Antique traditional robe of the Ainu people of northern Japan. Attush (attusi) fabric was made of the inner fibers of elm tree bark (ohyo). The bark was harvested by the men but refined and woven by the Ainu women. This robe is edged with dark indigo-dyed cotton cloth. The back of the neck of the robe is sewn with a bit of lighter blue cotton fabric with a white paste resist pattern.

Age: late 19th/early 20th century

Dimensions: 54" high x 58" wide

Japanese small kesa, Buddhist priest's vestment cloth to be worn over robes. Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched garment, kesa are formed from fragments of cloth donated to the temple by wealthy devotees. Within each garment, the fragments are typically organized in a series of columns framed by a border with angled corners...

This is Patchwork komebukuro of kinran damask nishiki in Edo period(1800-1867). It is a bag that did fabric of wonderful Nishijin textile in the patchwork. The lining is red silk. All are original. There is little damage. However, the state is very good. It recommends it for your collection. size:40cm x 28cm (15.7" x 11")

This is Indigo dye cotton tsutsugaki furoshiki textile of the Edo era(1800-1867). It is a very beautiful crane and a lucky design of the tortoises.It is a characteristic of tsutsugaki of the Edo era that the ear of the tortoise is expressed like a dragon. There is a thin stain. There is not damage. It is in a very good state. It is made of hand-spun cotton and natural dyed. size:141cm x 142cm (55.5" x 55.9")

This is hemp Umakake used in Iwate for meiji period.A cover for horses at weddings and festivals. As for this, hemp is spun by hand and is thick. This item is dyed twice from the front and back. It needs to be dyed so that both sides do not shift, and it is dyed with a very advanced technique. An impressive, vibrant and beautiful item of pine, peony and waves. Recommended for room displays and collections of ntique textiles...

Very large furoshiki with many mending patches which are all original and beautifully done. It is made of hand-spun cotton and vegetable indigo dyed, ground cloth as well as mending patches. In good condition. The second half of the 19th to early 20th century. 164cm x 164cm

This is a long thick zanshi cotton boro noragi from the Meiji era. The dark indigo shade is the warp, and the white thread is the weft. Thick hand-spun threads are also mixed in the weft. There are light stains and small holes.Size:Length:125cm (49,2inch) Cuff to cuff, across the back: 125cm(49.2inch)

Rare Japanese chirimen silk kimono with a jacquard weave, in gradating shades of blue, with Shibori designs of flowers and flowing water, lined in salmon pink silk with flowers. Shibori is a very labor intensive style of dying fabric in which small areas are tied and twisted to create dramatic patterns. Jacquard weaving is done on a special loom and results in complex patterns. Size: 67" H x 51" L

This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867).It is the pattern that is impressive with a dragon and the boldness of the sword. It is a very high technique. And there is sashiko stitch on the entire surface by hand. As for it, length is longish with 116cm. The lining is indigo dyeing. Textile is thick cotton with wonderful atmosphere of the era. I recommend it to collection of you...

A powerful drawing of Shoki, a demon queller, is hand painted over two nobori banners (each has two panels sewn together) on a thick and loosely woven cotton. The size of two panels together is huge; approx...

This is a Japanese antique Edo Period of Dark indigo dye samurai kimono.It is a very nice Edo period handspun & natural indigo dye cotton with a family crest.There are no stains or damage. There is a thin cotton inside. Size::Length:135cm(53.1inch) / Cuff to cuff, across the back: 130cm (51.1inch)

Antique Japanese hikeshi banten, fireman's coat. Made of layers of cotton fabric and stitched in the sashiko quilting technique. Fires were common in Japanese urban areas due to the dense population as well as construction material (primarily wood and paper). Fire brigades were made up of samurai class (buke hikeshi) as well as common class (machi hikeshi). Their primary goal in containing a fire was to tear down the surrounding buildings so the fire had no more fuel...

It is antique hand-spun and natural indigo dyed cross stripes cotton yogi kimono.It is a very good condition.It does not have a stain and the damage.cross stripesSlightly thick kimono yogi. size:Length 173cm (68.1") Width of the shoulder 78cm(30.7") sleeve to sleeve 153cm (60.2")

This is a tsutsugaki yuzen dye silk children's kimono from the Edo period.(1800-1867) The design of beautiful cherry blossom trees and herds of horses is gorgeous, elegant and lively. It can be seen that the influence of samurai culture remains strong. There is a light stain, but it is not noticeable. No damage. It is an item that can be recommended for collection. Size Length 103cm Cuff to cuff, across the back: 87cm

It is japanese antique silk child kimono of the original of the meiji era.(1868-1911)It has a charming design of cherry blossoms, chrysanthemums and bamboo. There are a few small stains and discolorations, but overall good condition. Children at this time wore cotton kimonos as their everyday clothes. This luxurious silk kimono was worn only on special occasions.Size: Length: 92cm (36，2 inches) / From cuffs to cuffs, entire back:80cm (31.4 inches)

This is Shirushi-Hanten used in Kyoto for Edo period. This is dyed with a natural indigo plant. As for this, cotton is spun by hand. And this has good texture. As for this, a pattern is dyed in Tsutsugaki. This has the stain such as the image. There is no damage. Size 85cm x 136.5cm (33.4 "x 53.7")

Hemp furoshiki (wrapping cloth) made of hemp whose warps and wefts are hand-plied. It is dyed with vegetable indigo. It has many original mending patches, holes and worn out. The second half of the 19th century. W:105cm, L:112cm

Indigo dyed (aizome) cotton "yutan", or covering cloth, stencil dyed with family crest of pine boughs flanking a "koto bashira", the bridge of a koto musical instrument. L.150cm (59") x W.129cm (50"). Such textiles were commissioned for use as bridal dowry pieces and covered the items taken to the new bride's home. The family crest may have been that of the bride's or groom's family, or possibly a combination of the two, depending on the rank or status of the families...