An antique, splendid hand painted 3-1/4" high lidded dresser or vanity jar, possibly for powder or storage. This Japanese Royal Nippon item features lush gold trim with jewelling and it depicts finely hand painted red and pink roses with foliage. It is signed with a Japanese seal signature on the bottom. It is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than a bit of light gold wear and a couple of small paint misses on the lid...

Chinese Qing dynasty painting on paper of a Confucian worthy seated on a chair in a black robe covered with dragons and animals. He holds a green tablet containing his achievements. A calligraphic inscription describing his accomplishments is at the upper left. Newly framed with Plexiglas to facilitate shipping. There is typical wear for a painting of this age with old restorations and damage evident. The painting is mounted to board so no creases or buckling are visible...

Chinese Qing dynasty Kangxi marked monochrome beehive form waterpot (taibo zun) subtly incised with three kui dragon roundels on the domed body. The sky blue glaze thins to white at the rim. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. 5 ¼” diameter by 3 ¼” high. Guangxu period (late 19th century). From a Scottsdale, Arizona collection...

Chinese Neolithic Qijia Culture Cord-Impressed Pottery Jar

This jar was made some 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province. They produced a variety of pottery vessels including cord-impressed pottery of many shapes and sizes. This particular example is made from a coarse gritty clay and has a wide flaring mouth...

Chinese Qing dynasty Guangxu period famille rose porcelain seated Budai holding a string of pearls in his right hand and his bag in his left hand. Nicely carved custom wood stand in the form of a settee. 5” high (6” high including the stand). Circa 1900. Very good overall condition with no chips, cracks, or repairs. There is a minor imperfection to the stand. From an old Scottsdale, Arizona collection.

Body decorated with molded incised of Lion playing ball and the other side with Mandarin Duck among lotus pond. Condition is broken and re-glued, the upper side, spout and handle is missing. Found at South Sulawesi about more than 10 years ago. Height: 18.5cm.

An exquisite Japanese koro incense burner carved from a piece of plum blossom colored agate and enclosed in a period wooden box. It is 3-1/2 x 5 x 4-1/2 inches (9 x 12.5 x 11.5 cm) and is in excellent condition, dating from the early 20th century.

Pines in the Rimpa style grow on the folded surface of this fan painted by Kamisaka Sekka and enclosed in the original signed wooden box, retaining the original paper binding on the fan itself. It is 12 inches (30 cm) long folded, and in excellent condition.
Kamisaka Sekka (1866-1942) is the godfather of 20th century Japanese design and the Rimpa revival. He was born in Kyoto in 1866, one of six siblings...

A Fine bronze by the modern master of the Japanese bronze tradition, world renowned Hasuda Shugoro, enclosed in the original signed wooden box. The modern form is belted in geometric patterns with a mottled olive and red patination, signed on the base Shu. It is 6 x 7 x 9-1/2 inches (17 x 15.5 x 23.5 cm) and weighs approximately 5.5 kg (12 lbs) in excellent condition.
Hasuda Shugoro was born in Kanazawa City in 1915...

The character “Hiraku” Open (or to Open) in bold scratchy strokes by the infamous nun Murase Myodo. Open you mind, open the path to enlightenment, the path is open to all, but like this calligraphy work is not easy, it is dry and thorny and the gate must be passed. Ink on paper in a silk border with wood rollers. It is 24-1/2 x 48-1/2 inches (62 x 123.5 cm) and is in excellent condition...

A very rare and beautifully carved blackwood table. The carvings represent good luck symbols with key fret designs,lingzhi fungus, floral, tendril, and coins. The front and the back are a mirror images of each other, and the two sides also have mirror image carvings on both ends. The legs are straight and not curved as seen in the wide angle photo. Size: L.116 cm W.40 cm H.84 cm. Condition: Small age crack. See photo.

Sennin, Daoist immortals, relax, Gamma with his three legged toad looking shocked upon his shoulder, Tekkai sending his spirit forth, the essential equipment of the Daoist life scattered about them. The painting is dated 1912 and signed Kodo. The artist has chosen a very humorous stance from which to depict his subjects. The silk image is mounted on a panel of applied gold flake and framed in striped Ebony,. The frame is 142 x 48 cm (58 x 19 inches)...

Description:

By charming atmosphere and with mysterious beauty, an excavation piece of a jade Bi was presented in a unique form...

Large Chinese Qing dynasty pewter round form sweetmeat tray for holding desserts configured with eight famille rose barbed point petal shaped dishes surrounding an octagonal dish at the center to form a foliate shape. Two jade mounted handles. The dishes feature a variety of decorative motifs and styles, including a graviata flower ball design on a blue ground; three graviata lime green, lavender, and pink dishes with floral motifs; a landscape against a white ground; a calligraphy poem inside...

A small rounded form celadon bowl, covered overall with olive green glaze. The interior centre left unglazed. Yuan/Ming dynasty. Good condition free from any restoration.

An overglaze enamel red and green wine cup, decorated with lotus scrolls. Ming dynasty 16th century. Overall good condition except enamel glaze is slight fade, but free from restoration. Height: 4.4cm and Diameter: 5.3cm.

An exquisite landscape circles the body of this voluminous ballister form by Eiraku Zengoro XV (Shozen) enclosed in the original signed wooden box. It is 15 inches (38 cm) tall, 7-1/2 inches (19 cm) diameter and in excellent condition.
Eiraku Shozen (1879-1932) was the backbone of the family tradition after the passing of his father in 1909, and worked tirelessly to maintain the family reputation. His works were preferred by the 12th generation head of Omote Senkei Seisai, and were also...

Creamy-feel, crackled glaze with old body clay revealed.

Height: 10.3cm

Date: Yuan/Ming periods.

A cotton box is included.