Oil on canvas, " by " (" by " framed), the subject a peaceful glen deep in a forest, painted in a luminous style reminiscent of the American Hudson River School, likely Fairy Glen in North Wales, signed at lower right by the noted well listed English artist WILLIAM MELLOR (1851-1931). Mellor was a highly prolific (I see over 1,200 auction records) artist, born in Barnsley, England. He traveled widely, painting often in Wales and Yorkshire...
Original oil painting on canvas by famed British marine painter Rodney J. K. Charman (born 1944). This work depicts one of the Nantucket Island lighthouses. It is signed l.l. and dated 1980. In excellent original condition. With a new Italian frame.
Oil on canvas spring landscape with a European Victorian-era mansion at left, and lovely trees and bushes in full spring finery filling much of the foreground, 8" by 10" (12 1/2" by 14 1/2" as framed, signed at lower right in the paint "J. Clymer". This is a actually a work by the noted English-born listed artist JOHN CLYMER (1932-), until recently unfortunately often confused with the American illustrator and painter John Ford Clymer (1907-1989)...
Portrait of the British Schooner "ESTHER"
Oil on canvas, 19th century
Signed indistinctly lower right "Wm Mc *****"
and dated
Painting: 21" x 28.5"
Frame: 27" x 34.25"
Ship portraits, such as this, were commissioned by the new owner often time itinerant artists who traveled around different boat builders looking for work...
John Charles Maggs.(British,1819 - 1896 )
The London to Bath Coach Pulling up to the Spaniards Tavern, Bath, England in 1884
Oil on Canvas, signed, and dated l.r.
Painting: 14: x 26"
Frame: 20.5" x 32.5" (outer frame later)
A newly discovered gem from one of England's best coaching painters.
John Charles Maggs (1819–1896) was a painter best known for his coaching scenes. He was born in Bath, England in 1819, his father being a furniture japanner there...
A beautiful pair of original 19th century antique oil paintings in the manner of George Henry Harlow renowned British portrait painter, 1787-1819]. Both Oil on canvas framed in later vintage gold frames. Both paintings have been professionally restored relined cleaned and re varnished.
DIMENSIONS
8.5ʺW × 1.5ʺD × 10.5ʺH
J. Murday (British fl 1837-1911)
A Tri-aspect of a Topsail Trading Schooner off
South Foreland (Cliffs of Dover)
Oil-on-canvas; verso label:
Wm. Blair, Ltd, Bethesda, Maryland
Painting: 24” x 36”
Frame: 29 ¼” x 40 ¼”
Murday was an accomplished painter of ship portraits and shipping scenes whose works were often signed and dated in the second half of the 19th century...
The Scottish Traveler
British School,
Circa 1870
Charming Genre Scene showing a traveler beseiged by begging children. The Victorians loved this type of painting that "tells a story", Note how the little girl staring straight out pulls you into the picture
Ptg: 27" x 33"
Frame: 32.5" x 38.5"
Charming Portrait of a Horse, his Trainer and Jockey
English School, 1834
Oil laid down to panel
"The Cardinal" was an Irish horse (owned by a Mr. Miles) who won The Chester Cup in 1834
Painting: 10" x 14.25"
Frame:16" x 20"
A beautiful antique oil painting of a Girl in a bonnet Holding a Flower Basket. Early 19th century English oil on canvas in original antique frame.
Overall size 32ʺW × 2ʺD × 41ʺH in good antique condition minor imperfections commensurate of age.
Portrait of a young child by British painter Montague Walter Jackson, in oil on canvas, circa 1926.
The portrait is an exquisite example of the painter's exceptional skills. The child is depicted with a well-proportioned body, featuring a hand perfectly positioned to convey a sense of naturalness and ease. The face is superbly portrayed, with a contemplative gaze and beautiful eyes that draw you in...
An antique 19th-century Scottish oil painting on canvas, circa 1880 AD, attributed to the prominent, well-known Scottish artist Robert McGregor, R.S.A. (1848-1922).
This painting is a prime example of Robert McGregor's signature style and color scheme. His exceptional skills are displayed here, as he has captured the proportions of the children's bodies in various poses with remarkable accuracy...
Hubert Von Herkomer
1849-1914
British
This is an original oil on board painting by British artist Sir Hubert Von Herkomer (1849-1914) This interior view of a woman at the table is signed lower left corner. The painting measures 13 X 9 1/4 inches. Housed in a period gilt toned frame with brass plaque. Herkomer was a Bavarian-born British painter, pioneering film-director, and composer...
This is a remarkable piece of art—an antique oil painting created on a wooden board by the famous English painter Clarkson Frederick Stanfield RA (List of Royal Academicians) RBA (The Royal Society of British Artists) born on December 3, 1793, died May 18, 1867. Even though the painting is unsigned, there is a label at the back that provides information about it and its creator...
A very fine Early Nineteen Century Venetian Grand Canal View Oil measurements 16” x 20”. The painting is unsigned done in the style of the English artist, Turner.
Niemann Edmund John (I), British, 1813-1876. This oil on canvas is 12" X 18" in a period frame. It is in good condition and will be undergoing a light cleaning. It is signed lower left. This landscape is a very vivid example of Niemann ability to convey the beauty of a spectacular sunset. The detail is excellent on the painting. His paintings go for up to $20,000. The provenanc of the painting is Schilley and Rehs Inc, New York.
Charles Brooking, 1723-1759, English. This oil on panel is a fine example of the early work of Charles Brooking, known as one of the finest British Maritime painters. It is 13" by 19" in a handsome newer
frame (overall dimensions of 16 3/4" by 22 2/4".) The condition is good and it is signed indistinctly (as many of his paintings are) on the piece of wood floating in the lower front of the painting. He is listed in Benezit and his paintings sell for up to $400,000.
“Watermill at Brantwood”
Oil on canvas 20 ½” x 24 ½”
Born in Liverpool, W.G. Collingwood was an author, artist, antiquary and Professor of Fine Arts. In 1872 he went to University College, Oxford, where he met John Ruskin. Three years later Collingwood was working at Brantwood with Ruskin and was Ruskin's secretary from 1881 onwards. Collingwood studied at the Slade School of Art between 1876 and 1878...