Renaissance 22 Carat signet ring with a deeply carved intaglio puzzle in the form of a pictogram which uses pictures and letters to spell out words that convey its meaning. The rebus reads "Love You" with the heart symbolizing love and the V (based off the old Latin alphabet) for the letter U, representing the vowel U which represents "You". The ring is unmarked and a size 6 and in excellent condition.

An elegant Georgian 18K gold fob seal worked in a floral pattern and set at the base with an amethyst tablet engraved with an armorial crest. The floral design continues up the shoulders to the loop by which the fob would have been hung from a watch chain. Tested and guaranteed 18K gold.

• Origin: England, ca. 1815
• Condition: excellent
• Dimensions: 3/4" x 11/16" x 1-3/16"
• Weight: 13.2 grams

A Georgian 15K gold gentleman's ring set with a hematite intaglio with a rare image from Greek/Roman mythology. We see the buff god Apollo in his horse-drawn chariot being led by Eros ("Cupid"), the god of love. This scene depicts the beginning of the tale of the water nymph Daphne.

Best know as god of the sun, Apollo was also the patron god of archers. One day, he mocked Cupid for the small size of the latter's bow and arrows...

A most interesting mourning ring style of the period; the two sided mourning ring with a swivel bezel. One side has a lock of hair under crystal and is bordered with pearls, representing tears, in a pinched gold setting. The other side is a black enamel rectangle inscribed with Mark Hodgson ESQ died 12 July 1810 aged 52 in gold letters...

A very fine and exceedingly rare mid-17th century low-karat gold “Stuart crystal” memorial slide. Such pieces were secretly worn by loyalists to mourn the deposed and executed King Charles I in 1649. Eventually, they were used to mourn other deaths, as well as to celebrate betrothals and weddings. This is a particularly fine example, combining a crystal-encased miniature portrait of a well-nourished lady, regally dressed in a gown of red velvet with gold embroidery and ermine fur trim...

A Georgian 14k glass emerald and diamonds ring circa 1780-1800. This antique yellow gold (unmarked but tested and guaranteed) ring features a 3/8" across top which has claw set early silver coloured genuine rose cut diamonds surrounding an emerald coloured glass stone. Emeralds then were a scarce and difficult stone to acquire, so the use of a cut glass "gem" with diamonds was not unusual...

18K Georgian ring with a cushion cut oval approx. 4 carat topaz center stone flanked by 2 old mine cut diamonds on each side. The diamonds total approximately 1/2 carat. This is a hand forged Georgian ring and the star of the show, the topaz, is encased in a gold surround. A charming detail of 3 "pie crust" indentations in the gold can be seen at the top, bottom and repeated along the sides. The topaz sits about 5 mm above the finger...

Possibly the finest Georgian fob seal we’ve seen, this example is worked in multicolored 18K gold. The large swivel features a carnelian plaque on one side that reverses to an amazing crystal-enclosed compartment. Inside the compartment is a three-dimensional fruit basket worked in yellow, white, rose, green and blue gold. The rock crystal cover is slightly domed to magnify the fruit basket decoration...

Impressive Georgian diamond cluster ring with nineteen diamonds in set in a silver setting with an 18K delicately incised and unusually shaped gold band dating to c. 1780. The pictures speak for themselves. The ring is oriented radially around a large central Georgian diamond and surrounded by 12 smaller Georgian diamonds with three diamonds are fitted into the remaining space around each side in a perfectly symmetrical form. The ring is a size 7.25 and sizeable.

C1770 Silver gilt ring with Glass Tassie cameo portrait of an 18th century gentleman, thought to be young Prince William Henry Duke of Gloucester, younger brother of King George III. Rings set with portrait miniatures of sovereign figures were quite popular and widely distributed. A "Tassie" is a paste or glass copy of a cameo or intaglio...

A nice Georgian locket in the form of a Maltese cross with a central rock crystal locket compartment. The arms of the cross are made from faceted carnelian plaques mounted in gold around the central compartment. The compartment was intended to hold the woven hair or perhaps a miniature portrait of a loved one. The Cross of the Knights Hospitallers of St. John was created in 1126 based on designs from the Crusades...

15K Rare Georgian diamond cluster ring consisting of 6 large stones cut en cabochon (no facets and polished smooth) and set in a radial pattern around a large center diamond. 6 smaller stones are set along the border. The border is crimped, a feature of hand wrought gold-work of this period. The diamonds are set in silver. There is nary a claw in sight as the Georgians believed claws detracted from the beauty of the diamonds...

An extraordinary late Georgian 18K gold ring set with a carnelian carved into the leering face of a satyr classically portrayed with a goatee, a snub nose and pointed ears. The carved gemstone was likely already several centuries old when it was set into this ring...

A marvelous Georgian cross pendant worked entirely in seed pearls and centering an oval cut citrine in a 9K gold push-up setting. Seed pearl jewelry became popular during the last quarter of the 18th century and remained in fashion for about fifty years. The forms were cut from pieces of mother-of-pearl then drilled with tiny holes. Strands of horsehair, bleached to become white and translucent, were used to sew hundreds of tiny natural seed pearls to the form. The center citrine adds a bit ...

This exceptional verre eglomise rock crystal panel depicts a maiden in classical dress playing with a hound. She sits on a plinth in a clearing with cypress trees in the background. The scene is backed with grayish mother-of-pearl that seems to create a sky of swirling clouds. The reverse of the pendant is simply finished with pale grayish-blue silk. The plaque is simply mounted in an 18K yellow gold frame with a bail at the top. Verre eglomise was most often used in mourning jewelry, but n...

An extremely fine and rare Georgian 12K gold bracelet featuring a large rectangular plaque of landscape agate flanked by seven smaller rectangular plaques. With only a little imagination, the central panel appears to represent a grouping of trees in front of distant mountains, while the smaller plaques seem more like tree-covered islands in a calm lake. Landscape agate was popular for small brooches in the Georgian era, but large examples made of several matched pieces such as this are extreme...

An exceptionally rare and fine 18th century 15K yellow gold mourning ring, the crown comprising a very large verre eglomise panel with a black silhouette of a gentleman against a silvered background. The lace and brocade collar is exquisitely detailed. The edges of the panel are finished with bright-cut engraving, a design repeated at the top edges of the shank. The back of the glass panel is curved for comfort when being worn. Everything about the ring is of the finest quality. Its size an...

A hand engraved Georgian 9k yellow gold and RGP engraved watch key. This 1-7/8 x 3/4" winding key features a rolled gold plate rotating swivel loop and a rotating knob on the RGP winding shaft. Both have underlying metal for rigidity and resistance to wear (gold is very soft), but the body of the key tests as 9 carat gold (the key is unmarked). It weighs 9.0 grams, and it is in excellent condition with no monograms, dents, bends, corrosion, losses, damage or repairs. All items are thoroughly...

An exceedingly rare Georgian 18K yellow gold pendant locket celebrating the first manned flight by the Montgolfier brothers from Paris in 1783. Hot air balloons were one of the scientific wonders of the late 18th century, and balloon designs were worked into furniture, textiles, clothing and jewels. This locket features a hot air balloon carved from a piece of mother of pearl and then decorated with gilding and realistic painted detail. The balloon is affixed to a pale blue silk background an...

This Georgian diamond solitaire ring is set in 15K gold and has lovely engraved shoulders (also referred to as chased). The old mine cut diamond, chased shoulders and smooth polished gold back (beautiful in its own right) make this ring classically Georgian. There is not a prong visible on this diamond as a Georgian era goldsmith only wanted the diamond to be visible. Diamonds then were set in silver to better set off the cool tones, as is this one. The proportions of this band make it idea...

Queen Anne period (1740) large beautifully faceted octagon cut amethyst solitaire ring in a later 18K gold band. This style of jewelry has been historically misnamed for Queen Anne, who reigned from 1695 to 1714, as so called Queen Anne jewelry dates to the mid 18th century. Among other details, we love this ring for its eighteenth century octagonal shape, the quality of the amethyst and the crimped collet gold setting. Beautiful in its simplicity, this ring is sure to attract attention. ...

A charming miniature portrait, done in watercolor on natural wafer, and mounted in a later 14K gold ring with an impressed maker's mark of "MP". The sitter is a young red-haired child, facing left, and wearing a black dress with a dotted lace ruffled collar.

The ring size is 6 1/2, and the portrait measures 1 1/16" by 7/8". The condition of the portrait, as well as the ring, is excellent. The line near the left edge and along the top edge is due to refraction and does not appear when viewed in...

This is a 14k yellow gold bracelet, consisting of eleven antique slides with various gemstones, garnets, turquoise, diamonds, natural pearls, coral and opal, on a double rope gold chain, having a slide hinged clasp attached to Horn and Fishhead accessories. The clasp comprises a gold fishhead with garnet eyes and seven 3mm round cab turquoise along the dorsal fin, The receiver has five graduated round cab turquoises and the catch is engraved with the date 1841 and the initials MMA to LEA, ...

Exquisitely designed pair of 14k yellow and white gold, blue enamel and diamond flower-form drop earrings, French, circa late 18th century. Each earring composed of twenty rose cut and single cut diamonds. The flowerhead drop and stem are articulated together with jump rings. Attached to the back of each earring is a pierced post and locking clip back. Measurement: 1 1/2" long. Weight: 9 grams. Combined approximate diamond weight of the earrings is 0.50 cts. Condition is excellent. Truly one...

A stunning pair of lage Georgian or early Victorian transitional earrings worked in 18K gold and silver. The earrings, each in form of a convolvulus (morning glory) blossom feature a variety of antique cut diamonds, mostly cushion and mine cuts. The smallest stones are rose cuts. The diamonds are of excellent quality, mostly eye clean and with superb, warm sparkle as the earrings dangle freely. The expert craftsmanship that allowed the diamonds to be set very close together with little metal sho...

An early Empire 15k superbly carved cameo pin circa 1820. This hand carved shell portrait cameo measures 2 x 1-3/4" and it features lovely tooling with a pierced gallery, and a twist border with applied textured flowers and leaves. The cameo itself is one of the most attractively carved we have seen- simply stunning in detail and she is wearing an Empire headdress. This brooch has the original c-clasp and a loop for wear as a pendant. It weighs 10.9 grams, and it is in excellent condition wi...

A very good Georgian watch fob seal worked in 15K yellow gold with ornate floral repousse floral decoration. The section connecting the fob frame to the bail is chased in a foliate pattern that matches the floral theme. One side of the flip part is set with a banded agate while the other side features an exquisitely chased and engraved gold plaque depicting a flower basket beneath a clear rock crystal cover. The gold plaque is likely very close to pure gold which would have made it easier to wor...

A pretty late Georgian example of a Halley’s Comet pin worked in 14K (perhaps 15K) yellow gold and featuring a light blue paste stone to represent the comet’s nucleus. The paste is set in an elegant buttercup-type setting accented with an engraved gallery. Blue paste is less common than other colors, and makes a very nice presentation. The comet’s tail depicted in the engraved and voluted gold setting.

In 1705, Edmond Halley correctly predicted the comet’s return in 1758. When it ...

This ring has many Georgian era characteristics, including the symmetry of the 10 Georgian diamonds surrounding a central larger diamond, the silver surround of the gemstones and the impressive gold craftsmanship of the fully closed back. The band is 3 horizontal bands linked with 3 vertical elements and is comprised of 4 sections with a carved gold leaf set into each. The leaves are all carved to suggest veining, adding to the ring's appeal. Our ring is an early precursor to what would la...

This stunner tests as a very strong 14kt, so it’s very likely to a 15kt English piece. It is set with what we are pretty sure is an iolite (hard to test because of the setting), and 4 pear-shaped purple garnets, all foiled, all set within an Etruscan Revival motif of coiling snake-like decorated gold ropes and leaves, with two dangling gold chains. The brooch measures 1-1/2 x 1-1/2 x 3/4" deep and weighs 8.7g. With the chains, the whole piece measures 2-1/2” long. The pin stem assembly is al...

Beautiful rose cut diamonds set in this Georgian brooch. They are set in silver and gold. The largest diamond weighs approximately .40 cts. The entire piece has over two carats total weight. Each diamond is beautifully cut and there are some that are fancy peach and champagne colored. The brooch measures approximately 3" long and 2" wide. The catch is a 1920s replacement but is very secure and in working condition. The piece is unmarked but has been fully tested. The overall weight is 21 gram...