George O. "Pop" Hart, American, 1868-1933, Lithograph, "Figures on Donkeys", ed. 45/50, image size: 13 1/8X17 1/4", pencil signed, D

Paul Berthon (Paul Emile Berthon, 15 March 1872 in Villefranche-sur-Saône – 15 February 1910 in Paris) was a French artist who produced primarily posters and lithographs.[1] Berthon's work is in the style of Art Nouveau, much like his contemporary Alphonse Mucha. Berthon studied as a painter in Villefranche-sur-Saône before moving to Paris...

Fred Farrell, European, 20th Century, Etching, "Village by a Lake", image size: 10 1/4x19 1/4 inches, pencil signed

This is an antique photograph of earlier days on Charlotte Street, in the very historic town of Saint Augustine, Florida (which dates to 1565). For a long time I suspected this was Saint Augustine but recently I saw another example of this photograph, and in the margin it was titled "Charlotte Street, Saint Augustine". Charlotte Street is a block in from the ocean front road, in the old center of the town...

Samuel Coleman, American, 1832-1920, Etching, "The Olive Trees on the Riviera", 1884, image size: 10 3/4X14 1/2", pencil signed, plate monogramed

Original etching with aquatint by Luigi Kasimir (Austria-Hungary, 1881-1962) depicting the harbor in Bremen, Germany, circa 1930-1940. Signed by the artist (not an estate signature). A rare original etching by an important artist. One of a number of works by this artist currently available.

Stipple engraving with hand coloring, titled "Ambrette d'hiver", with names of artists "Poiteau pinxt." at lower left and engraver "Bocourt sculpt." at lower right. The print measures 13 3/8" by 10 1/2" inside the mat (23" by 18 1/2" as framed). This botanical illustration print by the hand of noted French botanical illustrator PIERRE ANTOINE POITEAU (1766-1854) dates to the so-called "Golden Age" of French botanical illustration. Poiteau was a pupil of the great illustrator Redoute...

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

Thomas Moran, American, 1837-1926, "The Half Dome- View From Moran Point". This beautifully etched image by Thomas Moran measures 11 5/8 x 8 inches, is plate signed and dated. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape...

One of an identically framed pair of Currier trotter horse prints in my shop, this example, "The Grand Horse ST. JULIEN, the 'King of Trotters'." (measuring 11 1/2" by 14 1/2" inside the mat, and 19" by 23" framed), is in very good condition. The print is after a painting by the noted American artist Scott Leighton. I have not examined it out of the frame but for the most part, the kinds of problems that most Currier and Ives print acquire over time are not present...

This is one of three research notes that were numbered 23. This one is about Work 73-2, a Maki homage to a 19th-century Chinese writer. Dan Tretiak wrote: Enigma. The original eBay seller wrote this in his listing. He really got it right. Maki’s print has the four-character phrase as done by Deng in his writing in the 19th century We confirm Deng and Maki were in sync. The arrangement of Maki’s gold seal is more used in Chinese than Japanese. In any case ENJOY

A beautiful 1734 dated lithograph depicting a man with a three. Order hat and his beautiful palomino horse with descriptions in three languages

Robert Sargent Austin 1895-1973 English This is a fine original etching by British artist Robert S. Austin. The title is: The Stone Breaker, created and printed in 1925. The image measures 4 1/8X5 5/16 inches. This impression printed on a tan laid paper with a rams head watermark. Very fine condition, hand signed in pencil. Illustrated in the Modern Masters quarterly 1929 published by Salaman. 20th Century European Etchings $675.00

William Lee Hankey, British, 1869-1952, The Bridge at Corfe Castle," etching, image size 6 1/4 x 8 1/2 inches, pencil signed l.l., plate initialed l.l., artist blindstamp l.r., very rare image, number one of 12 impressions, small repair in the image.

[NOTE: I think my late husband Daniel Tretiak wrote this in 2007, after he got this site up and running.] Daniel Tretiak has written a book, The Life and Works of Haku Maki, the important Japanese printmaker of the second half of the 20th Century. Maki toiled alone most of the time between 1960 and 2000. His output was substantial, most of it was cool, crisp, elegant. An example is shown above...

Pencil signed by the artist at lower right and numbered 418/975 at lower left, is this contemporary offset color print, 18 3/8" by 15" inside the mat, 22" by 18 1/2" framed, the subject a poetic one of mother and daughter reading an illustrated book while snuggled together in a bed with a colorful duvet. BARBARA A. WOOD the artist is from Ohio but also has spent considerable time in California, and, I believe, Georgia...

A Very Fine Woodblock Print by Ito Shinsui (1898-1972): Japan, Dai oban tate-e, 41.5cm x 25.8cm “The first collection of modern beauties” Title; A beauty warming under the quilted branket Signed and Dated; Shinsui ga and Showha 6 (1931) December on the upper right image Publisher and Seal; printed by Watanabe Shozaburo with a seal on verso Watanabe "6-mm" seal (used on early Shinsui prints) Limited number; 206/250 in rectangular red seal on verso wi...

Original 19th century albumen photograph by Jean-Pascal Sebah (1872-1947) depicting the old Cairo and the island of Rhoda (the photograph is titled in the plate l.l "Vieux Caire et Ile de Rowdah"). Signed in the plate l.r. Jean-Pascal Sebah was the son of Pascal Sebah (1823-1886). He continued the family studio in 1888 in Constantinople. The studio specialized in scenes of Egypt and the Middle East.