For this reason, people naturally find the spirit of God in their surroundings. From the ancient times, God was said to dwell in pine trees and as a result, we find many Meiji fukusa today that are decorated with pine trees. Many of them have their roots in Noh play...

This is a Japanese Nishijin obi made in exceptionally high quality. The obi is old but almost in perfect condition. It is beautiful to look at even without using a magnifying glass. The soft colors have an earth tone and the use of the dyed threads tells us that this is a superior work of Kyoto Nishijin. The scenery is of the mountains of Kyoto but if you look closely, you might notice that there is a foreign look to some of the structures. The size of each structure is 1" to 2.5"...

Antique Japanese yogi, thickly woven cotton, trimmed and lined with dark aizome (Japanese blue dye). There is a opening in the center of the liner where the cotton wadding was taken out. Excellent condition (old but new). The accent piece (dyed in Katazome, stencil dye) on the collar and shoulder area were added (remove and wash purpose) and slightly soiled. Late Meiji to early Showa. Dimensions: 63" x 68" L

Old kasuri (Japanese ikat) kimono worn on celebratory occasions. The fabric, which is woven with asa(hemp) and dyed in indigo (aizome), is coarse and stiff yet lustrous with an almost transparent look. The pattern is geometrical and pictorial; with flowering wisteria branches, stylized pines, Chinese style clouds, fans and phoenix-like birds. It shows some weakened area from neck to shoulder lines and the lower part of the kimono. There is a seam at 21.5"/22" from the bottom hem...

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field. The designs of earlier Nobori banners were much simpler; they were used to identify thei...

Large antique furoshiki (Japanese wrapping cloth), aizome Japanese indigo dye decorated in sashiko stitches on four corners. 57 1/4" x 61 1/4"

Old Kyoto Nishijin obi. This obi is one of the 5 favorite obis from my collection - we have over 200 obis. It is almost impossible to find a obi like this today. The owner of the store in Tokyo where this obi was purchased once said that single good obi was coming out from one household when they go out knocking on the doors in the old town. The store had gone through changes since and no longer carries antique textiles. The designs of this obi are ancient Chinese mirrors, which covers f...

Antique aizome (traditional Japanese indigo dye) cloth taken from a Japanese bed comforter, thick cotton, circa Meiji Period (1868-1912). Excellent tapestry material. The condition is excellent; it was in new condition when we purchased. This was just washed (twice by mistake) prior to when the photos were taken. There are minor holes (shown in photo) concentrated on the top right side. Because of the size (62 1/2L x 58"W), the photos were taken from the bottom and sides.

Antique Japanese Fukusa (gift cover), an old Chinese koto player by a waterfall. Embroidered on silk satin, lined with soft crepe silk, circa 1800s. 27 1/2" x 30 1/2"

A large cloud moves in and stirs the air in the forest. Water falls to the river as if it were falling from the sky and ripples it to shore. The resonance of the koto breaks the silence of the forest. The design on this fukusa is likely to have come from one of the old Chinese poems. This Chinese man can be Lin Bu (967...

Antique kasuri hanten jacket with sashiko stitches, 48 1/4" wide x 37 1/2" long.

Hand stitched Japanese short jacket, 36" wide x 33" long.