Black Raku Tea Bowl, Matcha Chawan, with crawling glaze, by George Gledhill; Payette, ID. Pinched & carved and individually gas-fired to 1900-1950 F (1038-1065 C.) H.3.25"(8.25cm) x Dia.4.25"(10.75cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates...

Black Raku Tea Bowl, Matcha Chawan, by George Gledhill; Payette, ID. Thrown & carved, individually gas-fired to 1900-1950 F (1038-1065 C.) H.3.5"(9cm) x Dia.4.5"(11.5cm.) Glazed foot. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates...

Black Raku Tea Bowl, Matcha Chawan, by George Gledhill; Payette, ID. Thrown & carved, individually gas-fired to 1900-1950 F (1038-1065 C.) H.3.25"(8.25cm) x Dia.4.5"(11.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates...

Black Raku Tea Bowl, Matcha Chawan, by George Gledhill; Payette, ID. Thrown & carved, individually gas-fired to 1900-1950 F (1038-1065 C.) H.2.5"(6.5cm) x Dia.3.25"(10.75cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates...

Black Raku Chawan, Tea Bowl, by George Gledhill; Payette, ID. Pinched & carved with notched foot. Individually gas-fired to 1900 - 1950 F (1038-1065 C.) H.2.5"(6.5cm) x Dia.4.375"(11cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in his life for many years, and George even visits local prisons to teach the Dharma to inmates...

Large, waisted form terra cotta teabowl with Rimpa influenced "falling leaves" pattern

Terra cotta, slips and glaze

5.75" x 4.25"

Functional, decorative and food safe

Matcha Chawan, Tea Bowl, by John Miller of Portland, OR. Ido-gata (well-shaped) with light green glaze and "nagare" glaze runs decorating exterior and interior of bowl. H.3.375"(8.5cm) x Dia.5.875"(15cm.) Footring Dia. 2"(5cm.) John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston...

Broad Ido-gata suminagashi influenced neriage teabowl

Porcelain and glaze

5.75" x 4"

Functional, decorative and food safe

Large wan-gata form teabowl with a combed wave pattern in slip under my Ao glaze

Porcelain, slip and glazes

5.75" x 4"

Functional, decorative and food safe

This large Haku En-Yu, white salt fired, chawan is by Kyoto master potter; Iwabuchi Shigeya (1925-1993). This soft white chawan has very subtle undertones of a pink blush over its surface and is covered with a series of crazed and crackled salt glaze deposited on the white slipped surface of the bowl. The generous bowl shape is reminiscent of older Hagi and even Korean chawan and is terminated with an exceptional bamboo node formed foot...

Large and playful Oribe chawan by contemporary pottery phenom; Ishii Takahiro. This summer, natsu-wan, style chawan is glazed in Ishii’s own Oribe glaze that shimmers with iridescence and allows plenty of the tsuchi-aji to peak through as he glazed the pot. Balanced on a well addressed circular kodai, this chawan is equally at home displayed or in the hand...

This Kobu- Shino chawan is by Sakai Kobu and is an exceptional example of his work. The nebula like decoration around the intentionally distorted tsu-tsu style chawan with undulating lip has a quality of three dimensions within the glaze. The rich and well controlled surface exhibits iron red, blue-grey, white and lavender tones within the glaze and it is obvious why Sakai is so highly regarded as a modern Mino potter by looking at this chawan...

A Large natsu-wan by chadogu specialist; Kamiya Eisuke. This teabowl is glazed in a rich yohen-tetsu-yu glaze that runs from rusty red tones at the lip to hare’s fur and glassy black drips in the mikomi and near the kodai with much of the glaze being infused with iron crystals trapped within the glaze. The mikomi is filled with a black glass and covered over in iron crystals and is like looking out into the night sky...

This classical ,generous and inviting teabowl chawan is by legendary Hagi master potter; Yoshiga Taibi (1915-1991). The sumptuous form is highlighted with a thin ash glaze over the rich hagi clay and crackled slip with tones running from Hagi creamy pink to lavender with the gritty clay visually punctuating the foot/kodai...

Large ovoid teabowl with random paddling around the form with an iron yellow glaze over a clear glaze. Hand tooled oval foot compliments the form.

Stoneware and glazes

6" x 5" x 4"

Functional, decorative and food safe

Persian, Raqqa glazed Ido style chawan with rozome underglaze decoration of spirali e tagli.

White earthenware, black underglaze decoration and traditional Persian blue glaze

6" X 3.6"

Please note, this piece is made using traditional porous white earthenware and a soft fritted glaze. Though it is food safe and functional, it is not intended for everyday use.

Large wan-gata form terra cotta teabowl with a black background and yellow, red and green "falling leaves" about the bowl in old Rimpa fashion

Terra cotta, slips and clear glaze

6" x 4.25"

Functional, decorative and food safe

Bold porcelain wan-gata teabowl with etched Hi-Tsuchi-Mizu (Fire, Earth, Water) kanji rondels and netting design under my temmoku and haiyu glazes rendering a Karatsu style appearance. The kanji represent the essential elements of pottery making.

Porcelain and glazes

5.25" x 4.25"

Functional, decorative and food safe

A very fine and noble chawan by Hagi master potter; Kaneta Sanzaemon VII...

Broad and elegant notched foot hagi chawan by second generation hagi potter; Tanomura Shogetsu II. Having inherited his style from his father, Shogetsu I, this chawan has a variety of subtle tones running through the glaze exterior and interior.

The bowl measures 5.4" x 3.35" and is in perfect, unused condition and comes complete with the original signed box.

Large and powerful Shiro-Hagi chawan by veteran Hagi potter; Mashita Tadashi. This chawan though appearing pure white, has a nice blush of pink through out portions of the bowl. The lip is slightly lobed and created an elegant appearance. The chawan measures 5.2" x 3.5". This Shiro-Hagi resembles the works of Miwa Kyuwa and Miwa Kyusetsu for a fraction of the price.

This chawan is in perfect, unused condition and comes complete with it signed and Zen priest attested box. The chawan is name...

A very large notched foot chawan by Hagi master; Yamane Seigan. This Hagi glazed boxed chawan measures 5.5” X 3.6” and is in excellent condition. This chawan is has heavily animated keshiki landscape and feels wonderful in the hands. The glaze of this chawan wonderfully accentuates the form and foot of the iron rich clay body and powerful form. This is Seigan at his best!

This chawan is in excellent, unused condition and comes complete with the original signed box.

Medium sized serving bowl with stamped decoration and an altered lip with temmoku and tetsu-yu glazes

Stoneware and glazes

8.25" x 3.25"

Functional, decorative and food safe

Medium size V-bowl with rich temmoku and partridge feather trailed glaze. The foot which is clear glazed has two holes to pass a cord or wire through so the bowl may be hung on the wall.

Stoneware and glazes

11.25" x 3.25"

Functional, decorative and food safe

Broad, rounded altered teabowl with dramatic undulating lip and glazed in my temmoku and partridge feather glazes

Stoneware and glazes

5.8" x 4.35"

Functional, decorative and food safe

Large altered oval teabowl form with temmoku and partridge feather glaze in the style of Karatsu pottery with a matching oval foot

Stoneware and glazes

6" x 5" x 4"

Functional, decorative and food safe

Large altered ovoid teabowl form with an oval formed foot in temmoku and tetsu-yu glazes, inspired by Tamba and Karatsu pottery

Stoneware and glazes

6" X 4.75" X 4.2"

Functional, decorative and food safe

Tea Bowl, Matcha Chawan, by Lee Love of Mashiko (& now Minnesota.) H.3.5"(9cm) x Dia.5"(12.5cm.) Mashiko black (mashiko- guro,) white (nami-jiro,) and brown/persimmon (kaki) glazes. Gas-fired, ca. 2005. This Ido-gata (well-shaped) bowl was fired in Mashiko, Tochigi Prefecture, where Lee had completed a 3-year apprenticeship to National Living Treasure Shimaoka Tatsuzo. It features a lustrous Mashiko-guro (Mashiko Black) glaze highlighted by areas of the traditional kaki (persimmon) glaze widely ...

Tea Bowl, Matcha Chawan, by Lee Love of Mashiko (& now Minnesota.) H.3.375"(8.5cm) x Dia.5.375"(13.75cm.) This Ido-gata (well-shaped) bowl of high-feldspar Shigaraki clay was wood-fired in Mashiko, Tochigi Prefecture, where Lee had completed a 3-year apprenticeship to National Living Treasure Shimaoka Tatsuzo. The impressed cord patterning on this bowl is an example of zougan-joumon (rope-impressed inlay) for which Mr. Shimaoka was granted his NLT status. The bowl is accompanied by a signed wood...

Large bamboo form (take-gata) teabowl with stamped designs around the bowl under my temmoku and haiyu glazes

Stoneware and glazes

5.5" x 4.25"

Functional, decorative and food safe

Matcha Chawan, Tea Bowl, Shino glaze, by George Gledhill; Payette, ID. H.3"(7.5cm) x Dia. 4.5"(11.5cm,) Footring is square in shape, 2.375"(6cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to ...

Fuyu Chawan, Winter Tea Bowl. Wood-fired with Shino Glaze. H.4.25"(10.75cm) x Dia.4.125"(10.5cm), Foot ring dia. 2.5"(5.75cm.) Used to drink matcha in the winter season, this deep bowl with straight sides retains the tea's heat and warms the hands. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea ...

Wood fired Tea Bowl, Matcha Chawan, with Ash Glaze, by George Gledhill; Payette, ID. H.3"(7.5cm) x Dia.4.375"(11cm,) Foot ring dia. 2.25"(5.75cm.) The ash glaze in the bowl brings out a blue-green color that is excellent for matcha! For Premium Organic Matcha and high quality leaf teas, please visit our Charaku Fine Japanese Tea site, www.charaku-tea.com. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George...

Tea Bowl, Matcha Chawan, Ido-gata (well-shaped,) by Sachiko Furuya. H.3.375"(8cm) x Dia.6.125"(15.5cm) x Footring Dia.2.125"(5.5cm). Bamboo Ash, Copper, Iron Glaze. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in...

Tea Bowl, Matcha Chawan, Ido-gata (well-shaped,) by Sachiko Furuya. H.3.5"(9cm) x Dia.5.375"(13.5cm) x Footring Dia.2.125"(5.55cm). Bamboo Ash, Copper, Iron Glaze. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in ...

Wood-fired Matcha Chawan, Shino Glaze, by George Gledhill; Payette, ID. H.3.125"(8cm) x Dia.4.5"(11.5cm), Foot ring dia.2.375"(6cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of ...