Flowers of the four seasons blossom in a cacophony of color over the entirety of this Kutani vase signed from the pre-eminent Kaburaki (Kaburagi) studio dating from the opening of the 20th century. The imagery is exquisitely performed with over-glaze enamels on a sheer white ground. The vase is large at 19 cm (7-1/2 inches) tall and is in excellent condition, with some wear to the gold rim...

An image of the sleeping Shojo (sake Sprite) by the 12th generation Sakaida Kakiemon enclosed in the original signed wooden box titled Taihaku Shojo Bori Okimono. The ordinarily playful figure is performed in pure white, a serene look upon his sleeping face creating an almost holy feeling, the ladle fallen at his knee, leaning against a barrel of sake, the empty jar the only color. The image is 31 x 21 x 16 cm (12 x 8 x 6 inches) and is in excellent condition...

A silver rabbit and large solid bronze figure of the young god O-kuninushi no Mikado by Oshima Joun on a black lacquered stand enclosed in the original signed and red lacquered wooden box with separate compartments for the table and figure. Here we see O-kuninushi seated beside his bundle of belongings, hand extended in benevolence to the meek creature. The box is titled O-kuninushi Go-Zo, Go Okimono, Tobu Oshimia Joun Sakku followed by a ka-o signature...

A set of five porcelain tea cups by Ninnami Dohachi decorated with bamboo and poetry by Nukina Kaioku (Suo) enclosed in a superb custom period kiri-wood box with rosewood edges. Each cup is 2 inches (5 cm) tall, 2-1/2 inches (6 cm) diameter. There are old gold repairs to two of the cups, otherwise are in fine condition.
Nukina Kaioku (1778-1863) was born into a samurai family in Awa, on the island of Shikoku a patron of the Hachisuka clan...

Vintage Japanese Showa period ink and color on silk scrolled painting of an autumn landscape with mountains in the background and tiny horses and figures in the foreground by Kawashima Baikan (1902-1977). Black ink signature and red artist’s seal at the lower right. Signed tomobako wood presentation box. Mid-20th century. Painting: 17 5/5” x 20 1/8” (scroll: 54 1/2” x 26”). Very good overall condition.

A breathtaking Taireiji pottery vase by Kiyomizu Rokubei V enclosed in the original signed wooden box. Chrysantheum in raised relief grow ghosly white on the soft pink surface. It is 32 cm 12-1/2 inches) tall and in excellent condition. Taireiji was the most important development by this innovative artist, and pieces are exceedingly rare...

An incredible Flambe glazed vase by Kiyomizu Rokubei V on a black-wood stand enclosed in a massive red lacquered storage box heavily inscribed and signed by the artist. I rarely use the term, but this is Museum Quality, or perhaps I should more rightly say this unprecedented piece should be in a Museum! It is 55 cm tall (22 inches), 41 cm (16 inches) diameter. There is a firing flaw in one side (see close-up pictures)...

A delicate white flower blossoms on the pink surface of this exquisite vessel by Kiyomizu Rokubei V which comes wrapped in the original stamped cloth sack and enclosed in the original signed wooden box titled Taireiji Kabin. The vase is 22.5 cm (9 inches) tall and in excellent condition. Taireiji was the most important development by this innovative artist, and pieces are exceedingly rare...

A stunning large bowl decorated with overlapping palm leaves by Kiyomizu Rokubei V enclosed in the original signed wooden box. It is 24 cm (9-1/2 inches) diameter, 11 cm (4-1/4 inches) tall and in excellent condition. It certainly expresses the design skil and painting abilities of this important artist.
Kiyomizu Rokubei V (Shimizu Kuritaro, 1875-1959) initially studied painting and decorating technique under Kono Bairei, one of the foremost painters in Japan in the Meiji era...

Chinese Neolithic Cord-Impressed Pottery Amphora - Banpo (Over 6,000 Years Old)

This fine and incredibly old pottery vessel was made over 6,000 years ago during the Banpo phase (c. 4800 - 4300 BC) of the Yangshao culture in present-day Shaanxi province...

Rare Vietnamese 13th / 14th Century Lotus Petal Bowl

This attractively-shaped bowl was made during the 13th - 14th Century. Very similar in form and style of Chinese celadons of this period, this example is Vietnamese. The outer wall has a carved or moulded lotus petal pattern with the tips of the petals finished with incised decoration. The bowl is coated in quite a thick crackled olive-green glaze...

Chinese Yuan Dynasty Jun Bowl

This stoneware junyao bowl was made during the Yuan Dynasty (AD 1279 - 1368). It is heavily-potted and coated in a thick jun glaze. The colour of the glaze varies from a pale mauve to a yellowish-grey. The glaze falls short of the foot that remains unglazed and has fired to a pale yellowish-brown. Within the recessed base is a Chinese character in fired-on black pigment.

Diameter 18 cm...

Rare Thai 14th - 15th Century Sawankhalok Celadon Stem Bowl (repaired)

This rare stoneware stem bowl was made at the Sawankhalok kilns around the 14th - 15th century. Both inner and outer surfaces have been profusely decorated with incised bands and lines, with a floral pattern to the inside centre. It is coated with a finely-crackled translucent celadon glaze.

Diameter 16.5 cm, height 10 cm. As with many such Sawankhalok pieces of this period, this item has been extensively repaired / r...

Description : A Houtian jade Bead was in slender olival shape.
Used as a hanging piece, the jade piece was in elegant form with obvious incursions on the surface caused by age.

這件玉器雖為小件，但是氣質簡雅。 器型修長，比例合宜。 為通心穿孔，可見原本即為飾品之用。 玉質為典型荔枝白，為和闐玉中最受藏家所喜愛鑒賞的。 玉表面受沁，為老件自然現象，更顯其年代風味。 從玉質與器型上看，�...

Description : A Jadeite Pendant was in great quality.
In clear green and transparent tint, this Jadeite piece was in elegant mood used as a hanging piece.

Date:Modern.
Dimension:4.5cmx2.8cm

It is a collection from an elegant lady now retired from collection field.

A voluminous ink landscape built around two scholars viewing the cascade dropping into the canyon on this huge scroll by Tanaka Hakuin enclosed in the original signed wooden box dated Meiji 45 (1912). Performed with rich black ink against the sheer white paper, the mountainous crags and leafy forms built up in layers of gray and black. The scene is mounted in patterned silk with white piping in the Mincho style popular among literati painters in the era, and features huge bone rollers. It is ...

A full 7 piece Steeped Tea Sencha Tea Set by Kiyomizu Rokubei enclosed in the original age darkened wooden box titled Seika Sansui Chaki. There are five cups, a teapot with lid, and a cooling dish. Each piece is decorated with a unique scene and poem, no two are alike. They show the mastery of brushwork this important potter, originally trained as a painter, possessed. The cups are 8 cm (3-1/4 inches) diameter and all is in excellent condition.
Kiyomizu Rokubei V (Shimizu Kuritaro, 187...

Fine Chinese Song Dynasty Qingbai Porcelain Bowl with Floral Pattern

This fine-quality porcelain bowl was made during the Southern Song Dynasty (AD 1127 - 1279). The inner surface is skilfully decorated with an incised floral pattern, most likely the peony. The bowl is coated in a finely-crackled translucent greenish-blue qingbai glaze of good colour. Further decoration is provided by six "V"-shaped "notches" spread equidistant around the rim. To the inner centre is an unglazed ring; this bo...

Fine Chinese Qianlong 18th Century Imari Porcelain Dish

This fine-quality porcelain dish with attractive floral pattern in underglaze blue, red enamel and gilding, was made during the 18th century, most likely during the Qianlong reign (1736 - 1795). The underside has a simple underglaze blue decoration and there is a brown iron wash around the rim edge to prevent "fritting" of the glaze during firing. There is no restoration or repair, no cracks and the dish has a good ring when tapped; the...

Japanese Meiji Cast Iron Tetsubin with Signature - Hailstone Pattern

The cast iron tetsubin (teapot / kettle) is of course the central feature of the tea ceremony. This example was made during the Meiji period (1868 - 1912) or possibly a little later, the pattern to the upper part of the kettle known as the hailstone or nail head pattern. It has a copper cover that is a perfect fit. There is a signature to the right of the spout and there also appear to be seal marks to the base. To the inte...

Koi frolic, splashing gold and silver waves as they leap and battle for the top of this stacking food dish dating from the later 19th century. The design is striking! Outside is polished black loaded down with gold and silver maki-e with applied kirigane cut gold squares. Inside is festive red. The box (assembled) is 25 x 23 x 38 cm (10 x 9 x 15 inches). Some minor dings but overall, very nice condition for something which has seen use.

Maki-e Cranes soar and a gilded tortoise takes refuge on a rock on this magnificent sake set made of wood covered in lacquer with elaborate maki-e and applied gold designs. About the edge of the stand is a solid silver rim. The scenes are depicted with powdered gold and applied gold kirigane on red and black grounds. This is of the highest quality. The largest cup is about 12.5 cm (5 inches) diameter. The cups come in a red lacquered kiri-woood box with a padded silk pillow between each cup...

A sake set in the shape of a cha-usu tea powder grinding stone consisting of 7 pieces, each uniquely decorated with various creatures. The widest is a large sake cup decorated with cranes upon which rests the hai-dai stand, forming the base of the grinding stone. The cover is in the shape of the grinding stone itself, and forms a deep cup decorated inside with a hawk. Inside this are found three concentric cups decorated with crows, a carp and sparrows. The red grinding handle is in fact fil...

The comic-strip dog character Norakuro waves from the cockpit of this ceramic water-dropper (for grinding ink) in the shape of a war-plane. A waterdropper (suiteki) is filled with water and used to drip water onto a stone when grinding ink. This Suiteki has a wingspan of roughly 9.5 cm (just less than 4 inches). Norakuro is a black and white dog enlisted as a private in the “Mokenrentai” (Fierce Dog Brigade), an Imperial army of white dogs fighting in a war against the Monkey Army. In th...

A fine rare three color lacquer box with cover of irregular form. Showing two pomegranate fruits borne on a leafy stem, in carved cinnabar, ochre and green lacquer, on a carved floret-swastika diaper ground. The sides of the box with hexagonal floret diaper. The base and interiors lacquered in black. These boxes are dated to the 18th century, Qianlong period. Condition: the right part of the cover with a long restored crack (could be done better) and the side as well with restored crack (see pic...

A water bucket shaped earthenware vase finely painted with micro calligraphy in Kanji (Chinese characters), paper slips and chrysanthemum flowers in moriage technique. Base with "Kutani" mark. Dating to Taisho period or later. Condition: minor wear to gilding and colors, interior with few traces of usage. Dimension: c. 22.3 cm high, diameter: 8.2 cm, weight: 500 g.

Chinese Song Dynasty Carved Qingbai / Dehua Porcelain Bowl

This porcelain bowl was made during the Song Dynasty (AD 960 - 1279) at one of the Dehua kilns in Fujian province. The underside is decorated with a carved lotus petal design. It is coated in a very pale greenish qingbai glaze apart from the base where the white body is revealed. Although perhaps a little lower fired than some porcelain, the body is translucent. There are a few small iron spots to the centre of the bowl, presumably u...

Rare Finely Detailed Chinese Song Dynasty Incised Celadon Porcelain Bowl

This very attractive porcelain bowl was made during the 12th or 13th century at one of the kilns in Fujian province, where such wares were made for export around south-east Asia; indeed the silky-matt feel and appearance of the glaze suggest this bowl has been recovered from a shipwreck.

The incised pattern is particularly fine and well-executed. In the centre is what appears to be a lotus flower surrounded by flor...

Chinese Kangxi Blue & White Porcelain Box - Eight Treasures

This fine quality blue & white porcelain covered box was made during the Kangxi reign (1662 - 1722) of the Qing Dynasty. Both cover and box are attractively decorated in underglaze blue. The cover pattern features a spray of chrysanthemum, representing friendship and a life of ease, surrounded by "eight treasures", all representing good fortune. Interestingly, the lower box shows only seven "treasures" suggesting they were not spac...

The time of Obon is upon us, the middle of August when the spirits of the dead return to visit their families. A lantern is hung so the wandering souls may find their way. And on the last day of Obon (August 16), in Kyoto, is held perhaps the most famous of all the festivals, commonly referred to as Daimonji-yaki, when 6 massive characters are lit on fire in the mountains surrounding the city to light the way home for the ancestors. Unlike the Gion festival or Aoi Festival, made for tourists,...

At least two stories are forwarded to describe this ritual phurba -1 they are as protector of crops stored in granaries. 2- they are used during funerals , the bird is supposed to take away the souls of dead people during cremation or other burial ceremonies These type of phurba seems peculiar to Gurung priests or shamans. Important soot patina indicative of an important age , at least early to mid 20th. H 28 cm ,

An ancient pine and youthful bamboo rise in gold against a striking red background on this scroll set by Hirai Chokusui dated Mid-summer of Taisho 2 (1913) an enclosed in the original signed double wood box titled Ro-matsu Fu-chiku (ancient Pine, Wind in the Bamboo) Kindega Kenpon Sofuku (Gold Painted Silk Pair). The elegant scene is painted with gold on the finest red silk with gold border extended above and below with a deep solid Ichionji of burgundy wine wrapped in a field of azure washed ...

An original Edo period kōsatsu public proclamation dated Tenwa I (1681) detailing the laws against Christianity, rewards for turning in a Christian to the authorities, as well as punishment for the offenders. Of cypress wood with sumi ink, and a hand-forged iron loop for suspension from a post or gate. The signboard has a shallow peaked “roof” to protect the calligraphy from the rain. However decades in the weather have caused the original surface to wear and bake away the surface, leavi...

Early Edo Myochin Signed Nimai Do with Nanban influence featuring gilded kusazuri and sode laced with blue chord dated Genwa 3 (1620). There are rows of Prominent rivets all about with nobori-kiri crests on the top of the munaita. Comes with an old wrapping cloth dyed with the same crest. The Hon-kozane Kusazuri are removable, attached to two leather belts suspended from iron tongs about the waist. The takahimo shoulder straps are wrapped in leather. The shaped horn clasps are extant but on...

Massive Qing dynasty Chinese polished bronze tripod ding censer with compressed body, two arched loop handles at the rim, and tapered legs fitted on a custom hardwood stand. Cast in a Ming dynasty style and bearing a six-character apocryphal Xuande reign period mark within a rectangle on the base. Believed to date as early as the 18th century. Censers of this size and form were typically used in temples. Censer: 11 1/2" diameter (10 3/4" diameter at the rim) x 8” high (to top of handles). ...

This necklace is comprised of 31 stone pre-columbian beads, in varying shapes, sizes and colors. The necklace measures 19 1/2" long. Between 15 and 20 beads have a green color, the others are faded into cream and beige, a few are brown or black. The flat disc shaped black stone in the center measures roughly 26cm across and is backed with a green speckled disc. The large tubular beads measure between 7/8" and 1 1/4" (33cm). Smaller beads are at the end near the silver colored S hook. They wer...