A mandala from the Main Kyoto Nichiren Sect Buddhist Temple Honnoji cut from a hardwood slab used in the rebuilding of the great hall in the Taisho period. Written on back is “Given in Taisho 14 (1925) to the temple supporter’s representative as a prayer for good fortune upon the occasion of the ceremonial raising of the roof beam of the main temple structure (Honden), the plackard cut from wood used in the rebuilding”. It is signed Nichijo-gan...

An anonymous basket of both red and white soot-stained bamboo (susu-dake) with a root-wood handle, the various textures and colors gleaming with sheer elegance. It is 18 inches (45 cm) tall and in excellent condition, containing a black lacquered bamboo otoshi container lined with copper.

A patinated bronze okimono of a young woman with a wonderful face, dating to the Meiji period. On her back and in her hand she is carrying iris flowers. Signed on the base. Dimension: 34 cm high, weight: 3.7 kg. Condition: few areas with wear to the patina.

Vintage Japanese watercolor painting by Fukutaro Terauchi (1891-?) depicting a village scene with figures walking under parasols in the snow. Signed at the lower right. Likely dates from the 1950s. Executed on slightly textured watercolor paper measuring about 11 3/4" x 8 1/8." Very good overall condition. There is a narrow strip of old tape residue at the top back and there are a few pencil notations on the back.

Chinese Ming dynasty bronze standing acolyte on wood stand naturalistically pierced and carved to resemble a rocky outcropping. The left hand holds an object and the right hand gestures with two fingers pointing to the ground. The figure wears a gown and a headdress with long billowing ribbon scarves. Metal prongs secure the figure into the stand which appears to be original. 6 5/8" high on the stand. Excluding the metal prongs, the figure is slightly over 5" high. Circa 16th century...

Chinese Qing dynasty rectangular jade openwork plaque, carved with a design of a deer under a pine tree, mounted into the lid of an early 20th century rectangular silver box raised on four feet. Two-character “chun yin” (pure silver) mark to the bottom of the box. The jade has a pale celadon-gray hue. The box measures 3 1/2" long x 3” wide x 1 5/8” high. The jade plaque is 2 7/8” x 2 1/4." The total weight: 8.645 oz. Very good overall condition...

Chinese ink and color on paper painting of a tiger on the prowl set against rockery and bamboo by Weng Wenguang (Ong Boon Kong). Signed in black ink and with two red artist seals below the signature reading "Weng Wenguang" and "Shi Zhaohua." 20th century. Painting: 53” x 29 1/4” (with silk border: 58” x 34 1/2"). The painting is silk bordered for framing and can be rolled for shipping...

Chinese ink on paper painting of fish and shrimp by Qi Liangmo (b. 1938). Titled and signed at the upper left Qi Liangmo, the 7th son of Qi Baishi, in black ink and with two red seals reading “Qi Liangmo” and “Baishi’s 7th son.” 20th century. 27” x 13 1/2.” Unframed. Very good, clean condition with some minor discoloration of the background evident. There is a vertical center fold and some wrinkling of the fine paper. From a Phoenix, Arizona collection...

A Changsha bowl was painted in the cavetto with motif of bird and water weeds. Maneuvered by deft brush strokes, the picture was vividly rendered with simple lines. The bowl was heavily potted and was revealed with rough-feel body clay underside. The characteristic disk-like foot ring was well shaped. It was applied with white lining paint before dipping into to the brownish pigment and commencing the picture.Tang Dynasty (9th Century). Diameter: 15.5 cm...

Large Chinese ink and acrylic on crumpled paper painting of a mountainous landscape scene with trees in the foreground by Zhu Yixiong (Ju I-Hsiung). Titled, dated 1978 in cycle years, and signed in black ink with two red artist seals below the signature. Mounted on a wood backing and framed in a nice quality wood moulding with no glass. Framed size: 25 1/2” x 47 1/2." Very good overall condition...

Double gourd silk pouch with seed stitched calligraphy. China, c 1900. Height "6 ¼ / 15.5 cm. The inside with a paper label saying No 9 Peking China. Condition: to one side some residue from another label.

Japanese ukiyo-e style ink and color on silk scrolled painting of a standing bijin (beauty) by Ohara Donshu (1792-1857), aka Ohara Tonshu and Ohara Kon. Signed in black ink “Donshu” and with two red artist’s seals “Donshu” and “Hara kon no in.” Ohara Donshu was a follower of Shijo-style painter Shibata Gito, who was in turn a follower of Matsumura Goshun. Although best known for his Maruyama-Shijo style landscape paintings, Donshu also produced fine figure paintings...

Chinese Republic period white molded biscuit porcelain seven-piece scholar's desk set decorated in relief with bird and flower motifs...

A carved wooden box with removable lid revealing a container for matches and tobacco slotted in the side to carry a Kiseru pipe. Exquisitely crafted by a man who both understood design and wood grains, it is likely from the arts and crafts era. It is 5-1/2 x 3-1/2 x 5 inches (14 x 9 x 13 cm) and is in overall fine condition, with wear to the base attesting to age.

A fine 18th century Chinese molded celadon-glazed porcelain dish, finely decorated around the center with stylized archaistic dragons encircling a central roundel of a lotus flower, a band of key-fret pattern around the foliated rim, covered overall in green glazed. DATE : Qianlong (1736 - 1795). SIZE : D = 24 cm. CONDITION : perfect condition, no chips, no cracks, no hairlines and no repairs.

This is a very rare and highly desirable Changsha kiln 9th century Tang Dynasty bird water dropper. Usually these are characterized by such components such as under-glazed yelow-brownish and green motifs with molded design in relief, appliqué designs or impressed designs in relief and also incised or carved designs...

An exquisite vase decorated with crashing waves and plovers in blue by Seifu Yohei dating from the Taisho era. It is 12 inches (31 cm) tall and in excellent condition. Quite large for a work by Seifu, it is marked on the base with an incised signature. Either the work of the third or fourth generation, according to the definitive book "Kyoto Ceramist Seifu Yohei III", pieces from this era with this signature are impossible to differentiate between the two generations, as they worked side by s...

Chinese late Qing dynasty (19th century) front-opening Han style lady's jacket embroidered on the front and back in silk polychrome thread with clusters of flowering plants and butterflies on a dark cobalt blue silk satin ground. Much of the embroidery is executed with the “forbidden stitch.” The sleeve bands are similarly embroidered with flowers and Buddhist swastikas on a white silk ground. Three round floral metal buttons secure the front opening and silk closures secure the neck. Me...