A rare, large and beautifully carved scholar's item made of huanghuali and carved with flower vases and a censer as the center piece, with the original hardware.The outer frame could be huanghuali or huali. It is unusual to find these wall decorations in huanghuali. Size: L. 86cm. W. 35cm Age: Late Ming, early Ching piece. Condition: No repairs. For serious inquires, I will send photos of the back of the piece.

LARGE Chinese Tang Dynasty Painted Pottery Camel with TL Test (75cm)

This exceptionally large and impressive pottery model of a camel was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in various different coloured pigments...

SUZURIBAKO Rare and important writing box. Japanese lacquer urushi. The exterior is decorated with two shishi carefully patterned. The interior of the lid is decorated with a steep rocky coast with a temple, in gold and silver takamaki-e, the craggy cliffs are enhanced by cavities carved. Techniques of takamaki-e, hiramaki-e, kirigane, uchikomi, kimetsuke and tsukegaki. On a nashiji ground. The rims are fundame. Empty. Size : 23 x 21,2 x 4,6 cm...

A large basin in striking cobalt designs by Miyagawa (Makuzu) Kozan enclosed in an unsigned wooden box. The central figure is a soaring phoenix spiral n elaborate plumage surrounded by clam shaped scallops in which leaping carp vie for the prize. About the rim 3 dragons battle for the flaming pearl. Outside serpentine vines intertwine about voluptuous flowers over phoenix. All together a sumptuous and royal aura. It is roughly 32 cm (12-1/2 inches) diameter and in excellent condition...

Golden cranes soar among clouds etched into the surface of this solid silver Japanese hanging incense burner (Tsuri Koro) dating from the late 19th to early 20th century. Inside is an ash-cup suspended in a triple-hinged gimble which keeps the ash pot upright no matter the angle of the ball itself. On the side is impressed the official Kokuin which reads Jungin (pure silver). The cranes have a soft golden sheen and are likely gilded or damascened with gold...

Verdant foliage of the Imperial Paulownia (Kiri) tree in crisp cobalt rises majestically on this tall vase by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Seika Kiri no Zu Kabin (Blue and White Vase with Paulownia Design). It is 30 cm (12 inches) tall and in excellent condition, signed on the base...

A comic scene in ink on paper of boys herding oxen by Nagasawa Rosetsu spreads across these two low screens. The central characters, one in the lead the second astride one of the behemoths crossing a bridge is distracted by a butterfly floating by above while the beast in front steps on its own rope, pulling his head back to the viewer with a quizzical expression. Other oxen and boys populate the background...

Pear shaped body of ovoid section, supported on a flared foot covered in a deep imperial egg-yolk yellow glaze thinning midway down on the inside to where the balance is unglazed. The narrow sides of the neck flanked by a pair of dragon-head handles. The recessed base is glazed in the same deep yellow. The glaze stops short of the base...

Fine LARGE Chinese Han Dynasty Glazed Hu Jar with Hunting Scene

This superb and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive streaky dark green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upside down...

A Chinese porcelain copper-red glazed bottle vase. The inside as well as the base glazed white. The copper red glaze thinning to just below the top rim where it was covered in gilt. The controlled glaze stops just short of the base. The base with a six character underglaze-blue Qianlong seal mark (1736-95).

Size: Approximately 10-3/4" high by 5.5" diameter

Condition: Very good condition, no breaks or cracks...

A Very Rare Group of Chinese Sui / Early Tang Dynasty Ritual Pottery Vessels (with Oxford TL Test)

These exquisite Buddhist pottery items were made around the 7th century during either the Sui Dynasty (AD 581 - 608) or the early part of the Tang Dynasty (AD 618 - 906). They are made from a white pottery and coated in a finely-crackled pale yellow glaze that has spots of green here and there. In places the glaze has acquired a silvery iridescence.

They comprise a dragon-handled vase (hei...

A raw-clay-bodied globular vase decorated with comic deer in overglaze enamels by Miyagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Akebononoiro-do Shika no zu Kabin (Vase of Sunrise-colored Clay decorated with Deer). The farcical creatures are punctuated by the fellow caught in the act of chewing his hoof (or was he having a scratch?) He looks back at the viewer with wide eyed and sheepish. The vase is 24 cm (9-1/2 inches) diameter and in excellent condition.
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Fine LARGE Chinese Han Dynasty Glazed Hu Jar with Hunting Scene (with Oxford TL Test)

This superb and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...

Description:

A water dropper was in intriguing twin toad's shape.
In characteristic mustard tint, the vessel was merged by two halves made from clay molds.
Finger prints were left on the clay body by the potter when in the squeezing and applying method of the pieces.
There were obvious incursions happened to the thinner portion of the glaze.
The toads were in uniquely fiercing look which was a iconological characteristic of the dated periods.
One minute glaze fleck w...

A Changsha bowl was painted in the cavetto with motif of bird and water weeds. Maneuvered by deft brush strokes, the picture was vividly rendered with simple lines. The bowl was heavily potted and was revealed with rough-feel body clay underside. The characteristic disk-like foot ring was well shaped. It was applied with white lining paint before dipping into to the brownish pigment and commencing the picture.Tang Dynasty (9th Century). Diameter: 15.5 cm. Condition: No chips, cracks ir hair...

A very rare Song stone carved mirror holder in the shape of a mythical ox called n Xiniu. The ox has his head turned upward and is looking at the moon which is represented by the bronze mirror above and the stone carvings represent the clouds. It is very unusual to find this type in stone mirror holder as the few I have seen have been in gilded bronze. Size: H. 19.5cm. W. 15.5cm. D. 8.2cm. Condition: No repairs or chips. The horns are long gone as they were either made of wood or ivory. Bronze m...

A radical ink landscape by legendary artist Fukuda Kodojin. Ink on paper in a green silk patterned border set in beige with wood rollers. It is 13 x 70 inches (33 x 178 cm) and is in excellent condition.
Fukuda Kodojin (1865-1944) an eccentric self taught artist, his status as a poet, calligrapher and literati artist has reached legendary status. Born at a time of great change (4 years before the final fall of the Edo Government), he lived through the westernization of Meiji, Taisho Dem...

A rare Bronze Ding or food offering container with domed cover and looped handles (when inverted the cover becomes a tripod dish) Age. Qin Dynasty (First Emperor) 221-206BC Size: H.17.2cm. W. 22cm. Condition: No repairs. All original. A small dent on the lid.