An official figure most likely as Guamdi was carved in sitting posture. Nice features depicted and well rendered robe in flouring form. A master piece in serene mood.
Height: 22cm.

A nice jade "bi" disk carved in the Han Dynasty style with dots and "c" scrolls. Color is a transparent light pale celadon. It shows up darker in the photos. Age:Late Ming. Size: Diameter.5.3cm. Condition. Some minor chips on the rim.

Description:A unique blue and white inkcake holder was in flat drum’s shape. Painted on the surface with Buddhist diagrams and floral patterns,the basin was decorated with round dots on the upper and lower rim as drum’s nails. In the center, the small circular brush-lick pool was unglazed and stained with some old ink. As to the painting, cobalt blue was concentrating within the flowing brush strokes. The darkened blue suggested that native Chinese ingredients were used...

Pair Chinese Ming Dynasty Painted Pottery Tile - Ox / Moon

This fine pair of pottery tiles was made during the Ming Dynasty (AD 1368 - 1644). They are made of a dense grey pottery and have been painted in black pigment. Each tile features, in high relief and in good detail, a recumbent long-horned ox, or cow, looking up at the moon...

Description:

An ivory plaque was kept in perfect condition.
Being preserved in enduring old condition-the darken patina and the naturally yielded crackles all over the surface, the plaque was used to be a pendant.
By rare and good quality, it was kept in plain form which was responding to a Chinese proverb-- Niang Tsa Bu Zhuo, A High-Ranking Material Is So Precious That Should Be Saved from Carving...

Decorated with a scene depicting phoenix, chrysanthemum and bamboo in the central and, around the cavetto with floral. Width = 23 cm Period : Ming Dynasty, late 16th century.. Condition : excellent, no chips, cracks, hairlines or restoration.

Remnants of yellow glaze covers this Heishi (Heiji) bottle form from the Owari-Seto area engraved clearly about the neck with three lines. A quintessential Kamakura pot. There is much degradation to the glaze typical of Seto which has withstood a millennium of earthquake, fire, war and abuse. That anything survives so long in Japan is miraculous. It is 9-1/2 inches (24 cm) tall, 6-1/2 inches (16.5 cm) diameter and comes wrapped in old cloth in an old wooden box.

Dish decorated with bird and water weeds on the interior and continous floral scroll on the exterior, glazed base. PERIOD : Early Ming (1400-1487 AD) MEASUREMENTS: 20 cm wide. CONDITION: two hairlines but free from restorations.

A perfect example of the Early Edo Tea aesthetic in this Chatsubo dating from the first half of the Edo period, a splash of black over rust with a white glazed waste from the Seto region around modern day Nagoya. It comes with an ancient wooden bung and wrapping cloth. The pot is roughly 27 cm (11 inches) tall and in overall excellent condition, with typical wear around the foot. No cracks or repairs...

Description:

A wood Bodhisattva was nicely carved and was well preserved in very good condition.
In metal-sheen-like patina, the wooden deity was depicted in serene mood by well carved features.
A portion of the base was missing, an old defect.

Date: Early Ming periods, 14th/15th century.

Height: 23.5cm.

A SILK BOX IS INCLUDED.

A set of early wood panels, once doors on a votive shrine, painted with guardian shishi lions (Also called Fu-dogs) in polychrome colors, much worn with time. The doors are of clear grained hinoki (Japanese cypress) and have shrunk horizontally over the centuries, evidenced by the ari (wooden support) which is inset into them. On back one can see clearly the silhouette of the original metal-work...

Covered with ge thick green celadon to the footrim, burnt reddish ring on the base. The bowl decorated with incised 8 idol in the petal. Diameter = 18.2 cm, height = 10 cm. Yuan Dynasty. Perfect, no chips, cracks or hairlines and free from restorations.

Four Chinese Ming dynasty green and amber lead-glazed pottery funerary figures with separately moulded removable heads, each standing on a hexagonal waisted plinth. The figures are accented with “cold painted” (unfired) red, white, and black pigments on the unglazed surfaces. The taller personal attendants are dressed in layered robes with long sleeves. The male figure has a square official’s hat and holds a makeup box...

A 16th to 17th century (Momoyama to early Edo period) candle-stick of vine or root set onto a hollow carved base and covered in black and red lacquer with a metal stud and drip pan. It is 11 inches (28 cm) tall and in overall fine condition, with wear typical of centuries of use.

Copper green and dark iron decorate the pale glazed sides of this exquisite box dating from the early Edo period (17th century) wrapped in a silk lined sarasa bag and enclosed in a black lacquered wood box. It is 1-3/4 inches (4.5 cm) square, roughly 3 inches (7 cm) tall and in overall fine condition.

Decorated with a qilin in the center and floral scroll in the exterior. W=19 cm. Early Ming 1368-1398. Condition :Fault firing, no chips, cracks or hairlines and free from restorations.

Description: A Ming Longquan Li-typed censer was kept in very fine condition. Well mold and heavily glazed, the tripod censer was in typical lake-green tint when whitish ridges were on the body along everted feet. Charming crackles, pinpoints condition and darken hue in portions verified it a true old piece. Brownish red was obvious in the center of the cavetto where the body clay was revealed...

Starting with the famous verse by Chinese Scholar YoYu (AD 53-18) ”The written character is a picture of the heart” (Sho kokoro Ga nari) here are written 42 rules of calligraphy spread over 10 narrow panels by the famous calligraphist Ide Gakei dated 1677. The verses appear to have been written in one sitting, the style going from crisp perfect Kaisho characters through Gyosho stylized characters and into the elegantly running Grass script (Sosho)...