Late 19th Century or Early 20th Century Japanese Evil Kutani Welcome Cat Maneki Neko

This evil cat is 6 inches tall, and 3.25 inches wide.

It is in good condition with no repairs, chips, nor cracks.

Our Guarantee: We stand behind all of the items that we place on Trocadero. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A hand carved antique wooden mask of Tenko or the nine-tailed Kuuko, heavenly White Fox (kitsune) which do good, wrapped in a modern silk bag and enclosed in an antique black lacquered wooden box. The mask is roughly 21-1/2 x 17 x 20 cm (8-1/2 x 7 x 8 inches) and in excellent condition. A cartouche bearing the artists signature can be seen inside the black lacquer within. The Fox has many roles in Japanese Folklore...

A fine Edo period portrait of a sinewy middle aged samurai proudly seated before a pair of swords, a table upon which rests an ink stone and book at his right elbow. Exquisite detail in the figures face and fine lines and shadows in the clothing are reminiscent of portraits by the great artist Watanabe Kazan. The portrait is signed Higashiyama Giryo and dated Tenpo 3 (1832) and the epitaph is signed Raijo. The portrait appears to be of a samurai named Kanda Hojo...

Limited edition serigraph print titled "Oriental Masterprint - 7" by Roger Shimomura (b. 1939) dated 1975. This is an original, pencil-signed, edition of 20. Paper size 19"V x 19"H (image: 15"V x 15"H). Full margins. Excellent condition. This image is illustrated on page 50 of "Roger Shimomura Delayed Reactions," Spencer Museum exhibition catalogue, 1995.

Five Japanese Edo period woodblock prints depicting famous samurai from the series “Abridged Stories of our Country’s Swordsmanship” (Honcho kendo ryaku den) by Kuniyoshi (1797-1861) published by Kazusa-ya Iwazo circa 1845-1846...

An important Vase decorated with the imperial symbols of 16 petal chrysanthemum and Go-shichi Nobori Kiri among over-glaze bamboo and floral designs by Ito Tozan I enclosed in the original signed wooden box. It is 8-3/4 inches (22.5 cm) tall (excluding the base) and in superb condition and comes wrapped in a stamped silk bag.
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Koizumi Togaku...

A large, heavy, bronze censer decorated in Chinese late Ming dynasty style with a large Wanli (1573-1619) type dragon. This item was made in Japan, probably for export, during the Meiji period (1868-1911). The base mark reads - "Great Japan Tokyo Murakami Zo". Condition - very good - just minor losses to back of dragon ( see enlargement no.2)...

A stunning box covered entirely in mother of pearl upon which is the crescent moon in lead under maki-e gold florals. Inside Rimpa style dear rest in lead and gold maki-e on a ground of red-tinted Nashiji. The box is in excellent condition, likely dating from the mid 19th century. It measures 22 x 24.5 x 5 cm (8-1/2 x 9-1/2 x 2 inches).

A massive tiger defensively nudges the female deity on this amazing 19th century silk Fukusa. Hand-painted and composed from patchwork patterns of lavish antique brocades and featuring glass eyes and metal teeth and claws sewn into the fabric of the creature. The piece is backed with red rinzu silk patterned with cranes and plum blossoms. It is 23-1/2 x 25-1/2 inches (59 x 64 cm) and is in fine condition. It comes wrapped around a pillow in a large kiri-wood box.

Old Japanese Makie Lacquer Box with Pearl Inlaid

The box is 0.75 inch tall, and 3.25 inches by 3 inches wide.

It is in good condition with no repairs, nor cracks, except small chips at the corner.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

This unusual porcelain bowl has a defined rim, sides and foot detailed to appear like a woven basket and then painted in the Ao-Kutani palette with green, aubergine and yellow enamels. The inside enameled yellow and with centered green and aubergine enamel fahua decoration of a Shishi dog with ball among flames within a cloudband border. The foot enameled green over yellow and with a centered yellow reserve with incised artist's mark. The work is similar to that of the Eiraku potters...

A suit of Edo period armor featuring a Kebiki Ni Mai Do Gusoku, a 2 piece hinged armor of 8 closely knit rows of scale plates. 7 rows of 5 kusazuri hang from the do. It has a 32 plate Suji Kabuto with a tehen Kanamono vent in the shape of a stylized chrysanthemum and prominent Fukigaeshi, with 5 Hineno Jikoro cascading down the back. The helmet has typical chipping to the edges of the lacquer. The bowl retains 90 percent of the original liner and sweatband with the original ties...

Japanese late Meiji period Imari porcelain lidded serving dish or bowl decorated in underglaze blue and overglaze polychrome enamels with gilt highlights. The center of the densely patterned brocade lid features a butterfly among gourds. The bowl is decorated entirely in underglaze blue (sometsuke) and holds three floral sprays about the circumference. The interior is undecorated. Measures about 8 ¾” diameter by 5 7/8” high. Late 19th to early 20th century...

Japanese woodblock print triptych of swimming turtles and fish with actor mons and human faces by Yoshu Chikanobu (1838-1912) dated 5th month of Meiji 19 (1886)...

A superb Sajigawa stone of deep olive patina, completely natural, on a carved rosewood base and enclosed in a fine old straight grain wood box. Notice the entirely natural arch growing between the two spires. This is incredibly rare and a fine prize. This would be considered a house shaped stone, reminiscent of a farm-house and its adjoining out-building, a covered passage between. Saji stones come from the Saji river in Tottori prefecture. This is 3 x 4-1/2 x 3-1/2 inches (8 x 12 x 9.5 cm...

Heavy pigment forms a spectral scene of a dark stone lantern viewed through the spring laden branches of maples, a dove taking flight in the fore. Anyone who has visited Japan will know the haunting sense these monoliths produce. The painting is performed in thick pigment on applied silver-leaf, signed Taisho (Okada Taisho, b. 1888). The screen is signed in the lower right corner, and measures150 x 151 cm (59 inches by 5 feet). It is in fine condition, with only minor abrasions from handling...

A long bamboo incense case with dark wood lid carved exquisitely with blossoming lotus and calligraphy. The deteriorating leaves rise from the bottom, blossoms spreading their petals to the sun. Above three lines of calligraphy descend to meet like the squirreling rays of late summer light. The piece is 20-1/2 inches (51.5 cm) long and in perfect condition, enclosed in a cloth sack and kiri-wood box. It is signed (Japanese reading) Fusui(lotus water)Sanjin Koku (carved by Fusui, man of the m...

An attractively carved okinomo, depicting three sparrows on a branch, made in Japan during the Meiji period (1868-1911) for export to Europe or the U.S. Condition very good. There is one crack which runs through the centre of the branch and finishes as a hairline on the first birds head. The ivory displays the usual age yellowing - most visible on the back view. This item would have originally come with a carved wood base but will stand on its own on a stable horizontal surface. 7.8 inch...

A celadon vase inlayed with Chrysanthemum designs by Teishitsu Gigei-In Suwa Sozan I enclosed in the original signed wooden box featuring the Imperial Art Academy Seal and titled Kiku-Zogan Hana-Ire. Tendrils of blossoming chrysanthemum climb up the sides in dark inlay on the slightly pitted celadon sueface, a perfect rendition of Korean style wares from an earlier era with the addition of the Japanese design motif. It is 10-1/4 inches (26 cm) tall and in excellent condition. Artists mark on ...

Description: An alloyed Buddha with Japanese origin was cast well and preserved perfectly. A very beautiful small sculpture which had east Asia religious taste. Date: 19th Century Height: 5.5cm

A large Japanese stoneware koro (incense burner), decorated with coloured enamels on a celadon glazed ground, depicting mythical beings. The cover is surmounted by a Shishi. This item was made circa 1880 - 1920 during either the Meiji or Taisho periods. Condition - two of the three legs have been restored. 10.25 inches (26cm) high, 9 inches (23cm) across.

19或20世纪日本青釉大香炉
一件日本造&...

 

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting the cannibal Shutendoji surrounded by captive women from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with nice gauffrage highlights and margins evident. The print was removed from an album and is lightly album backed and slightly trimmed. The image has a...

19th Century Japanese Wood Netsuke Shoki Carrying Sword & Oni Signed

The netsuke is 1.3 inches tall, and 1.25 inches wide.

It is in good condition with no chips, nor cracks, except shoki's foot has been repaired (glued back) - as seen in the photos, and a small chip at the oni's thumb.

Our Guarantee: We stand behind all of the items that we place on Trocadero. That is to say, if you purchase an item from us and are unhappy with it for any re...

This Imari covered bowl, though matching our listings 1065543, 1065548 and 1065550 for form and decoration, is a little larger in size. In excellent condition, it is just out of a diplomatic estate. The bowl is about 4 7/8" (12.38cm) diameter and 2 5/8" (6.67cm) high. The cover is about 4 1/2" (11.43cm) diameter.

A beautifully decorated lacquer box dating from the 1930s or 1940s enclosed in a signed wooden box. Inside silver flake on shiny black, outside what appears almost a matt finish, of dark soft orange-peel texture with brilliant designs in raised gold and silver maki-e wrapping around the edges. The artists signature can be discerned in the nashiji beneath. The storage box originally bore the title and signature in ink, which was later covered over with silver Maki-e (the original ink signature ...

A beautiful Meiji period basin of light weight metal gilded with genuine gold leaf with each individual petal rising to form the fluted rim. Much worn from handling, the bowl measures 25 cm (10 inches) diameter and is 12 cm (5 inches) tall.

This is an interesting collection of 54 Japanese hair ornaments dating back to the Meiji period (1868 to 1912), in lacquer, ivory, bone, tortoiseshell (bekko), coral, jade, crystal, celluloid and metal; all displayed in a glazed frame. Additional free Kanzashis are added to this collection (see the last enlargement picture). Dimension: 21 3/4" x 25 3/4"

This item will be shipped from Japan. Please allow two weeks for the delivery to the US. There will an extra charge if it is to be d...

A fine ivory colored celadon by the first generation Kato Keizan enclosed in the original signed wooden box and containing the original exhibition pamphlet in which the vase is featured from the 1956 Takashimaya Department Store Exhibition marking his 50th year of working with clay. This vase was chosen by the artist for his exhibition pamphlet, making it, at least in the eyes of the artist, one of the more important pieces he had made at that time. The large vase is 12 inches (31 cm) tall, 7 ...

Description: A bronze Buddha figure of Japanese was cast with very fine quality of metal. He was molded very well with the religious mood. Meditated in calm expression and with religious hand symbol, this Buddha was once installed on a pedestal which had been lost. Two drilling holes can be seen on the bottom. Date: 19th Century Provenance: Japan Height: 15.3cm

A black-tailed white crane braves tempestuous seas before the massive orb of a blood red rising sun in this sensational late Edo period Kano style scroll. From the right a sinewy tree loaded with exaggerated fruits hangs precariously from the green face of a sheer cliff, its wild branches running helter-skelter through the dark sphere. Mist retreats beyond the horizon, regrouping for another night. A very unorthodox scene, each wave scratched out with soft gray, foam flying from the bird and ...

A ceramic cover for a tea room brazier in the shape of a devil dressed in priests robes dated and annotated within. Dating from the Ansei era, inside it is annotated by Daiko Sogen (1772-1860), 435th head of Daitokuji. Well known for his poetry and mastery of the Tea Ceremony, he taught Zen to Eiraku Hozen, and was compatriot to Gengensai. It is 34.5 x 34.5 x 30 cm (13-1/2 x 13-1/2 x 12 inches) and is in fine condition.

Pines in the Rimpa style grow on the folded surface of this fan painted by Kamisaka Sekka and enclosed in the original signed wooden box, retaining the original paper binding on the fan itself. It is 12 inches (30 cm) long folded, and in excellent condition.
Kamisaka Sekka (1866-1942) is the godfather of 20th century Japanese design and the Rimpa revival. He was born in Kyoto in 1866, one of six siblings. From 1882 he began his artistic career, however did not take-off until visiting t...

Japanese Meiji period woodblock print depicting William Howard Taft viewing a sumo match during his 1905 diplomatic mission to Japan. With Taft weighing in at over 300 lbs., this print is likely offering a subtle comparison between Taft and the wrestler. This print is unsigned and undated. 14 3/4"V x 10 3/8"H. Very good color and impression quality. Good overall condition with pigment transference at the upper left corner, some minor soiling, and a few small holes and thinned areas. The pr...

Exquisite floral designs rise softly beneath the rich yellow glaze on this large porcelain vase by Seifu Yohei enclosed in the original signed wooden box. Crisp clarity defines the petaled blooms in slight relief blossoming on scrolling vines. A style both Seifu III and IV were well remembered for. It is signed simply on the base Seifu. The vase is 9 inches (23 cm) tall, the same diameter and in perfect condition. This is likely the work of the fourth generation Seifu, dating from the 1910s...