Circa 1940's, this is a spectacular necklace from Marcel Boucher. It's hand-wrought and extremely substantial, weighing in at 158.2 grams, or over 5 troy ounces.

Boucher was born in Paris, and apprenticed with Cartier. He has a reputation of being perhaps the greatest costume jewelry designer. In the 1940's, he produced silver jewelry in Mexico under the name Parisina. In 1957, he opened his business in New York.

This is a truly luxurious necklace...

Circa mid-century, this is a killer bracelet from Margot de Taxco. In absolutely pristine collector quality condition, complete with all nine charms.

It's a book-piece design shown on p. 63 of Penny C. Morrill's "Margot Van Voorhies : The Art of Mexican Enamelwork". The cherubs are highly detailed, with exquisite repoussé silver work.

Measures a closed, wearable length of 7 1/16"...

Circa 1940-1945, this bracelet is a book piece design produced by Hector Aguilar at the Taller Borda, known as "Six Spheres". It's a spectacular piece, wide and substantial, and it drapes over the wrist with a luxurious feel. Shown in bookplate III-88, page 130, of the Penny C. Morrill book “Silver Masters of Mexico”. Measures 7 7/8” without the tongue portion of the clasp. Closed, wearable length is about 7 1/4”. Width is 1 5/8”. Clasp is a tight and secure tongue in box...

Circa 1930's - 1940's, here is a huge early hand-wrought Mexican modernist bracelet. Hallmarked simply "Silver Mexico", it's a book-piece design seldom seen, originally created by Frederick Davis and shown in the Morrill/Berk book "Mexican Silver". No maker's mark on this one. Four large amethyst cabochons with quartz marbling and natural inclusions sit between oval silver tubes with silver balls at each end...

Circa pre-1948, this coiled snake necklace is the early work of "CEL". I seldom come across pieces by this artisan, but the few I have had are all in the same folk art style of Matilde Poulat, as is this design. Like produced in Mexico City, this necklace is in superb vintage condition.

Composed of alternating spiral and coiled links, the closure is a turquoise jeweled snake head and tail which joins together. You can wear it with the snake at center front, or on the side...

This is a very early work from Sigi Pineda, and dates to the early 1950's when he first opened his own shop. The shop was named "Plateros", later renamed "Sigi".

It's an amazing piece, with three huge red coral branches in a modernist setting which is sterling silver with 14k gold plated over it. The gold is perfect and even throughout, both front and back. The coral measures from 2 1/4" to 2 1/16"...

Here is an exceptional necklace and earrings set from Antonio Pineda, circa mid-century. Collector quality.

This set is a book-piece design, shown in Gobi Stromberg's "Silver Seduction : The Art of Mexican Modernist Antonio Pineda."

The design is known as "Crossing Arches with Teardrop Amethysts", and it's a heavy modernist design which is hand-wrought with superb craftsmanship. The necklace has seven teardrop amethysts dangling beneath the crossed arches...

Circa 1940's, here is a seldom seen pin from noted Taxco designer Hubert Harmon. Harmon was active for a short time, and this Neptune pin is signed and hallmarked with his winged feet and Hubert Harmon marks dating likely 1942-1948.

It's a stunning whimsical pin with Neptune holding his pitchfork, seating upon a large fish with an amethyst cabochon eye. The repoussé silver work is superb...

From his first design period, with hallmarks dating 1944-1946, this cuff from William Spratling is massive and spectacular. Collector quality.

This is a book-piece design shown in "William Spratling and the Mexican Silver Renaissance" by Penny C. Morrill, where it's noted that the "Nahui Ollin", or "Four Movement" cuff bracelet replicates the glyph at the center of the carved stone Aztec Calenda...

This mid-century necklace from Los Castillo is a heavy and very substantial seldom seen design.

Thirty-eight modernist twisted panels drape perfectly upon the neck, conforming perfectly with a fluidity which compliments the wearer...

This bracelet is the work of Horatio de la Parra, whose company Plateria Azteca produced hollowware for both William Spratling and Hector Aguilar.

It's an early piece, dating to the 1940's. Six repoussé silver panels, each with a high domed amethyst cabochon, make for a regal deco design bracelet which closes with a pin.

Closed, wearable length is 6 3/4". Width is 1 3/8".

Weight is 73.8 grams.

Signed and hallmarked "Parra Mexico Silver Hnos".

With hallmarks dating 1940-1944, this William Spratling bracelet is from his first design period.

Composed of three rows of elongated silver beads with a foldover clasp, this is a weighty bracelet which tests out at 980, or 98% silver purity. It's a very elegant, classy, and substantial piece, and it wears beautifully with a silky and luxurious feel on the wrist.

Measures 8" long, with a closed, wearable length of 7 1/2" and a width of 15'16".

Weight is 77.2 gram...

Circa mid-century, this hinged bracelet was produced by Erika Hult de Corral and has her unmistakeable style. Rare to see one of her pieces executed in 980 silver as this one is. Hult worked with both Sigi Pineda and Enrique Ledesma before opening her own shop, and the influence of Sigi Pineda can certainly be seen in this bracelet.

It's a beautiful bangle bracelet, hinged on both sides to swing wide open. A dense green teardrop stone sits just off center within the modernist design w...

This mid-century pin is the work of Los Castillo. It's a striking modernist design which is composed of two pieces connected with a rivet. The bottom hands and body swings freely with movement. Hand-wrought with intricate detail.

Measures 2 3/4" x 1 3/8".

Weight is 17.3 grams.

Signed and hallmarked "Los Castillo Taxco", with the eagle assay 15 and the design # 136.

In excellent vintage condition. Pin closes with a rolling C clasp.

A simple and elegant sterling cuff by Navajo Yazzie Johnson from his early work in the 70's. His work now features varieties of stones and he often collaborates with Gail Bird. This bracelet measures 5 1/4" around in the inside plus a 1 1/2" opening. It is 3/8" wide and weighs 31 grams. Fine original condition and signed as shown. A very handsome and wearable piece that can stand alone or be stacked with your other favorite cuffs.

Circa 1939, from William Spratling's first design period, here is his Tuliman necklace. Shown in "William Spratling and the Mexican Silver Renaissance", "Silver Seduction : The Art of Mexican Modernist Antonio Pineda", and "Mexican Silver", as well as the Spratling Silver website, this piece is known as Tuliman Bird Necklace. Spratling based his design on images painted on large clay water jars made in Tuliman. Three cascabels dangle in front, making a beautiful jangling bell sound with movem...

Tane Orfebres is an important silver house in Mexico City, known as the Tiffany of Mexico. This bracelet is wide, heavy, and gorgeous. It has a sleek modernist design, with the one half shiny and mirror like, and the opposite half bearing a slightly matte finish. I have never seen this design before, and it is a stunning bracelet. Signed and hallmarked "Tane Sterling Mexico", with an "A" within a triangle. No eagle assay on this one, but I believe it to be 1953-1980. This will fit up to...

Large and beautifully crafted Navajo Silver and Turquoise ring, size 8 3/4", measuring 1 3/4" long and 1" wide, and 1 1/4" high from base of band to top of stone. The stone has a lovely caramel and brown matrix, with a deep turquoise green tone. It is signed "sterling" and has a maker's mark that is not clear. From a collection of good Navajo jewelry, most pre 1980s. In good condition, some wear and slight tarnist visible to silver, but the stone is in perfect condition, nicely polished and ...