An antique, splendid hand painted 3-1/4" high lidded dresser or vanity jar, possibly for powder or storage. This Japanese Royal Nippon item features lush gold trim with jewelling and it depicts finely hand painted red and pink roses with foliage. It is signed with a Japanese seal signature on the bottom. It is in excellent condition with no chips, cracks, crazing, losses, damage or repairs other than a bit of light gold wear and a couple of small paint misses on the lid...

Vietnamese 15th Century Blue & White & Enamelled Covered Box

This very attractive covered box was made during the mid 15th century. It is quite "heavily-potted" and elaborately decorated in underglaze blue with a mixture of floral and geometric patterns. It is coated in a crackled glaze on top of which are traces of the original green enamel. Diameter 6.5 cm...

Chinese Han Dynasty Glazed Pottery Jar - For Repair (206 BC - AD 220)

This pottery jar of "hu" form was made during the Han Dynasty (206 BC - AD 220) and comes from Shaanxi province in the northwest of China. It is made from a relatively highly-fired reddish pottery and has simple incised decorative bands surrounding the jar at its shoulder. The whole surface, including the base and inner mouth, is coated in an amber-coloured glaze that has a "bubbled" surface...

A bronze bell dated Kanbun 10 (1670) which would have been suspended in front of a Shinto shrine worship hall, and struck with a knotted rope to awaken the gods to listen to one’s prayers. Inscribed in the surface around dials of lotus flowers is: An auspicious day in the 7th month of Kanbun 10, followed by the names Honda Yasutoki Ko and Hiramoto Sukeyuki opposite a dedication to the god of water the Hachidairyu-jin followed by a place name near Awazu in modern day Shiga prefecture...

Pretty and old mushroom mask, with a shiny black patina. These mask are made from tree parasit mushroom with a minimal carving work . The aime of the carvers is to take advantage of the native form of the mushroom These masks are usually hung inside homes to function as protective effigies. They are more occasionally used as face masks at certain parties, H 20 cm, width 300 cm weight 650 grams.

A master piece in museum quality was from a private collection.

Very old black encrusted patina , the top shows 3 carved anthropomorphic faces. H 24 cm , great age at least from the 19th More information on request

Well balance potted underglazed-red jarlet, the interior side done with connection of upper and lower part with rounded form, which transparent if we looks by strong light, the exterior with rare octagonal side, decorated with lively three claws Dragon chasing a flaming pearl below diaper pattern surrounded the octagonal rim side, unglazed base with slight concave...

A pair of powerful Shishi guardian carvings dating from the later Edo period, 18th-19th century, in the Ah-Un expression (Exhaling and inhaling). Ah-Un has many allusions, it is the beginning and end of the alphabet, summarizing all in between, and is said to be inhaling good fortune, and exhaling bad. Glass eyes inset into very human faces. They are 10-1/2 inches (26.5 cm) tall, 9-1/2 x 5-1/2 inches (24 x 14 cm)...

Very rare to founded of superb thinly Qinghai near like egg shell small bowl with transparent under the light, decorated to the interior centre with carved incised a plum flower head. Unglazed mouth rim and base with full of glaze. Condition is perfect, no any chip, no crack and free from any restoration. Song/Yuan Dynasty Jindezhen Qinghai ware. Diameter: 9,5 cm.

This is the pinnacle of production for imperial artist Seifu Yohei III, a large Taihakuji porcelain vase with carved designs enclosed in the original signed wood box. Museum quality would be an understatement. Seifu III was known to have made few large works, so this is a very important piece, and Taihakuji was his most appreciated style. Here we see two pheasants in a blossoming tree overlooking a large crag, with clouds brimming about the rim, all in carved relief...

An unusually large vase by Seifu Yohei III with carved cloud designs covered in mottled red flambe glaze. The box is titled Dawn-cloud-glazed Vase, Made by the former Seizan (alternate name used by Seifu III) dated Late in the Year of the Earth-Horse in the Taisho era (1918), attested to by the 4th generation Seifu. He has employed the Teishitsu Gigei-in seal of the third generation on the lid...

A one of a kind Edo period Buddhist censer of wood carved in the shape of a Baku, a mythical creature with the ability to eat nightmares, a brass basin inserted into the back. It is 23 x 16.5 x 27 cm (9 x 6-1/2 x 10-1/2 inches) and in fine condition. There is a strip of wood embedded in the form filling a crack in the wood.
The traditional Japanese nightmare-devouring baku originates in Chinese folklore and was familiar in Japan as early as the Muromachi period (14th–15th century)...

An antique shamanic phurbu , showing all the animist motives on the triangular blades, snakes interlaces, sun , moon holly vase and Makara mouth, the middle part is a dorge deeply carved , the top is square and shows 4 ancestor faces acting as protectors of the shaman and as guardian of the four directions. Total H 24 cm super glossy and deep black patine, important age at least from 19th. presented on a iron stand

A large glass vase of emerald green reflecting the ancient glass works found in the Shosoin Imperial repository by 20th century pioneering glass artist Iwata Toshichi enclosed in the original signed wooden box. Flecks of various colors and air permeate the glass, accentuating the fact he is duplicating the ancient glass works, long before techniques had been perfected and material purified. It is quite large at 15-/2 inches (40 cm) tall and in excellent condition...

A rare found example of Song Dynasty Zhejiang Longquan ware vase, covered overall with golden celadon glaze. Found excavated from Borneo Island. Condition is broken like indicated on the pictures. Height: 14,4 cm.Note: Value of these kind example is much lower than the perfect one, but it's nice example for academic researches than sherds because we're was be able to evaluate and examine the whole condition from base, shape, glaze, etc.. for learning the real authentic of Chinese ceramics.

A stunning large bowl decorated with overlapping palm leaves by Kiyomizu Rokubei V enclosed in the original signed wooden box. It is 24 cm (9-1/2 inches) diameter, 11 cm (4-1/4 inches) tall and in excellent condition. It certainly expresses the design skil and painting abilities of this important artist.
Kiyomizu Rokubei V (Shimizu Kuritaro, 1875-1959) initially studied painting and decorating technique under Kono Bairei, one of the foremost painters in Japan in the Meiji era...

A rounded form bowl with slight inverted lip rim, covered overall with sky-blue glazed and a reddish splashes to interior. Condition with tiny flaked chip visible on the last enlargement, no crack and free from any restoration. Henan province Jun ware, possibly Yuan to Ming period. Diameter: 18 cm and Height: 8 cm.