This mid-century bracelet from Antonio Pineda is one of his most spectacular modernist designs. Referred to as his "Saturn", "Ball Bearing", or "Ball & Sphere" bracelet, it's a heavy chunky very substantial piece...

This mid-century necklace from Antonio Pineda is an absolutely spectacular showpiece. It's composed of obsidian and silver, both in 5 point diamond shapes, which form a "V" in the front center. There is a pearl offset on the left front. This is a very rare piece, and it looks amazing on the wearer. The obsidian centerpiece is slightly curved so that it contours perfectly on the neck...

Circa 1930's - 1940's, this easel frame is the work of Matilde Poulat / Matl. It's entirely hand-wrought and exquisitely crafted, with two beautiful repoussé birds. There is a faceted amethyst along with branch coral and turquoise and coral cabochons. It's very rare to find one of these frames which was made by Matilde Poulat, herself, in this early time frame, and this one pulls out all the stops. Measures 4 1/4" wide, 3 1/2" tall...

This mid-century necklace produced by Antonio Pineda is a book-piece design, shown in "Silver Seduction : The Art of Mexican Modernist Antonio Pineda". It's a sleek, stunning, modernist piece, composed of twenty-seven interlocking angled chevron links. It's a thick and very substantial necklace which lays comfortably and perfectly on the neck Weight is 165.4 grams. Right about 15" closed, wearable length...

Circa mid-century, this bracelet was produced by Los Castillo. It's a hand-wrought piece with a large presence, composed of four curved sections. There are three pendant/dangles/pendulums attached to the center section, and each panel is separated by three spiral circles with oxidized recesses. Closure is a tight and secure tongue in box. Measures a closed, wearable length of about 6 1/4"...

17 in. long 1 1/8th in. tall weight 85 grams This Fred Davis was designed by Valentin Vidaurreta. It was later produced by Hector Aguilar for Valentin Vidaurreta which is also listed on my site. This trapezoid shape has a higher peak and each link is a bit larger than the design made by Aguilar. The design is shown in the book WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE. I could not produce photos to do this justice and only on will the shields come more tightly together...

The Chrysocolla stones in this Hector Aguilar bracelet are nothing short of fantastic. The color is vivid and varied in splatters of blue, green and some tan. This bracelet measures approximately 7 inches and the band in back slides open for easy on and off. Each link is 1 inch tall making quite a presence. The silver is thick with a weight of 81 grams. Condition of the stones are remarkable with no pits, cracks or damage of any kind...

This stunning necklace is a rarely seen Antonio Pineda book-piece design, shown in Silver Seduction p.110. Collector quality. It's a show-stopper, with a serpentine dangle measuring 3 3/4" long composed of alternating turquoise and carnelian cabochons. The stones are gorgeous and perfectly matched in color...

Circa 1940-1945, this is a rarely seen hummingbird pin produced by Hector Aguilar at the Taller Borda. This piece is shown on p. 17 of "Silver Masters of Mexico". Beautifully hand-wrought with superb repoussé silver work, this pin is collector quality. Measures 2 1/2" x 1 7/8", pin closes with a roller. Weight is 17.3 grams. Signed and hallmarked "HA Made in Mexico Sterling". In excellent vintage condition.

Circa 1960's - 1970's, this bracelet by Carmen Beckmann is a superb modernist piece. Produced with heavy gauge silver, it's a sleek slinky bracelet with nine tiger's eye stones. It feels luxurious on the wrist, and it shows up magnificently...

Hallmarks date this William Spratling bracelet to 1939. Known as his "Pillow" bracelet, this is really a spectacular piece, with eight repoussé silver panels with copper swirls. Triple silver beads separate the panels, with tiny silver beading on top and bottom...

This moth design necklace from Matilde Poulat bears her earliest block "MATL" hallmark used 1934-1940. It's a true masterpiece, hand-wrought with exquisite silver work. Measures a closed, wearable length of 18 1/2". The centerpiece is 2 5/16" wide and 2 5/8" tall. The turquoise stone measures 3/4" wide. Weight is 55.8 grams. Signed and hallmarked "MATL" and "0.900.

Circa 1940-1945, this early Los Castillo necklace is a very rare design with the centerpiece. Collector quality. Twenty-six winged repoussé links with a center floral panel make this a standout necklace...

Circa 1930's-1940's, this necklace from Fred Davis is nothing short of spectacular. A very rare piece, with repoussé sterling silver curved domed dangles. This lays perfectly on the neck, and it has a huge presence. A piece which will not fail to be noticed. Measures a closed, wearable length of 15". Length of each dangle is 1 7/8". Weight is 105.6 grams. Signed and hallmarked "FD 925". Collector quality. In excellent vintage condition. There are some tiny indents, but absolutely nothing which ...

Circa mid-century, this necklace is exquisitely hand-wrought by noted Taxco silversmith Beto. Deeply carved swirling silver panels alternate with polished half-cylinder shaped amethysts. The stones are gorgeous, with natural inclusions and quartz marbling. Measures 15" closed, wearable length. Weight is 52.7 grams. Signed and hallmarked "Beto 925 Taxco GRO Sterling Hecho en Mexico". In excellent vintage condition. Clasp is tight and secure.

This mid-century bracelet from Los Ballesteros is a book-piece design, shown in "Warman's Jewelry" by Christie Romero. Certainly one of the most sought after designs from Los Ballesteros, this is a stand-out showpiece. It's large and heavy and supremely gorgeous, with colorful faceted stones in vivid hues alternating between incised stars. Closed, wearable length is 6 3/4", with a width of 1 11/16". Weight is a very substantial 140.9 grams, or over 4.5 troy ounces. Collector quality.

Circa mid-century, this is a very rarely seen design by Antonio Pineda. Museum quality, this piece is shown in Gobi Stromberg's Silver Seduction : The Art of Mexican Modernist Antonio Pineda, p.141. It's a heavy wide bracelet which is intertwined with two designs. One is Pre-Columbian, and the other is said to have been inspired by the cave drawings of Lascaux. Hinged on one side, this piece swings open wide to easily fit over the wrist, and clasps with a tight and perfect tongue in box. ...

Circa 1940-1945, here is a superb hand-wrought necklace produced by Ana María Nünez de Brilanti, whose work is known as "Victoria". Brilanti opened her shop in Taxco in 1940, and named her shop Plateria Victoria, after her daughter. Brilanti is well known for her original designs and excellent craftsmanship, and this necklace is one of her earliest works. It's a book-piece design, shown on page 103 in "William Spratling and the Mexican Silver Renaissance", and referred to as "Curling Feathers"...