A large porcelain vase covered in olive green upon which grows a rush of white bamboo and a brief epitaph by Miura Chikusen I enclosed in the original signed wooden box dating to the late Meiji or early Taisho period. It is 15 inches (37.5 cm) tall and in excellent condition. The box has much darkened with age. Works of this size by Chikusen, who largely specialized in the minute world of Sencha ware are quite rare...

A decidedly different version of this theme, a Festive carved wooden Tai (Red Snapper) fish with removable side for sashimi coated inside in gold with bone teeth and inlayed bone eyes. The craftsman ahs gone to great lengths to make this as realistic as possible, from the textures of the skin to the folds in the fins and coloring. Unusually, most dishes in this vein are one sided, however this is equally realistically carved on both sides...

Question:Ever wonder what the Chinese wore on their feet while working in a flooded rice field? The answer: Large high leather boots with knobbed soles. I have 2 of these but I suspect they they are not really a pair, so I am selling them separately. Obviously, they have had a long and useful life. Considering the amount of the dried dirt that fell out of the inside when I turned them upside down, I doubt that they are still water-proof...

 

This beautiful Qianjiang painting of two yellow birds amid branches of pine, interspersed with flowers is a must have for any serious collector of Qiangjiang painting. The Qiangjiang artist were employed at the imperial factories and were often experts of paintings and calligraphy. This vase has a poem and is signed by the artist, the vase dates to the early Republic era C. 1916 and is without damage, and with little wear to the details. It measures 9 inches tall. Guaranteed not to disappoint.

An exotic white inko in a pine tree enclosed in the original red lacquered double signed wooden box (Niju bako). Pigment and ink on silk in a fine brown silk border patterned with Kiri leaves, extended with blue gray and featuring large ivory rollers. It measures 23-1/2 x 80-1/2 inches (60 x 204 cm). There is light foxing, mostly concentrated to the right of the tree. The seals are pubished in the large museum Anthology “Keinen” figures B and D...

Old Japanese Banko Ware Marble Pattern Tiger

The tiger is 4.5 inches tall, and 5 inches wide.

It is in good condition with no repairs, chips, nor cracks.

Our Guarantee: We stand behind all of the items that we place on Trocadero. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

 

Description: A scholar bronze water dropper was uniquely made in rectangular form. Kept in perfect condition, this water dropper still can be used when you're practicing Chinese calligraphy. Date: Qing Dynasty(19th Century) Length: 7.4cm Width: 3.4cm Height: 4.4cm

Description: An Yixing tea caddy was kept with original cap. All were in old charming patina and in perfect condition, the Yixing caddy was finely carved with crisp inscriptions and motif of bamboo troves. That made this Yixing caddy a piece full of literati taste. By literal translation, carved two bigger words were Sane Yun(Unique Atmosphere), and ended with- Carved by Shi Yun...

A free-form watercolor on silk image of a dancer by Nishimura Goun inside a Kurogaki (black persimmon) frame with patterned brocade border. Who could not fall in love with this unusual expression of early twentieth century Japanese Art. She speaks of an era when a new freedom was growing in Japan, the growth of Democracy and rise of women’s rights. She dances free of care and self-consciousness, a blue ribbon tying her hair...

 

First we hear the clang of the hammer striking the bell, then the steadily approaching clop of his wooden shoes before the horrifying creature dressed in the robes of an itinerant priest appears; a ledger in one hand noting our sins. Hanging from a chord around his shoulders is an umbrella, testifying to his constant state of movement. A spectacular carving of an Oni-no-Nenbutsu praying Demon taken from burled cedar...

An antique shamanic phurbu , showing all the animist motives on the triangular blades, snakes interlaces, sun , moon holly vase and Makara mouth, the middle part is a dorge deeply carved , the top is square and shows 4 ancestor faces acting as protectors of the shaman and as guardian of the four directions. Total H 24 cm super glossy and deep black patine, important age at least from 19th. presented on a iron stand

A superbly detailed story Ranma carving, likely from an altar, in which five figures reside among golden maple and cherry blossoms. On the left a colorful figure dips water from the cascading blue waters of a steep fall, a man in priests robes behind him. Three other gentlemen in white robes watch from close at hand, a bundle of sticks, perhaps for making tea, perched in the foreground. Each figure is meticulously carved and painted, the entire scene gilded in gold...

Cranes soar before the red orb of the sun over festive young pines on these five ceramic bowls covered outside in red and black lacquer from the Nagoya studio of Toyoraku (also Horaku) dating from the mid to later 19th century, late Edo to Meiji eras...

A pair of brightly colored Mandarin ducks nestle down under cover of dried lotus in this

A fine, Japanese lotus form negoro lacquer kobako (small box.) Kobako are typically associated with incense but this box could serve as a natsume (tea caddy) though with a comparatively loose fitting lid. The lotus form bowl with typical negoro rubbing of the iron red lacquer to surface to reveal some of the black lacquer beneath...