Dynamic and complex, this is a colorful oil on canvas abstract, 40" by 18" (vertical format), 45" by 23" in the wood frame, titled on the stretcher "Figure in Movement" and signed nearby on the reverse canvas (a little hard to see in the photos). but, it has a significant, jagged unrepaired rip in it. I imagine the painting dates from the late 40's or the 1950's...

Oil on canvas, 24" by 36" (28" by 39" as framed), UNSIGNED, but certainly by the popular listed California artist HERBERT SARTELLE (1885-1955) (I will stand by this). This is a classic mountain scene favored by the artist (he seems to have painted that particular mountain over and over again), with large eucalyptus trees and a lake with distant mountains, all executed in Sartelle's unique impressionistic style and characteristic color palette. The painting probably dates to the 1940s or 1950s...

Vintage oil on panel painting of the coastline at Santa Monica in Southern California, 7" by 9" framed, signed at lower right "K. Latour". Written on an old label on the reverse is "Scene looking right from Palisades at Santa Monica Calif./remember?". The painting likely dates to about the 1940's or early 1950's. Ready to hang on your small empty wall. The vintage frame has slight corner separation and wear at upper left.

A Fine Painting by the Listed Iowa and Michigan Artist, Vernon Leroy Bobbitt (1911-92). Lightly signed on front bottom right "Bobbitt '43", exhibition label on back as shown. Painted on the rough side of masonite. Measures about 16" by 20", overall frame about 19" by 23". Great Regionalist Look.

Oil on canvas laid on board painting of the Grand Canyon, 17" by 21" (20" by 24" as framed), apparently unsigned, circa 1940's, possibly earlier, executed in a naive manner that borders on or crosses the line to folk art. I think the technique is intentionally naive and primitive, as opposed to just the less-refined work of an amateur artist. The frame (see close-up) adds to the folk art aspects. This is a fine addition to your Southwest or Southwest folk art collection.

This is a beautiful, elegant, understated winter landscape oil painting on panel, signed at lower right by noted Avon, Connecticut impressionist painter CONSTANT RAPHAEL FURRICK (1888-1966), measuring 11 1/2" by 15 1/2" (19" by 23" as framed). Strangely, considering the quality of the work, there seems to be little information available on the artist. He was I believe born in Poland. Furrick's work is scarce, with few auction records...

Oil on canvas nocturne style painting of a wave, 24" by 30" (28" by 34" as framed) by listed California artist ERNEST BROWNING SMITH (1866-1951). Smith is a familiar artist on the plein air scene and I believe his works are presently underrated in the marketplace. The artist had a trademark style; often the scenes in my experience are simplified, devoid of figures, and in a limited color palette. This nocturne is executed in shades of blue...

A Painting by the listed Arkansas artist, Maud Spiller Holt (1866-1952). Measures about 18" by 22", overall frame about 23" by 27". Shows wear and dirt to painting and wear to the finish on the frame. Signed lower right and Little Rock Frame shop stamp on back. Fine example of her work.

Oil on canvas, 20" by 24", 23 1/2" by 29" as framed, the subject a vase of orange flowers in a complex still life setting, an old timer wood dresser against the wall, other elements including books, smoker's pipe, ashtray, picture frame, tobacco can completing the scene. The painting is signed at lower left apparently "DAILEY" and is dated there "42". Also on the stretcher, faintly in white chalk, are the words " Still Dailey" (partly unreadable)...

William Barnett [1918 - 1992 Phila,Pa]

Modernist oil on canvas depicting farm workers in field

1940's

20" x 34"

Very good condition

Unframed

William Barnett -

Schools * Philadelphia Museum School, Teacher * Pratt Institute of Art, Student

Some Exhibitions * Brooklyn Museum * Corcoran Gallery, Washington DC * Guggenheim Museum * Pennsylvania Academy of Fine Arts * Philadelphia Sketch Club

(ONE OF FOUR BY MERRIAM IN MY SHOP) Large oil on canvas, 30" by 40" (38" by 48" framed), in its vintage original frame, the subject California's world famous Yosemite Valley, signed at lower left by the talented California painter JAMES MERRIAM (1880-1951). This work is very typical of the artist, both in its impressive size and in the characteristic impressionistic style of the artist. Merriam was born in Canada and was studying in Detroit, before arriving in Southern California...

(ONE OF SEVERAL BY MERRIAM IN MY SHOP) An oil on canvas, 30" by 40", unframed), the subject a Southern California desert mountain wash and canyon, a cluster of desert palms grouped towards the center of the composition, the painting unsigned by undoubtedly by the talented California painter JAMES MERRIAM (1880-1951). This brushstrokes, size and subject matter of this particular example is very typical of the artist's work; I will stand by its being "a Merriam"...

Daffodils in Blue Vase Oil on canvas 16” x 20” unframed A magazine illustrator early in his career for McCalls and Ladies Home Journal, Samuel George Phillips later devoted himself to portraiture and landscape painting as part of the Pennsylvania Impressionist School, artists who painted in Bucks County after 1915 and were much influenced by Daniel Garber...

VICTOR JOSEPH GATTO: AMERICAN (1893-1965) WORKING THE FARM; Oil on Canvasboard Signed lower right: VJG, with no artistic background or training, started painting at age 45-48. In 1943, he had his first exhibit in NYC and gained instant recognition in the NY art scene as a folk art, naive/primitive painter, His works were exhibited in many major museums, (MOMA,WHITNEY ETC,) and he is listed in numerous art reference books. He painted with vibrant colors, and complex details...

Maurice Braun (American, 1877-1941)

Old River Landings

Oil on canvas, signed lower right and titled on stretcher.

Painting Size: 20” x 22”
Frame Size: 26” x 28”

Maurice Braun is one of the most well-known artists of California Impressionism. His deeply rooted beliefs in the unity of man and nature combined with the beauty of America’s southwest landscape gave rise to paintings that made him one of the most lauded artists of his day...

Original oil on board c1950 "Portrait of a Horse" signed lower right by Harold Macintosh. Born Winnipeg Canada he studied at Winnipeg School of Art with L.L. Fitzgerald. He later made his way to New York where he found work as an illustrator. While McIntosh’s distinguished career as an illustrator is documented by numerous covers of magazines, Its his later Connecticut paintings can be found in museums and homes throughout New England. Image size 24"L x 36"W...

Oil on masonite, circa late 1940's or early 1950's, 16 1/2" by 23 1/2" (22" by 31 1/2" as framed), signed at lower left by Pittsburgh artist PERRY DAVIS. This is a beautifully painted work by an obviously talented artist, although I have not to date found a listing on him. There's a label on the reverse of the Associated Artists of Pittsburgh, 37th Annual Exhibition with the title, and artist's address. The painting has a strong WPA feeling to it. A little research will determine the date of...

Oil on masonite painting "Autumn in the Rockies" by Arthur J. Hammond (sgnd l.r.). This work uses bright autumnal colors muted with browns and greys. The broad, heavy strokes give the work a post-Impressionist look. The painting was acquired along with two others, both dated 1924, hence the dating of this work.

The back is marked in pencil in the artist's hand, "Autumn in the Rockies/Arthur J. Hammond/Rockport, Massachusetts." A later label in another hand reads, "Arthur J. Hammond/Am. b. ...