This is a rare museum item. This is kimono for a child with design of blossoming cherries, fans, and hemp shibori tie-dyeing. It is the one at the Meiji era. It is kimono explained in this book. (Kyouto shoin's art library of japanese textile No.11 Japanese Tie-dyeingIt page 16) dyes it with a very valuable safflower. Moreover, it is very unusual and valuable that there is a motif of the rising-sun flag in the design. There are a thin stain and a small hole...

This is very a haori coat of the patchwork of the paper and silk of the highest class in Edo period(1800-1867) . This is an item of a rare museum class. The print is massaged by the hand. (chirime-hanga)The haori coat that sews and matched the print and silk. The check on the part of the sleeve is Akita hachijyo. The lining is silk and cotton. There is no stain. There is a damage part. It is very wonderful. It recommends it for your collection. size:85cm x 125cm(33.5" x 49.2")

Douchuugi is Kimono which a person wore at the time of going out. This Douchuugi is the kimono which a samurai wore in a trip. List cloth is cotton. And lacquer is painted the surface with. Because it was able to rub against the surface which created beautiful changes. However, it is beautiful like "unintentional art". The lining is very good hemp of the Katazome- dye.It has three places of repair. There is one place of thin stain. Size: 83cm x 128cm (32.6 "x 50.3") It has three places of repair...

Antique uchishiki, Japanese alter cloth, embroidered on silk satin with Chinese theme, “The Seven Sages of the Bamboo Grove”. Probably from late 18th to mid 19th century. 26 3/8" x 25" (67cm x 63 1/2cm).

Condition: This is a beautiful antique textile even with some obvious damage and wear, still solid with a thick cotton backing. The wear is seen particularly on both ends of the design. This quality of needle work is seldom seen.

This is watari-cotton boro Stripe Patchwork futon Cove. It is cotton of the very warm feel. It can enjoy both sides. size:162cm x 100cm (63.8" x 39.4")

This is Asamai-sibori of the Akita area of the Edo era. It is dyed with an indigo plant of nature. This is good-quality thick cotton spun by hand. This is woven with a good-quality cotton thread spun in the country. The feel is good, and it is comfortable to eyes. A technique of good Shibori was introduced into the Asamai district from the Narumi district late in the Edo era. This is an expression method of early Asamai-Shibori. It is the simplest expression method of good-quality Shibori...

It is echigo-jyofu hemp Indigo dye kasuri Child kimono of the Edo era81800-1867). The kimono is very rare, and It is excellent and am delicate, and the technique is very beautiful. It is a Chinese hairdo and a pattern of the treasures. It does not have a stain and the damage. size:86cm x 74cm (33.8" x 29.1")

Beautiful Japanese antique wedding kimono made of chirimen silk (crepe) and decorated all over with a scene of a river and blossoming plum trees in a rural pavilion setting, the design is done in a paste resist with a delicate blending of colors, silk embroidered details are accented with extensive use of gold thread and small areas of shibori technique. The kimono is lined in a salmon color silk and padded along the hem and edges of sleeves. Meiji Period. Size: 63" high x 51" wide

This is Japanese meiji zanshi weave noragi hanten textile. It does not have a stain and damage and is in a very good state.Zanshi, or kuzuito, is cloth that is woven from threads either leftover from home production of yarn making, or from broken threads that were purchased from local commercial weavers. size:92cm x 123cm (36.2" x 48.4")

This is kanjin-sumoh gyoji tsutsugaki nobori textile of the Edo era. It is very very rare textile. It has a thin stain. However, it does not stand out. It has slight damage. However, it is good condition generally.The sumoh wrestling was an event called sumoh wrestling sechie to which original was done in the court. size:187cm x 41cm (73.6" x 16.1")

This is Edo kasuri child kimono echigo-jyofu Rare. It is wonderful, beautiful kasuri. The motif looks like amaryu (raining dragon). There are a little stain and a small hole. However, the state is very good. I recommends it for your collection. Textile seems to be hand spun and woven, and has soft touch. Echigo-jyofu was born in middle (749-756) on the age of Jomon. In it, latter term (1670-1780) was a season from the middle of Edo period...

This is Japanese Indigo dye shibori Baby boro kimono meiji(1868-1912). Baby's indigo dye shibori kimono is rare. Textile seems to be hand spun and woven. It is thick indigo dye cotton. There are a stain and little damage. It is warm very cotton of touch. The lining is also very charming. size:62cm x 65cm (24.4" x 25.6")

This is Tsutsugaki Hanten of the very big size of the Meiji era. As for this, the powerful face of the dragon is very impressive. The good cotton of this texture is spun by hand. The part of the sleeve has two or three places of slightly thin stains. It does not stand out.As for this, the state is complete. There is no damage. You can enjoy it in this. This is dyed with a natural indigo plant�. shoulder length64cm(25.1�") Size: 125cm x 130cm (49.2 "x 51.1")

A beautiful hand painted Uchikake kimono with pine trees and rocks in sumi-e black ink (dye) style, a symbol of winter, New Year and the longevity. The fabric is Shioze silk (thicker than regular silk), not shiney as satin silk. Very well preserved; no stains. It is evenly discolored to a creamy color and still wearable. Circa, late Meiji to early Showa, 1900 to 1940.

Dimensions: 51 inches (sleeve to sleeve) x 71 inches long

It is yuzen-dye silk Child kimono textile of the last part of Edo era(1800-1868). It is the design which is beautiful with a mandarin duck and the beauty of the cherry tree. It has the change of a slight color. However, there is not the stain remarkably. The sleeve has slight damage. However, it is very good condition generally. size:95cm x 83cm (37.4" x 32.6")

This is very a silk Fukusa cloth of the highest class in Edo period(1800-1850). There is neither stain nor damage, too. There is a part where the color changes into the lining. It is a great condition. Everything is embroidered by the hand with silk. It recommends it for your collection. It is a design of the five festival days in Japan...

This is Indigo dye cotton shibori & katazome yogi textile of the last part of Edo era(1800-1868).It is made of hand-spun and hand-woven and natural indigo dyed cotton. It has a stain to a little damage and lining. However, it does not stand out.It has one repair trace. It is very good condition. size:150cm x 140cm (59.0" x 55.1")

This is Japanese EDo Indigo dye asamai-shibori dangawari-dye kimono. All asamai-shibori was made from the hand. The indigo dye is indigo of nature...

Beautiful Japanese kesa made from a very high quality silk brocade. The work shown on this kesa is truly amazing. The gold picks up light easily and when it does, it changes the whole kesa to a golden color. The decoration is an auspicious floral design of hosoge (ancient imaginary flowers said to bloom in heaven) and karakusa. It will be impossible to produce a kesa of this quality today because of the steep decline in the quality of materials and workmanship since the time that this kesa w...

A set of kamishimo and hakama made from cotton used to dress a bunraku puppet. The fabric is utilizing a cherry blossom pattern with a wave motif. The cherry blossoms are done in a style known as katagami, where the pattern is printed using a paper cut out placed on top of the fabric and dye is coated over it. The wave patterns are done in a print format similar to a technique known as inkin, where a woodblock is used to stamp the pattern. The crests are cut out from a separate fabric and pasted...

This is Sashiko Hanten which the leader of certain occupation group of Edo period wore. A technique to be called very high Sagara embroidery is used for this. This embroiders all by hand. The cotton thread used for embroidery is spun by hand. The thread is dyed with plant dye. It is clothes to identify social position promptly even if anyone looks. The part of the collar has a kanji of Toudori. Toudori meant the president of bank in the present age, but was used for a name of the head of variou...

This is donza sashiko hanten at the Meiji era. It is sashiko hanten donza that the fishermen's boss in Kurashiki used. It is the valuable one in the market without. There is a little getting untied part.There is a thin stain. Very exact sashiko is made from the hand. It is wonderful and beautiful. The state is very good. Please add to your collection. Size 98cm/38.6" x 121cm/47.6"

A Japanese priest's silk ouhi (Buddhist priest's ritual arm - shoulder covering), the green/gray/black brocade silk with an overall design of cranes, pine, stylized shells, verlaid with white line divisions and asymetric gold thread kikyo (Chinese bell flower) designs, pale pink silk liner. Late Edo period. Dimensions - 11 1/8" x 54".

This is Japanese yosegire Patchwork katazome jyuban Rare in Edo period. This jyuban does the patchwork with wonderful fabric such as itajime shiko-shibori katazome boshime yuzen in Edo period. It is very beautiful. There is damage in the part of the wave of the back and the chest. There is a little stain. However, it is very good overall. size:141cm x 123cm (55.5" x 48.4")

Unique old Japanese yogi (kimono-shaped futon bed cover) from Kaga, a weeping willow tree with a butterfly family crest, 57" x 72", Meiji Period (1868-1912).

Kaga, located in today's Kanazawa prefecture area, was known as "Kaga One-million Koku", the wealthiest domain next to the Tokugawa Shogun family during the Edo period (1603-1868). Each domain was assessed its wealth measured by "koku." Most samurai received stipends in koku. One koku was equal to the amount of rice to feed a m...

This Noshime hira-ori silk -kasuri samurai kimono is Edo period(1800-1850). HIra-ori is wonderful beautiful lustrous silk. This kimono is samurai's clothes. When entering the castle, it put it on. It puts on the hakama and the old ceremonial dress on this kimono. It is the one at the end of shogunate of Edo period.This family coat of arms was able to use high samurai of the rank who assumed a person of court noble and Imperial a representative.It has slight damage around a thin stain and colla...

E-Gasuri (Kasuri) Futonji, Picture Ikat-woven Bed Cover; Kurume, Fukuoka Prefecture. Four-panel kon (dark-blue) indigo-dyed cotton bed cover, woven with e-gasuri (picture) ikat technique creating images of Otafuku (goddess of happiness & mirth) and Plovers, squares, and crosses. An excellent example of the picture ikat tradition of Kurume, Fukuoka Prefecture on the north end of Kyushu Island. Top cover only, no backing or wadding, good condition. 7” (18cm) tear to one end of cloth. Ca. 19...

Kasuri (ikat) panel remnant with design of chrysanthemums, butterflies, and geometric squares. Japan, ca. Meji Era, 1868-1912. H.7.5"(19cm) x W.11.75"(32cm,) small 1.5cm repair patch in center. This is a wonderful example of mingei craft with a very playful image. Butterflies exist in Japanese folk imagery, but are not so common. This piece would be lovely framed.

This is an indigo dyeing cotton kimono used in Kyoto. As for this, cotton is spun by hand. This cotton is thick. This is dyed with a beautiful natural indigo plant. This indigo plant is a good indigo plant cultivated in Kyoto. This has a few stains to a chest and a collar, but does not stand out. This is the very good state that does not include damage. Size 132cm X 118cm (51.9 "X 46.4 �g)

This is a horse cover in Edo period. It is very cotton of wonderful tsutsugaki. The touch of cotton is very nice. The wave and the motif of the family crest are very impressive with the rabbit. There is a little small hole. However, the state is very good. This is the one in the Tohoku region. size:127cm50" x 57cm/22.4"

This is an upper child kimono of the Shonai district (Yamagata). It features blue dyeing and beautiful Tutugaki The Yuzen process of the freehand drawing is beautiful, this is thick cotton spun by hand. And crane and tortoises of the freehand drawing run well too. Lining is cotton dyed with rouge made specially in Yamagata. There are four stains of approximately 1cm (figure 1). There are two places extremely thin stain (figure 2). And there is one place of old rectification (figure 3). You...

This is Fukusa used in Kyoto for Edo period. As for this, two carps are expressed very boldly. As for this, a carp is expressed in a silver thread. This does not have a stain and damage. As for this, a state is complete.��Lining is a red silk. Size 74.5cm x 62.5cm (29.3 "x 24.6")

Old Japanese gift cover, fukusa with a black mask and a mask box, bells, hat and fan used in the Noh(No) play, Okina (the sacred old man). The Dance of Okina start with a comtemporary prayer for 'a peaceful reign over the land' Okina wearing a white mask. The black mask is worn by the Kyogen actor in the third dance, "Sanbaso". Embroidered on satin, lined with red crepe silk. Dimensions: 28" X 29"

This is Japanese EDo Indigo dye asamai-shibori dangawari-dye kimono. All asamai-shibori was made from the hand. The indigo dye is indigo of nature. It is a technology that dangawari is high. It is very charming. This was washed in water. There is a little stain. There is no damage. The state is very good. The techniques of several kinds of shibori are expressed in this one kimono. It is very beautiful, and wonderful. It is thick cotton. The The part of the cuff Is fabric at the edo chirimen silk...

This is boro Tattered noragi textile of the excellent Edo era(1800-1867)rare.This is an original of the rare Edo era(1800-1867). It is unusual boro noragi farm wear of Niigata region.It is any variMous patterned fragments ( stencil or tie-dyeing, stripe..etc) was stitched with hemp thread. It is made of hand-spun cotton dyed with natural indigo. The stitches are hemp threads.The stitch is all hemp thread of the Edo era and does a stitch by hand.It can enjoy both sides. I recommend this to collec...

This is the clothes which a fire fighter of Edo period wore inside of Sashiko Hanten. This is the very rare item which the person of waterfall ascetic practices was drawn on to a back in Tsutsugaki. This picture does one of the famous programs of Kabuki in a motif. The cotton is spun by hand. And it is slightly thick. This has several places of fading and tears. This has small damage on a collar and a shoulder. However, I do not feel the state. Size 67cm x 90cm (26.3 "x 35.4")

Japanese altar cloth, uchishiki, decorated with sets of kara-shishi (Chinese-lions), peonies, rocks and clouds. Silk with cotton liner, some soiling and some stains 27" x 29" (68.6cm x 73.7cm)

The lion is the king of beasts and is considered a messenger for Monju Bosatsu. They are often found guarding either side of a Shinto Shrine in Japan. The peony is the sovereign of the flowers, which symbolizes wealth and honor. The scene here is famous from the noh play, Shakkyo (stone bridge) ...

Japanese Kesa, Buddhist priests' robe, "ro" summer silk. 44 1/2" x 77", the color changed evenly to a tannned tone. There are some stains in the front and back, and the handle and the folding lines in the back are soiled.

Edo Tsutsugaki Indigo Hand-spun Cotton Nobori This is Tsutsugaki cotton Nobori of Edo period. As for this, cotton is spun by hand. As for this, the cotton that the texture is very good of Edo period is used. The design is Shojyo. Shojyo is an animal in the imagination to be handed down from ancient times. This comes up in one of the representative programs of the Noh. In Japan, this has the meaning of the beast of the good luck. There is one place of small hole beside ladle.The bottom of a w...

Four-panel kon (dark-blue) indigo-dyed cotton bed cover, woven with kasuri technique creating patterns of squares (well frames.) Top cover only, no backing or wadding; good condition, minor repair to one corner. Ca. 1900. L.54”(137cm) x W.52”(132cm.) Futonji, bed covers, were a common bridal trousseau item in feudal and early-modern Japan. They may have been made by the bride before marriage (in very rural areas,) or more likely commissioned by the bride’s family. The bed cover was often ...

Beautiful Japanese antique wedding kimono of blue silk and embroidered all over with charming traditional wedding scenes of cranes and turtles, shochikubai (the three friends of winter) pine, plum and bamboo and a profusion of different flowers including chrysanthemums, magnolia, peonies, and camellias. Extensive use of gold embroidery. Lined in red silk and padded at hem. Meiji Period. Size: 66" high x 49 1/2" wide

This is Edo yosegire Patchwork itajime katazome chirimen-silk kimono in Edo period(1603-1868). This is very beautiful yosegire kimono. In the skirt part of the lining, it is cotton and there is damage. There is a little, thin stain. However, it is not remarkable. I recommend this for your collection. size:134cm x 125cm(52.8" x 49.2")

This is indigo dye sashiko noragi naga-hanten of Aomori Prefecture of the Meiji era(1868-1912). cotton seems to be hand spun and woven. All sashiko was stitched by the hand. It is very beautiful. There is neither stain nor damage. I recommend it for your collection. size:108cm x 118cm (42.5" x 46.5")

Antique Yogi (Japanese futon bed cover), hand drawn in Tsutsugaki paste resist dye with an auspicious design of a phoenix (ho-o) bird and paulownia tree. The family mon (crest) is a wild goose. Meiji Period (1868-1912). Approximately 59" wide x 74 1/4" long.

The phoenix is a mythological bird known to appear during times of peace and prosperity. It symbolizes immortality, resurrection, and life after death. Its appearance is said to resemble a heron, eagle, and peacock. Here on this �...

A beautiful framed work of art, Japanese silk embroidery panel of a pair of Japanese Chin puppies playing with a tasseled floral ball. The imagery is reminiscent of fu dogs, in which the ball represents rule over the world. Hand-embroidered in gorgeously stunning condition, with very high-end and tasteful framework. Late Meiji period (1868-1912)

Provenance: Early Warren Imports collection

Size: (entire frame) 34.5" L x 30" H (artwork only) 23.25" L x 18.5" H

This is Katsugi dyed with an indigo plant of the Edo era. This is made with high-quality hemp. The whole is dyed in Katazome. The part of the hem is drawn in Tsutsukaki. A rich family used Katsugi at the time of ceremonial occasion. This type of Katsugi was used in a part of Yamagata mainly. Jyofu-hemp Edo Katsugi often generally has heavy damage, but this item does not have damage at all.The width of Katazome is 13cm. There are several places of a few thin stains. Please enjoy bright indigo...

It is considered that the sacredness which symbolizes the crop of a rich grape tree is a tree.The tree of the grape has a feeling of a lively motion very much. This is a "yogi", a kind of futon in the shape of kimono made of hand-spun cotton of Edo era (1800-1867). It is stuffed with cotton and has hand-spun cotton lining dyed with vegetable color. It is damage few very good condition.The motif of the tree of this grape is very rare and precious tsutsugaki textile. I recommend this tsutsugaki...

This is fireman's sashiko hanten coat in Edo period. It is a motif of a big spider and the petal of cherry blossoms and the person of the kabuki. It is very impressive and it is bold.The petal of cherry blossoms that adhere to the cobweb is very fantastic. There is a little part that was able to be rubbed. However, the state is very good. There is neither stain nor damage. The lining is an indigo dye. It is sashiko hanten coat of a very valuable fireman. Please add to your collection. ...

This is sashiko Indigo dye cotton noragi hanten at the Meiji era(1868-1912). There is a repair mark in the sleeve and the back. However, it is very good overall. I recommend it for your collection. size:120cm x 132cm (47.2" x 52")

This is horse cover textile at the Meiji era.(1868-1912) It draws in the indigo dye by the technique of tsutsugaki. It is a very vivid, impressive motif. It is wonderful horse cover textile. This is the one in the Tohoku region. It uses it at the wedding. This is rolled in horse's trunk. The bride rides on this horse. There is little damage in the edge. There is a little stain. However, it doesn't stand out. Size:488cm/192.1" x 64cm/25.2"

It is gosyo-katsugi(imperial palace katsugi) in the Edo age of this.This katsugi is a museum class. Please add to your collection. It is katsugi of Kyoto. This is a rare very valuable excellent article. Daimon in surroundings of the neck is tsutsugaki(frieehand paste-resist decoration). It is a dye of the indigo dye and the Indian ink. Katazome(paste-resist stencil decoration) of komon is made from dangawari. The katazome part near the chest uses the dye of thin yellow on. The material is...

Antique Japanese Linen Banner Commemorating the pivotal Kawanakajima War of the Sengoku Period, a period rich in samurai history. War ships are depicted bearing the crests of the Takeda, Maeda, and Kato clans. A vibrant and powerful piece of Japanese history. 70.5 x 30.5 inches, 179 x 77.5 cm.

Japanese antique shiko & benibana-dye itajime(katazome) silk child kimono yosegire(patched) edo era(1800-1867).It is shiko & benibana-dyeing of natural.It has a few thin stains. However, The stain does not stand out.It is no damage.They are not disturbing, and as a whole it is in very good condition. size:Length 104cm (24.9inch) sleeve to sleeve 96cm (37.7inch)

This quilt is made out of an old Japanese nobori banner probably from the Meiji period (1868-1912). The upper part of the banner, where the family crest (Mon) is dyed, was used for the border and two figures were sewn together side by side. The brown fabrics on each side of the design are the reverse side of an old obi sash. All hand-sewn except for the straight line where the panels were put together.

The design is of two lucky gods from the The Seven Lucky Gods of Japan (SH...

Hand-woven Kasuri ramie (high quality hemp) taken from a man’s kimono with a pattern of small arrows. This type of kasuri fabric was not for common people. It was too expensive so it was only worn by wealthy merchants or the samurai class. 3 1/3" cut in the middle, 1 to 2 small hole. Meiji period (1868-1912). 13 1/8” x 111 1/4”

Antique Japanese Aizome Futon Cover, made of cotton in four panels. Dyed a deep indigo with a paste resist repeating pattern of New Year bundles and persimmon branches. Meiji/Taisho Period. Size: 63" high x 50 1/4" wide

This is indigo dye fireman's shirushi hanten at the Meiji era.(1870~1910) It is tsutsugaki in the indigo dye cotton. Shirushi hanten of this length is very valuable. It is a very impressive motif. There is a little repair mark. However, the state is very good. It is touch of the cotton of a warm indigo dye. It is a wonderful, beautiful excellent article. Please add to your collection.

This is one of the best Shounai-Noren used in Shonai, Yamagata area for Edo period. As for the hemp of this item, a delicate thread spun by hand is used. The pattern is full of Chadougu which was popular in Shikoku. Chadougu is an instrument used at tea ceremony. The Chadougu design reached shounai by a goods-carrying merchant ship. The artist Fujita displayed cloth full of Chadougu in the atelier of Japan. There was the picture near a great painter without sense of incongruity. As fo...

This is Tsutsugaki used in the Tohoku district. This was dyed with an indigo plant. As for it, dark blue and light blue contrast are fair. The cotton spun by hand has good texture. The local custom, the way of thinking affect the motif of Tsutsugaki. It is a very rare thing to adjust the hanging scroll of the letter to a theme happy. It is simple and sturdy, and this area assumes rusticity economy the history. There are two places of small stains. The others do not have any problem. Size: 152cm...

Hagi-isho juban (under kimono) made of silk in many kinds such as silk crepe, figured silk, pongee silk and wild silk. The patterns are: komon (stencil-dyed small pattern), stripes, checks, kasuri (ikat) and solid color. The lining is indigo dyed pongee silk and floss silk in the hem. All the dyes are vegetable such as benibana (safflower), indigo, purple grass root and so on. In excellent condition. Mid 19th to early 20th century. 127cm x 138cm