Beautifully carved large Meerschaum bas relief plaque of Crucifixion scene, with multiple figures, finely detailed, in deep oval frame with grain painted finish, domed glass cover, 19th century, Continental, probably French. Measures 16"high, 13" wide and 2 1/2" deep...

Very large and highly detailed bas relief plaques of meerschaum, depicting the Holy Family with angels and donkey, in deep grain painted wood frames, dome shaped glass over plaques, Continental, likely French, ca 1880. Measure 16" high 13" wide, 2 1/2" deep...

Vermont Summer Road by Mark Tougias, oil on canvas, 24 inches x 30 inches. Signed in lower right. A beautiful impressionist rendering of a country road in East Arlington, VT, with dappled sunlight filtering through the overhanging trees and a mist shrouded barn in the distance. Mark Tougias is known for his tonalist landscape paintings of Vermont and upstate New York...

ABSTRACT

Oil painting on canvas by a Japanese painter, Toyoko Okumura (1939-), 14 x 18 x 2 cm (5.51 x 7.08 x 0.78in)

More her works, https://hotoke-antiques.com/toyoko-okumura/


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Lower Hollow, Dorset, Vermont landscape painting by Edward Burrage Child (American, 1868-1937), oil on canvas, dated 1894. Size: 18 inches x 24 inches. Offered in an Arts and Crafts style carved gilt wood frame. This is the earliest image of Dorset Hollow that we have come across, and is a fine example of the work by the southern Vermont artist, Edwin Burrage Child...

Long Point, Provincetown, Massachusetts by Arthur Cohen (1928-2012), oil on canvas laid down on board. Size: 12 inches x 14 inches. Original artist's framing. Signed in lower right and titled and signed on the reverse. Circa 1970-80s. Excellent condition. Arthur Cohen resided in New York City, but spent his summers painting on Cape Cod, in the community of Provincetown. He became famous for his painted tonalist works where water, land and sky blended together in muted tones and colors...

Terracotta sculpture of putti or cherub petting dog at his side, a garland wrapped around his torso, mounted on mottled marble base, 19th century, style of Clodion. Measures 12 1/4" high, marble base is 5 1/4" in diameter. Like all fine sculpture, it is artful from every angle and depicts a very charming putti figure reaching to pet the dog at his side, his fabric garland flowing around him...

Large oil on stretched canvas by the American artist Wesley Webber (1839-1914), identified often as a White Mountain Artist for his images of northern New England, depicting a bucolic farm scene, with lovely river and meadows, people and farm animals with houses in the background. Measures 16" x 30" x 3/4". Though always considered a realism artist, he was exposed to impressionism and some works exhibit this looser style...

William Dean Fausett (American, 1913-1998) large size panoramic landscape painting in the region of the Ekwanok Country Club in Manchester, Vermont. Oil on canvas. Circa 1940s. Canvas size: 22 inches x 68 inches. Signed in lower right. Never before on the market. Nice original condition. William Dean Fausett was a portrait and landscape painter who spent the latter years of his life in Dorset, Vermont...

Port of Le Havre - Harbor view by Paul Charles Emmanuel Gallard-Lepinay (French, 1842-1885), oil on canvas. Circa 1870-1880. Signed in lower right - E. Gallard-Lepinay. Canvas size: 18 inches x 28.75 inches. This painting depicts shipping in a busy French trade port, probably the harbor of Le Havre. Paul Gallard-Lepinay was a Franch marine painter who is known for his coastal and harbor views of Le Havre, La Rochelle, and Marseille...

Bridge Crossing A Weir landscape painting by Joseph Antonio Hekking (Netherlands/American, 1830-1903), oil on canvas, signed on fence in lower right. Canvas size: 18 inches x 30 inches. Offered in an antique gild wood frame...

Dennis Sheehan (American, born 1950) - A Day's Work Done. Oil on linen. Size: 24 inches x 30 inches. Date: early 21st century. Unsigned, but purchased by the owner directly from the artist. Dennis Sheehan is a contemporary painter of landscapes whose work is inspired by George Inness and other 19th century tonalists. His paintings are in many public and private collections, including the White House. He attended the Montserrat College of Art in Beverly, Mass. and the Vesper George School of Art...

China Trade School painting of Fishermen on a River. Oil on canvas. Late 19th century. Size: 13 inches x 16 inches. Unsigned. In this painting, fisherman are casting their nets in a river along the banks of their village, while family members watch from the shore. Offered in an antique carved, gilt-wood frame. Original condition with some craquelure to the painted surface.

"Perdue Who" oil on artist board painting of a Rooster by Marieluise Hutchinson, a contemporary, self-taught artist from Yarmouth Port, Massachusetts and Cushing, Maine. She is known for her portrayals of rural American life in New England. She is a member of the Copley Society of Boston.

'The Temptation of St. Anthony' by Edouard De Beaumont (French, 1821-1888), oil on canvas. Circa 1850s-1860s. Size: 30 inches x 20 inches. Charles Edouard de Beaumont was son of the sculptor, Jean-Baptiste Beaumont, and Charles studied under the artist Boisselier. He was primarily a lithographer but also painted in oils, and founded the Society of Watercolourists in 1879. Offered in an antique gilt wood frame. Signed in the lower left. Painting has been professionally restored and relined.

Sunset Reflected Over a Marsh by Dennis Sheehan (American, 1950 - present). Oil on linen. Early 2000s. Signed in lower left "Sheehan." Size: 16 inches x 28 inches. This dramatic tonalist painting is typical of Dennis Sheehan's style and subject, capturing the moment when the orb of the setting sun is reflected upon a marshy landscape. Offered in the original silver wood frame. Dennis Sheehan is a contemporary New England painter of landscapes, whose work is inspired by George Inness and othe...

Paul G. Stone - Yellow Barns, East Montpelier, Vermont. Oil on canvas. Circa 2003. Size: 40 inches X 38 inches (sight). Paul Stone is a Vermont artist whose work is rooted in the agrarian landscape of Vermont. His canvases capture the 'feeling' of the land through the use of broad brush strokes and a vivid palette that allow the light to illuminate his subjects. Paul's paintings are exhibited in several fine galleries in Vermont and Maine. The subject of this painting is the Sibley Farm in E...

Harvard Yard, Harvard College, Cambridge, Massachusetts painting by Harold Broadfield Warren (American, 1859-1934). Dated 1902. Watercolor on paper. Size: 9 3/4 inches x 6 5/8 inches (sight). Signed and dated in lower left. A peaceful rendering of one of the College's halls of residence within 'Harvard Yard,' Harvard College, painted in 1902. Harold Broadfield Warren was a landscape painter, illustrator and craftsman. Born in Manchester, England, on Oct. 16, 1859, he emigrated to the United St...

Beautifully sculpted and cast bronze of Bacchus, the God of wine (Le Vin) dancing and reaching down toward a child or baby faun, by noted French artist Louis Holweck (1861-1935). The sculpture measures 21 1/2" high, 6 1/2' wide, and 6" deep. The bronze is signed on the base in front "Le Vin", on one side with the artists's signature, and on another side with the foundry mark of J F'Deur, the French foundry. The brass plaque on the marble plinth is impressed: Le Vin, Acquis par la Ville de Par...

Modernist in design this handwrought copper and brass ashtray signed Hector Aguilar measures 5 inches across and 1 1/4 inch high. This ash tray is in excellent condition with beautiful original patina. Signed HA TAXCO MEXICO TALLER BORDA.

This handwrought arts & crafts candlestick was designed and signed by William Spratling in the early 1930's. The candlestick base measures 5 inches across and stands 3 1/2" high. Excellent condition and patina. Signed on the underside WS TAXCO MEXICO. This Spratling tin candlestick is pictured on p. 227 of WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE by Penny Morrill.

Hector Aguilar designed and signed this early set of 3 handwrought copper and brass ashtrays in Taxco, Mexico in the early 1940's. Each measures 4 1/2 inches across and is 1 inch high. All 3 ashtrays are in excellent condition with no dents or dings. All have original unpolished patina. Each piece signed on the underside HA TAXCO MEXICO.

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) titled “Samurai with an Umbrella” by Yoshitoshi Mori (1898-1992). The print is pencil-signed with the artist's red seal, dated ’82, and numbered 34/50. The bottom right corner has a small "80" in pencil. Paper size: 20 1/4" x 13 1/2." Very good, clean overall condition. A tiny pencil notation with a prior owner's name "Hansen" is on the back bottom edge.

"Northern Vermont" - by Gianni Cilfone (Italian/American, 1908-1992), oil on canvas. Circa 1944. Canvas size: 22 in. x 25 in. Offered in the original frame, with paper exhibition label affixed to stretcher - 'Bethel Inn Exhibition 1944.' Titled: Northern Vermont. Original condition with some craquelure. Gianni Cilfone was brought to the U.S.A. by his parents when he was only five. He later attended the Art Institute of Chicago and also studied under noted painters Hugh Breckenridge and John F....

"Pung and Chow" - by Marguerite Kirmse (British/American, 1885-1954), original signed etching on wove paper. Date: 1923. Image size: 6 in. x 8.5 in. Artist's proof ltd. edition print. Pencil signed and titled by the artist in the lower margin. Offered in the original frame with gallery label of Arthur H. Harlow & Co., Rare Etchings and Engravings, 712 Fifth Ave., New York. An etching of two Pekingese dogs, Pung and Chow. Kirmse is best known for her drawings and etchings of dogs.

A Mary Azarian hand signed colored wood block print of a Cottage and Herb Garden. Dated 1992. Sheet size: 15.25 inches. x 11 inches. Signed in lower right 'MA92.' Mary Azarian is a famous Vermont printmaker and illustrator of children's books. Best known for her wood-cut prints, she was awarded the 1999 Caldecott Medal for her illustration of the picture book, "Snowflake Bentley."

The Garden - by Mary Azarian. An unsigned early wood block print by this famous Vermont printmaker and illustrator. Circa 1970s. Size: 24 in. x 14 in. Offered in a hand-made wood frame. The text most appropriately reads: "When The World Wearies And Ceases To Satisfy, There Is Always The Garden."

A vintage Hubley #275 cast iron doorstop of a German Shepherd sitting. Size: 9.5 in. ht. x 6.5 in. wide x 2.5 in. deep. 1st half 20th century. Impressed on reverse '275'.

19th century landscape painting of horses pulling a cart of logs across a ford in a river, with a dog and cows looking on. Oil on canvas. Unsigned. Circa 1870s. Size: 22 in. x 34 in. Offered in the original gold leaf wood frame with Boston, MA framer's label. Some old repairs and restoration.

Stokesay Castle by John Taylor Arms (American, 1887-1953), original etching on wove paper, pencil signed in lower margin, edition of 365. From his English Series #9; ref. Fletcher 369; miniature series #30. Dated 1942. Plate size: 2 1/4 in. x 2 15/16/in. Excellent condition and offered in the original gilded frame, with original description affixed to the reverse of frame. John Taylor Arms was born in Washington, D.C. in 1887; he became one of America's best known printmakers, and his etching...

Painted Hollyhocks by Vermont artist Corliss Blakely (American, 20th/21st century). Circa 2001. Oil on canvas. Size: 18 inches x 24 inches. Signed in lower right. Offered in a contemporary plein air gilt wood frame. Excellent condition. Corliss Blakely is a native Vermonter, who is known for her still life, landscape and miniature paintings. She was born in St. Albans and studied at the Vesper George School of Art and at the Museum School of Art in Boston. She paints rustic still life and Verm...

Oil on wood panel, this portrait of a young man dressed in vest and coat measures 9 1/8" x 7" (sight size) and the frame is 11 3/4" x 10 1/8". Well painted, there is a crazed and bubbled varnish surface, with some crazing in the paint visible on the vest. The bird's eye maple frame has a thin gold liner, with minor damage and some gilt loss. The wood panel is beveled on all four sides. A very handsome portrait, by artist with academic skills, it is likely American, but no clear provenance is...

The quality of this bronze neoclassical figure is exceptional, with fine detail, deep rich patina, and fire gilding accents. It measures 12 1/2" high, on a base measuring 6 3/4" x 3 3/8". The base is open on the bottom and shows screws that hold the sculpture in place. Probably had a marble base at some time. Signed on the corner, "Moreau", one of the famed French bronze sculptors of the 19th century. No first initial is inscribed, so it could be Auguste, Mathurin, Hippotle-Francois or Loui...

William Lester Stevens (American, 1888-1969) - Coastal landscape, probably of the Massachusetts shore. Oil on artist board. Circa 1920s-30s. Size: 16 inches x 19.25 inches. Signed W LESTER STEVENS in lower right. William Lester Stevens was a Rockport, Massachusetts artist and a founding member of the Rockport Art Association. This post-Impressionist painting utilizes a thick impasto to its surface treatment. Stevens studied at Boston's Museum of Fine Art School under Edmund Tarbell and Frank Ben...

Designed by Max Ernst (1891-1976) and crafted in Murano Venice, this tile measures 7 5'8" x 6 3/8" and is roughly 7/8" thick. The glass is clear, with a greenish tint, and has iridescent tints over some of the surface, with gold showing up in recessed areas. It is signed M Ernst in the lower left corner and is inscribed on the back: "Natale 1997, Auguri Gregory, Egidio Constantini, Venezia". Constantini was a glass maker in Murano, whose work was often a collaboration with artists to create ...

Early portrait of a gentleman in dark coat with white shirt and ascot, mid to early 19th century. With frame it measures 15" x 12", and the stretcher measures 13 3/8" x 10 3/8". Stretcher appears old, but may not be original. Frame is not period, but has good age, gold leaf over wood. The canvas is stable and shows craquelure over the entire surface, visible in close up photos. Unsigned, which is usually the case, and there is no information as to the identity of the sitter. Frame has ...