Description: A charming amber pendant was carved with Chilong motif. Silver framed with chiselled flower motif and a word " Fu " (well-being) on the reverse side though at 19th century, the carving amber piece was from 17th-18th century of Qing dynasty. Preserved in very good condition, attractive ice cracks can obviously seen under magnify glass. Aged but greasy feel looking, the hue is much more darkened in real than in the pictures...

Description:

A Yueyao water basin was in form of a squat turtle.
Well applied with characteristic greenish celadon glaze on the surface, the basin was sit on the flat bottom which was un-glazed and was revealed with the grayish-tinted body clay.
It was preserved in perfect condition and was well cleaned by ex-collecter intended for practical use.
Minute old frets and incursions were found on the glaze when slight crackles were rendered...

Description:

An ancient paper weight and also a lucky charm for the nomadic people was from the fossil of an antelope's patella.
By a long history, GaHaLa, the patella of animals like rams, tigers or antelopes were revered as tokens of good luck.
Different materials like jade, ivory, turquoise all have been carved into the shape of this animal's bone and were used as lucky charms for wearing.

The unique item here, it was a real bone fossil from an antelope's patella...

Description: An ancient inkstone was from Song dynasty. By a typical sleek shape, the inkstone was carved in a simple and plain form. The obvious carving scars can be easily observed. After enduring thousands of years of burial in a tomb chamber, the surface of the stone piece was oxidized into a grayish patina when rust mottles were yielded too. Made of Duan- a high quality material which was originated from Song and lasted to now, the inkstone is truly a prototype for Chinese ancient inkstones...

A very finely decorated jar or lantern depicting flowers and insects reserved against a delicately incised pink ground. The base carries the iron red seal mark of the Qianlong Emperor (1736-1795) but this item was probably made early in the 20th Century - durig the Guangxu or early Republic periods. Condition - very good...

Description: A wood stand was made in rectangular shape.
Supported by four horse-hoof feet, the stand was designed in elegant form by beautiful curves.
It was tenoned perfectly by excellent craftsmanship.
Being preserved with brownish patina, the stand can be in well use for your wonderful collections.

Date: Late Qing periods, late 19th century.

Length: 39.3cm, Width: 27.5cm, Height: 10.6cm.

Material: Honmu, Rose Wood.

Description: A lovely jade piece was carved from a mottled pebble. In mustard-greenish colour and greasy quality, this jade bird was shaped as a hanging piece. It is a beautiful jade carving piece which is much more attractive when you see it in real and caressing in your palms...

Width: 22.5cm, Height: 20cm, Depth: 16cm.

Description: One elegant elm bowl or water pot was from Changsha kiln of Tang Dynasty. By a very rare type of glazing of iron-greenish mottles amid straw-glazed slip on top and around the mouth rim, the water pot was finely molded with characteristic flat bottom. In a chalk-feel quality, the body clay was left with obvious molding scars and was adhered with excavation mud. Slight incursion was occurred to the glaze and was yielded in a whitish look. The glaze condition of this pot was very good...

Description: A lavender-tinted Jun bowl was shaped with straight wall. Before applying the random strokes of purple splashes, one on the outer wall and another at the inner side, the ancient potter must had been dipping the bowl in the glaze so swiftly as to leaving the body in the cavetto partially unglazed like the bottom side. By intentional purpose of the potter’s ingenuity or just a simple missed work, the well-molded bowl was therefore full of rustic joy of strong Zen spirits...

Description: A tripod celadon incense burner was crackled beautifully. With animal masks decorated on the feet, the incense burner was uniquely in plate style. Date: Ming Dynasty(15-16th Century) Condition: perfect.

Description: A cute stone tiger of Song Dynasty was carved with a red sandstone which was revealed under the old black paint from the frets on the tip of her nose. The black paint was applied all over the surface except the bottom of the stand. The evenly spread crackle paint was meaningful to this lovely stone cat for her 800 years of enduring age. Date: Song Dynasty (12th Century) Material: Red sandstone. Length: 21cm Height: 14.5cm Width: 8.5cm

A large Chinese "Peach" bowl vibrantly decorated with "famille rose" enamels in 18th Century Imperial style. On the base is the mark 'Qianlong yu zhi'('Made by Imperial order of Qianlong') written in blue enamel enclosed by a double square. However this item was made later - probably during the 1920s or 1930s in the Republic period. Provenance - from the collection of the late Reverend Victor Farmer...

Description: A glass archer’s ring was beautifully made by a charming decoration of golden splashes.
By excellent craftsmanship, the glass piece was made in a unique look.
For the criteria of glass products, the foremost pieces were those which can pretend the real quality of other materials or to create some different images.
This golden-splashes archer’s ring proved that...

Chinese Northern Song (960-1127) dynasty qingbai (yingqing) porcelain glazed bowl with relatively straight sides and slightly flared rim decorated on the interior with combed abstract swirling floral patterns. The smooth, thin, crackled olive-green glaze pools in the center and accumulates at the exterior foot...

Description:

A Blanc De Chin or DeHua tripod censer was in unique purplish-red glaze.
It was very rare to find a Blanc De Chin piece in such glaze. Most of them were in pure white.
The body clay revealed at the tips of the foot and inside was in dense-feel quality which was consensus to the quality of Dehua wares.
The censer was mold in decent look and was preserved in perfect condition.
Some glazing imperfections were found at the bottom of the surface.
It was tilted...

Large Qing dynasty scrolled painting on paper depicting the Bhaisajyaguru Buddha, also known as the Medicine Buddha or the Buddha of Healing, seated in the lotus position on a lotus throne holding a pearl in the left hand and making a mudra with the right hand. His robe is decorated with four-clawed dragons. A remarkably similar painting can be found in an exhibition of a private collection of Taiwanese traditional religious books and paintings on the web site of The Taiwan Institute for the Hum...

Rare enameled paktong ('baitong') covered bowl on stand. Decorated in a muted lapis lazuli blue enamel within recessed lotus and vine motif and rim with key border on the bowl with bail handles; also on the cover centering a stylized Shou character roundel surrounded by five evenly arranged bats; and the base with a border of lotus leaves atop shaped skirt raised on cabriole legs on openwork foot suggestive of a coin, or 'cash' (together with the bowl hinting of a "hundred treasures" motif.) Oth...