Chinese Qing dynasty Qianlong period geyao type shallow bowl covered overall with a fine crackle glaze on a creamy white ground. The high foot rim is glazed on the exterior. The recessed base is glazed and the glaze extends part way up the inner side of the inward slanting foot where it ends with an orange burn line. There are seven brown glazed spots on the base that simulate Song kiln supports. 10 3/8” diameter x 2 1/4” high. 18th century...

Description:
A round-shaped pottery inkstone was well preserved.
Supported by three foot which were intriguingly and characteristically in figures as crouching animal, the inkstone was mold with flat surface.
The surface was used as grinding pool for inkcake, so it was concaved in the middle.
In two-step style on the surface, the outer lower rim was designed for resting the lacquered cover which had been decayed and vanished.
Overall it was in newly-excavated condition preserved ...

One old cup in floral form was in type of Song Guan ware .
Crackled glaze were covered on old-feel body clay.
One firm touch-up was at footring. Not obvious and was only on the glaze.
Date: Ming/Qing Periods

Width, 8.6cm

Rare set of six Burmese bronze opium weights, or cock weights, in a Brahmani duck type hintha (also called a hamsa) bird form with upturned tail sitting on a round base. The largest two have handles attached to the back of the head and end of the tail feathers. There is a metal support under the V-form tail. The largest weight has an old tag taped to it that reads “1513 grams” (3 lbs. 5.4 oz.). I confirmed this weight on a scale at the post office...

Description:

A marble scholar water basin was preserved in perfect condition.
Well hollowed, the water basin was in nice oval and flat form.
Some ink residue was left inside the basin.

Date: Qing Dynasty, 19th century,

Body Width: 10.5cm

Chinese Ming dynasty bronze standing acolyte on wood stand naturalistically pierced and carved to resemble a rocky outcropping. The left hand holds an object and the right hand gestures with two fingers pointing to the ground. The figure wears a gown and a headdress with long billowing ribbon scarves. Metal prongs secure the figure into the stand which appears to be original. 6 5/8" high on the stand. Excluding the metal prongs, the figure is slightly over 5" high. Circa 16th century...

THREE SAMPLE BOOKS OF KIMONO FABRIC

Set of old sample books of batik dyeing kimono fabric of professional use, with 66 pages pasted sample scraps (as 20 p + 20 p + 26 p) and more blank pages, also including some remains of sample scraps and a partner's business card. Showa period, 20th century, Kyoto, Japan. 44.5 x 32 x 3.5 cm (17.51 x 12.59 x 1.37in) each...

Chinese Republic period porcelain plaque decorated in famille rose enamels with the eight immortals standing outdoors under a pine tree with bats flying overhead. Produced by the Jiangxi Porcelain Company at Pearl Mountain and dated 1924. Nice quality wood frame. Porcelain measures 15 1/8" x 9 7/8" (with frame: 16 3/8" x 11 1/4"). Very good overall condition. There are tiny brown scattered spots in the glaze from the original production...

Pair of Joseon dynasty or later Korean wood wedding ducks with subtly modeled feathers covered in layers of oiled stained paper, the heads separately carved and inserted by their long necks into a hole in the body. Each has a typical rectangular recess on the base. The heads have circular eyes and slits in the long beaks. These were traditionally presented by the groom to the parents of the future bride and were displayed during the wedding...

Chinese Qing dynasty Guangxu mark and period “birthday” or “eternal spring” bowl, decorated on the exterior in famille rose enamels and gilt highlights with four medallions, each containing an iron-red and gilt seal-script character (wan shou wu jiang), symbolizing boundless longevity, set against a yellow ground densely covered in polychrome ribbons, pearls, clouds, and Buddhist swastikas. Foaming waves encircle the high recessed foot...

Description:

A Lusan stem cup was in lovely size.
It was well preserved by reflecting the retrospective sheen of old condition.
Blue and white splashes were suffused against the dark brownish glaze background on the surface.
Loosening-feel body clay was revealed at the lower portion in beige tint.

Date: Tang Dynasty, 9th/10th century.

Body width: 6cm, Height: 5.5cm.

Dusk puddles and drips among the thick textures of this mid-century oil by Yamada Eiji titled on back “Mori” (Forest). Oil on canvas, it is 18 x 24 inches (46 x 61 cm) and is in excellent condition, wrapped in a simple raw wood storage frame.
Yamada Eiji (1912-1985) was born in Fukuoka on the Southern main island of Kyushu and was accepted into the Nikkakai Ten exhibition in 1933 for the first time...

Large Chinese Qing dynasty porcelain wash basin decorated in underglaze blue with leafy vines and sweet pea flowers set against a white ground with a pale blue tint. The exterior holds three flying bats...

White Robed Kannon by Zen Wako (also Chon Fua Fan/Chow Wha Whang), Oil on panel, 22 x 27,5 cm (9 x 11 inches) in the original frame.
Zen Wako was born in Pyongan (modern day North Korea) in 1909, while that country was under Japanese Influence, and one year before it was officially annexed by Japan. He was first recognized in 1929 when his work was accepted into the Korean national Art Exhibition. In 1933 he came under the influence of Nishida Tenko (1872-1968), a spiritual figure in Jap...

Porcelain decorated with flower on the body, glazed base. PERIOD : late Ming (1566-1643 AD) MEASUREMENTS: 9,5 cm tall. CONDITION: chips on the foot rim, no cracks or hairlines and free from restorations

TANUKI SIGNBOARD OF CANDY STORE

Old wood carving raccoon dog formed hanging shop-signboard engraved as 'okashi' (confectionery) in kanji words, Showa period, early-mid 20th century, Japan, W 49 x H 45 x D 4 cm (19.29 x 17.71 x 1.57in). Solid and heavy make, once gold foiled and faded so due to age as is. Also, some small cracks and peeling as seen.


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Chinese late Qing dynasty sang-de-boeuf (oxblood) flambé glazed cylindrical form censer. The oxblood glaze drips inside at the rim above the thick off-white glaze lining the interior. The censer rests upon vestiges of three small tripod legs. The base is unglazed and has burnt orange. As is typical of late 19th century examples, the base shows evidence where the glaze ran off the base and was broken off the kiln supports. 7 3/8” diameter x 5 1/2” high. Very good overall condition. Th...

NAKED JAPANESE WOMAN 1908

Old anonymous charcoal drawing backed with washi Japanese paper, dated back to the Meiji period (as related to another listed drawing of 'NAKED JAPANESE MAN 1908' signed with "Meiji 41 (1908) acquired from the same provenance at the same time), 46.4 x 62 cm (18.26 x 24.40in), in very fine antique condition with aged deterioration as is, with stain and surface cracks as seen. *Fixed with four small magnets on the wall when shooting, so that ...