Two Chinese miniature wood carvings showing scenes of daily life in old China, a court official with his wife and a couple at the dining table. Made in the Tushanwan Workshop in Xujiahui, an orphanage opened 1864 by French Jesuit priests near Shanghai. Hosting an art school, producing wood-carving, stone sculpture, silversmith, embroidery and painting. Please refer to the book (last photo) "Scènes de la vie en Chine...

Japanese Edo to Meiji period bronze mirror (kagami) with handle, decorated in relief with palm leaves and flowers. Inscribed with the Fujiwara Shigeyoshi maker’s mark. Measures 8 1/8” long x 5 3/4" diameter. 19th century. Very good overall condition. There is a tiny nick at the bottom of the handle. From the Sahuarita, Arizona collection of former expatriates to Okinawa in the 1970s. Stand not included.

Sakura blossoms begin to open among the draping branches of a weeping willow soughing in the breeze on this beautiful lacquer box by Inami Kirokusai enclosed in the original signed wooden box titled Wajima Nuri Soshun Maki-e Suzuri Bako (Ink Stone Box of Early Spring Design from Wajima). The design is performed over highly polished black, the interior in nashiji with pine saplings in raised design around the ink stone and water dropper...

A garment-hook or belt-fitting in the shape of a horse, made of bronze with green patination. According to the Brooklyn Museum, these belt hooks in the form of a horse come from Lelang, one of three commandaries, or colonies, that the Chinese established in northwest Korea during the Han dynasty and that lasted more than four hundred years (108 B.C.E.–313 C.E.). The horse’s shape is reminiscent of depictions in the nomadic Scytho-Siberian culture of Central Asia...

A halo surrounds the emaciated figure of a Rakan (Arhat or Arahat) seated atop a stone draped in billowing robes clutching a nyoi scepter in his bony left fist. The holy figure is chiseled and polished with extreme care and attention to detail. The detail in the carving is striking, as bamboo is notoriously hard and difficult to work. Setting it apart from most bamboo carving is a complex pattern of extremely fine chiseled texture throughout...

A Persian torch stand made of bronze or brass with chased and engraved sheath showing floral decoration and arabesques. Condition: traces of usage. Dimension: c. 25.8 cm high, diameter foot: 15.6 cm.

Large Chinese Qing dynasty celadon charger decorated in the interior with a carved scrolling peony motif. Late 19th century to circa 1900. 15 1/2” diameter x 2 5/8” high. Heavily potted and in very good overall condition. There are some original crazing and production flaws to the interior. From a North Scottsdale, Arizona collection. Please note that the stand is not included.

20" tall Chinese Qing dynasty Qianlong to Jiaqing period (circa 1796-1820) Dehua blanc-de-chine white glazed porcelain Guanyin figure with black painted hair. She stands in bare feet holding a bronze colored vase in her right hand and is dressed in a flowing robe with a veil. A beaded necklace adorns her neck. Her elongated ears frame a serene facial expression with downward gazing eyes. The figure is heavily potted and weighs 11 lbs. Very good overall condition...

Japanese shin hanga woodblock print titled "Summit of Fujiyama: The Kengamine Summit" by Hiroshi Yoshida (1876-1950) dated Showa 3 (1928). 1st edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal are at the lower left. The print is pencil-titled and pencil-signed in the lower margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #531/...

An exquisite wooden plate in cinnabar lacquer over black wrapped in a chord bound cloth bag end enclosed in an age blackened kiri-wood box dating from the Edo period. The surface of brilliant red has been worn through with handling revealing the black beneath about the rim and edges. It is 9 inches (23 cm) diameter and in excellent condition. The bottom is a brown tinged black (the brown is a product of oxidation, inherent only with age) upon which are written two characters in red...

Rivulets of green glaze descend all sides of this sublime storage jar, the bottom raw red Tamba clay dating from the Edo period. About the rim are four “mimi” ears for tying down the wooden bung. The base is slightly concave and burnt to a rock like texture. The vessel is 12 inches (30 cm) tall, 11-1/2 inches (29 cm) diameter and in excellent condition. Tamba is considered as one of Japan’s six famous ancient kilns, along with Seto, Tokoname, Echizen, Shigaraki and Bizen...

Japanese Edo to Meiji period ten-sided polygon form Imari porcelain vase decorated in the kakiemon style in polychrome enamel and gilt highlights with a prominent flying phoenix bird on the front and three pawlonia leaf groupings extending around the circumference. Ten alternating geometric and stylized floral bands extend vertically up the sloping neck. An alternating scalloped band is above the foot. 19th century. Stands just over 10” high...

Japanese shin hanga woodblock print titled "Mt...

A decidedly different version of this theme, a Festive carved wooden Tai (Red Snapper) fish with removable side for sashimi coated inside in gold with bone teeth and inlayed bone eyes. The craftsman ahs gone to great lengths to make this as realistic as possible, from the textures of the skin to the folds in the fins and coloring. Unusually, most dishes in this vein are one sided, however this is equally realistically carved on both sides. It is 47 x 21 x 6 cm (18-1/2 x 8 x 2-1/2 inches and i...

Occupation era original Japanese shin hanga woodblock print titled "Heirin Temple, Nobidome" by Kawase Hasui (1883-1957) dated in the lower left margin Showa 27 (1952). The artist's black ink signature and red seal are at the lower left corner of the image. The 6mm circular seal of the publisher Watanabe (used 1946-1957) is at the lower left margin corner beneath the date. Paper size: nearly 15 3/4" x 10 1/4" (image size: 14 3/8" x 9 1/2"). Very good overall condition with very good color. The...

A very rare work by Suda Seika featuring a long armed monkey climbing over the rim in raw terracotta clay, contrasting brilliantly against the blue splashed white porcelain. It is 17.5 x 20 x 10.5 cm (7 x 8 x 4 inches) and comes enclosed in a period kiri-wood box. The first generation Suda Seika (1862-1927) was born the son of a merchant in Kanazawa, then part of the Kaga fief. He graduated the Ishikawa prefectural Industrial Ceramic Research Center in 1880 specializing in decoration, and m...

Magnificent Japanese Red Raku (Aka-Raku) Tea Bowl made during Edo period. Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century. Size Width 5.2in (13.2cm) Height 2.1in (5.4cm) Weight 8.82oz + Box 6.00oz (250g + 170g) Condition Overall good considering the age. There is a little dent as shown on the pictures due to making process in kiln and this is not the problem to use. Box is provided

Chinese Qing dynasty conjoined porcelain bottle vase with a globular body and long neck covered overall in a finely spotted monochrome tea dust glaze. The glaze extends down the spreading base to the unglazed foot. An old black collection mark is within an unglazed area at the center of the base. 7 1/2" high. Very good overall condition. There are a few potter’s fingerprints and/or faint smudges in the glaze. For a similar vase, see lot 135 from the former collection of Michael L. Vermeer, ...

A set of early wood panels, once doors on a votive shrine, painted with guardian shishi lions (Also called Fu-dogs) in polychrome colors, much worn with time. The doors are of clear grained hinoki (Japanese cypress) and have shrunk horizontally over the centuries, evidenced by the ari (wooden support) which is inset into them. On back one can see clearly the silhouette of the original metal-work. Momoyama to early Edo period, they are 37.5 x 47 cm (15 x 18-1/2 inches) each and would be fabulo...

Chinese Qing dynasty Qianlong period thinly potted deep charger decorated with floral groupings in alternating deep blue and "dan miao qing hua" (fine pale blue pigments) set against a white porcelain ground. A narrow geometric and floral band extends around the interior rim. A few sparse leafy twigs decorate the exterior. There are chatter marks to the unmarked base. An old owner's tag on the base incorrectly states the age as 19th century, however, the piece dates circa 1750. 13 7/8” di...

Antique Japanese pottery teabowl with Sakura and Momiji tree Kyo ware made by the 2nd Rokubei Kiyomizu (1790-1860) about 160-170 years ago. The seal of the potter is stamped on the bottom. Original box is provided. Size Dia. 4.8"(12.3cm) x Height 2.5"(6.3cm) Condition Very good condition. No chips, no cracks.

A serene image of the Goddess of Mercy Kannon found in a natural black stone from the Seta River inset into a hand carved hard-wood base and enclosed in a kiri-wood collectors box titled simply Setagawa-ishi (Seta River Stone). 19.5 cm (7-3/4 inches) tall and in excellent condition.

Japanese Meiji period Artia Imari porcelain charger decorated in underglaze cobalt blue and brilliant polychrome enamels and gilt highlights with a central reserve holding a kirin and butterflies on a white background surrounded by three red-ground floral panels set against cobalt blue. Three underglaze blue leaves are spaced around the exterior. A single spur is on the base. Very good overall condition. There are production imperfections (either burst bubbles or kiln grit adhering) at the r...

Japanese Antique Hand-painted Imari Bowl with Colourful Flower Design Meiji Period (1868-1912) Imari ware has been produced in Hizen area of Saga prefecture of Japan since 17th century. Very nice bowl for Japanese art collector. Size Width 5.4in ( 13.7cm ) Length 5.3in ( 13.5cm ) Height 2.6in ( 6.7cm ) Weight 10.93oz ( 310g ) Condition Overall good. No chips, no cracks.

Water Cooling Bowl Yusamashi of Hagi Ware made by Living National Treasure 10th Miwa Kyusetsu (1895-1981) about 50 years ago. Hagi Yaki pottery became popular throughout Japan for tea ceremony during Edo period (1603-1867). Hagi ware has its distinctive nice cracks together with soft texture which is highly prized among tea lovers around the world. Size Width 4.6in ( 11.8cm) Length 3.2in ( 8.2cm) Height 2.0in ( 5cm ) Weight 4.23oz ( 120g ) Condition Used, relatively good There ...

Antique Japanese Pair of Old Hand-painted Kutani Teabowls with Bird and Pine Tree Design Made Before 1940s Size Width / 4.29 inch ( 11cm ) Length / 4.29 inch ( 11cm ) Height / 3.12 inch ( 8cm ) Total Weight / 450 g Condition Good. No cracks, no chips

Vintage Japanese Kutani porcelain vase with a pair of cranes and a pine tree made about 70-80 years ago. The wooden box with no signature is also provided. Height 5.9"(15.0cm) Dia. "(9.5cm) Condition Overall good. No chips, No cracks.

Cranes soar before the red orb of the sun over festive young pines on these five ceramic bowls covered outside in red and black lacquer from the Nagoya studio of Toyoraku (also Horaku) dating from the mid to later 19th century, late Edo to Meiji eras. This set is exceptional! It is enclosed in a fine compartmentalized collectors kiri-wood box titled Owari Toyoraku Yaki Nuri Asahi-Tsuru-Matsu Suimono Chawan Go Kyaku (Five Owari Toyoraku Pottery Lacquered Soup Bowls Decorated with Pines, Cranes ...

A pair of small gold doors depicting Asian Civets (Jakoneko) in a flower strewn garden dating from the early to mid Edo period (17th to 18th century) reminiscent of the famous pair of screens heralding the same image by Kano Yukinobu (Utanosuke, active Muromachi period). The handmade bronze handles are in the shape of hollyhock leaves, intimating connection to the Tokugawa clan, head of the Shogunate. The painted panels are 45 x 28 cm each (17-1/2 x 11 inches), the doors roughly 48.5 x 32 cm (...

Golden bamboo spreads its leaf laden branches about the rim of this aka-e Kinsai bowl by Kyoto potter Takahashi Seizan and decorated by the famous painter Hashimoto Kansetsu enclosed in the original signed wooden box. It is 6-1/2 inches (17 cm) square and in excellent condition. This is from the personal collection of painter Konoshima Keika (1892-1974). We will be offering more from his household in the near future.
Born into the family of literatus and painter Hashimoto Kaikan in Hyo...

A fabulous large Mingei Tokkuri from the Satsuma region in the shape of an eggplant, glazed in black with crystalline blue about the neck over iron rich glazed clay. Likely from the Hirasa kilns, one of the great Satsuma production centers on the southern Island of Kyushu, 18th to early 19th century. It is 24 cm (10 inches) tall and in overall excellent condition, enclosed in a kiri-wood collectors’ box.
The history of Satsuma ware goes back to the 16th century when Japan fought in the...

Scratches of ink form a precipitous landscape of jagged mountains on the paper surface of this scroll performed by Fujii Tatsukichi enclosed in a wooden box titled: Painted by the elder Tatsu, One Scroll, Mountain, Annotated by Eichi. It is framed in a silk border terminating in black lacquered rollers. It is 13-1/2 x 59 inches (34 x 149 cm) and is in excellent condition.
Kato Eichi (1899-1987) was a potter from Seto who trained under Tatsukichi. Several pieces by him formerly in the col...

Finely inlaid silver on iron box, with four round flattened feet. Box measures 3 5/8" x 2" x 2 1/4" high. Top decorated with yan-yang symbol, with gold overlay on silver, amidst scrolling, geometric designs and fretwork borders. Both front and back have deer in round cartouche, with similar inlay in background, gold plating on figures of deer. Sides have gold plated cranes, also in round cartouche, with geometric and scrolling elements. In excellent condition, only very minor wear to silve...

Pair of .800 silver dishes with fierce dragons and other insect or sea creature, on a stipled background, the edge decorated with stamped arrow designs. Both are marked on the front and on the side with the .800 silver standard mark. No obvious maker's mark. Of heavy silver, with the dragons in high relief, most likely Chinese, though could also be Tibetan, Nepal. They both measure 3 7/8" in diameter and are a combined weight of roughly 4 troy ounces. Please see all photos for details. P...

Of heavy, dense exotic wood and inlaid with carved shell pieces, this ceremonial staff is from the Solomon Islands, pre 1950s. The form is better than most, having a figural image at the top, well carved with open legs and good detail. The carving depicts a figure with folded arms, slightly bent knees, and a stylized face seen in Solomon Islands iconography. The figural section measures 13 1/4" high. Very nice dark patina, with a lovely slightly glossy surface, some pieces of inlay missing. ...

Well carved in cedar, this Northwest Coast box measures 4 3/4" high x 4 3/8" wide and deep. In the tradition of Haida, Salish, Tsimshian, and other First Nation tribes of the Northwest Coast, the box is kerfed and hand carved with deep traditional designs that are abstracted and stylized. The cedar has a lovely sheen, also typical of the wood as it ages. It is signed in pencil on the bottom, the name Wilson visible, with a name or initial above that is not clear. The Wilson family is well k...