Pastel on paper drawing, 6" by 10" (12 1/2" by 17" in its original fine old gilt American 19th century frame), signed at lower right "Stubbs", the subject a man in a small rowboat rounding a headland reflecting in the waters, other boats beyond. This is a scarce, to judge from the auction records, early drawing by the noted American marine artist WILLIAM PIERCE STUBBS (1842-1909)...

An interesting pastel drawing of older high rise apartment buildings in a major city, perhaps New York, signed at lower right with initials "EM" or "EW" and dated there 1939. The work, 15" by 11" (21" by 16 1/4" in simple gold metal frame), deals very skillfully with what could potentially be quite sterile subject matter in the wrong hands. This could be seen as a commentary on the anonymity of high rise living in any city...

Watercolor on paper, 16 1/2" by 11 1/4" inside the mat, 23 3/4" by 17 1/2" as framed, signed boldly at lower right by the California listed artist ALFRED OWLES (1894-1978). Owles was born in England and is today perhaps best known for his accurate watercolors of aircraft and early aviation, including depictions of World War I dogfights, with which he was personally familiar, having flown in the early craft as a photographer...

An early 20th century pastel landscape of trees and a small creek at left, 20" by 27 1/2" as framed behind glass, no mat, signed at lower right by artist H. W. Carr. This was a period of great activity in pastel landscape painting; displaying original art in one's home, instead of a mere print, was considered a symbol of status. The frame is worn, with chipping.

Pastel drawing, unframed, 13 1/4" by 10" inside the mat, signed at lower right "Moran", the subject a small boat in a harbor, a headland in the distance crowned by a classic lighthouse. Primary colors are the colors of sunset...reds, oranges, yellow, brown..........the painting was purchased in the San Francisco Bay area but I have no idea as to the origin or identity of the artist. It is a work that shows the artist was skilled with pastel.

A pleasant pastel on paper drawing of pink roses, signed at lower right by artist Lora King and dated there '39. On the reverse backing paper the name "Lora King Arnold" is written, and again "Lora Arnold" and original $100.00 price appears. There seems to be minimal information available on the artist (online I did see a 1923-1960 lifespan that may or may not be accurate). The work measures 11 1/4" by 15" (17 1/2" by 21 1/2" in original framing)...

Circa 1900 American pastel landscape drawing, 22 1/2" by 9 3/4" (29" by 15" framed), apparently unsigned, in the style of William Chandler and the pastel school of the period. The work is framed behind non-glare glass, which blurs the detail. Condition appears to be excellent. The vertical format would fit your hard-to-fit narrow wall. See other American pastels of the late 19th century/early 20th century period in my shop.

A very accomplished pastel drawing in high key tropical-style colors, featuring a bird's eye view of the landscape around San Gimignano, the popular ancient Tuscan hilltop town in Italy, southwest of Florence, much beloved and frequented by tourists from around the world. The work, 13" by 10 1/4" (20" by 16" framed) is signed at lower right by contemporary artist Helen C. Butler. On the backing is a printed sticker of the artist giving the title. Excellent fresh, clean condition...

Pastel on thin paper board seascape of waves and distant shipping on a gray, overcast day, 10" by 18" (15" by 23" as framed) signed at lower left "Mangold". This is an early work by an obviously talented artist who does not appear to be "listed". This pastel comes with its original old early 20th century frame. There is a circa 1920's or 1930's red circular Seattle framing sticker on the reverse...

This is an apparently very early work in sanguine chalk (8 1/2" by 11", unframed, affixed at top edge behind an old mat) by the well listed Chicago-born artist WALTER KAMYS (1917-), now known for his modernist paintings executed in an "abstract impressionist" style. Kamys went to Central America and Mexico at a young age in 1942, there becoming friendly with the important English surrealist Gordon Onslow Ford. This proved to be crucial to the evolution of Kamys' mature style...

In the style of mid nineteenth century American folk art is this charming work (27 1/2" by 20 1/2"---33 1/2" by 26 1/2" framed) depicting a young lady with sun bonnet and scythe and wheat in hand, as if she has just come in from the fields. The pastel mastery is obvious; the artist, anonymous. The work is framed and behind heavy non-glare glass which tends to blur detail and is not generally safe to ship, as it is highly likely to shatter in transit...