Chinese Qing dynasty wucai porcelain scalloped edge ritual bell with double-dragon form handle decorated with eight polychrome mythical beasts set against underglaze blue crashing waves on a white ground. Two narrow bands are at the top. The interior is a pale aqua color. The scalloped edge is unglazed. 6 3/4” high. 19th century. Fine quality restorations have been executed to an old hairline in the interior of the bell and to a small area of damage at the scalloped edge...

In good keeping with the Koransha tradition, this vase demonstrates the imagination and creativity of the Fukagawa ceramists and is reminiscent of their design books. First thinking it might be a gourd form, it becomes apparent it must be a melon form - more consistent with the suggestion of Spring with the blue and white prunus and cracked ice background to the polychrome mountainous landscape with black pine and secluded retreats in green, yellow, aubergine, orange and gold enamel...

FIREWORK MOLD 1890

Old wooden ball mold for making 'hanabi' (traditional Japanese firework), with aesthetically many random cutting tracks for peeling the papers off, signed as Meiji 23 (1890), D 10 cm (3.93in)


selected by Pottari




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An incredibly detailed mid to late 19th century Izushi-yaki Hakuji (white porcelain) image of a samurai and his lover enjoying a moment together; the robes, accessories and musculature being extremely well shaped. The pair are made of solid white clay, sculpted in the style and with the attention to detail typical of Hirado ware however the glaze is more textured than work expected of that region, indicative of Izushi...

When carefully examined, the shaped body of this antique ceremonial Tibetan snuff container appears to be animal horn. Decorated with silver and bronze fittings, coral, turquoise and agate beads, this snuff bottle or more accurately, snuff container would have been worn suspended from a chain as a costume ornament by a shaman. It was purchased in Kunming from a Tibetan woman who was there selling her family treasures...

Originally intended for a child's protection, this traditional Chinese silver lock necklace makes a very nice display piece and/or can be worn by an adult. The chain is 16 inches long and easily unhooks from either side. The "lock" is 2.5 inches wide x 1.25 inches high and 1 inch deep.

Wisteria vines in gold and silver Maki-e lacquer decorate the natural body of this beautiful sake flask cut from a section of vine, hollowed and capped with natural wood and black lacquer, a pouring spout of brass bunged with bamboo. It is 9 inches (22 cm) tall and in fine condition, dating from the 19th century.

Intricately carved with a three legged toad (wealth) resting on a leaf, next to a lotus pod with movable hardwood seeds, under the leaf a spider and another insect and two frogs on the stem of the lotus pod. H. 3,5 cm, diameter 5 cm. For a similar toggle: Margaret Duda-Traditional Chinese Toggles, page 79, fig. 452. Beautiful wear and patina.

An unusual pair of huanghuali plates with writing on the bottoms of each plate. Age: 19 century. Size: 13 - 13.2cm. Condition: Perfect.

MASK

Aged wood carving mask with such mysterious fascination that would be actually once used for Kyogen play or some kind of folk theatrical performances, Edo period, Japan, 14.8 x 10.3 x 3.5 cm (5.82 x 4.05 x 1.37in).


selected by titcoRet




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A pair of gold screens with bold shishi on genuine gold leaf. It is signed Miyauchi Gohogan Shinsai Fujiwara Morimichi sei and stamped Hogan Morimitsu no In. Each panel is 37-1/4 x 68-1/2 inches (94.5 x 174 cm). The screens have been restored, with some old repairs visible. These appear to be remounted from what is likely a different composition, possibly a set of fusuma doors...

SCROLL OF SUMO WRESTLERS

Pictures of various sumo wrestlers and kanji words of 'hono' (dedication), titled "Untiring nerve" as its contents is like mental direction. Kaei 6 (1853), Edo period, Japan. 105 x 13.6 cm (41.33 x 5.35in)...

Fifteen-piece Japanese Satsuma earthenware tea set consisting of lidded teapot, lidded sugar vessel, lidded creamer, six cups and six saucers. The set is densely decorated with the Kannon, Rakan (Buddhist disciples), and dragon pattern in raised moriage enamels and gilt. “Great Japan Satsuma” mark to base. Meiji period (circa 1900)...

Carved with scrolling lotus foliage, covered with an even mid-green glaze and raised on three vestigial feet.

Ming Dynasty, 15th/16th century

Size: 9.5 cm high by 22.5 cm diameter

Condition: Good overall condition, no breaks.

Description: An exquisite bamboo carving depicted a smiling boy holding a basket which has fishes in it. In fantastic carving skill, the piece was added with more attraction by it's aged patina. It was preserved in perfect condition without any defects. From the characteristics of the carving, the piece was dated as of 19th century. Height: 10cm, Depth: 9.5cm, Width: 8.9cm

A rare pair Japanese plates showing a dragon among textile-weave patterns worked in dull colored enamels, the brass or copper rims and wires showing partially remnants of gilding. The reverse decorated with further floral motifs, the base with green contre-émail. The enamel showing concavities and pits. Condition: fine, only wear to gilding. Dimension: diameter: 24.9 cm, 4.2 cm high, weight: 1400 g.

Arrow vase of rectangular sectioned, lozenge form tapering from the broad, flared foot toward more gradually flared rim. Typical tubular decorative devices flanking the neck. The rim apparently polished down a little and reglazed (perhaps trying to match the caramel colored glaze found inside the foot.) Some loss to one of the tubular devices and less consequentially from the foot where glaze overflow was also ground flush. Otherwise acceptable and presentable condition. 19th century...