Original oversize deep etching on zinc by Wendell H. Black (American, 1919-1972), one of the last plates Black worked on before his death. Titled and numbered 7/25 l.l. Signed and dated l.r. 23 1/2" by 35". In excellent original condition. From the first edition of this work, posthumously printed by Berkley Chappell.

Original deep etching on zinc by Wendell H. Black (American, 1919-1972), one of the last plates Black worked on before his death. Titled and numbered 7/25 l.l. Signed and dated '70 l.r. 23 1/2" by 35". In excellent original condition. From the first edition of this work, posthumously printed by Berkley Chappell.

Original oversize etching by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated '61 l.r. 23 1/2" by 35 1/4", image alone. For information regarding the works of Wendell H. Black currently offered on this website please contact us, or check "The Lost Prints of Wendell H. Black" by Henry Sayre.

Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, roughly 4' by 6". Titled and numbered 7/25 l.l. Also signed and dated '61 l.r. This work is also signed and marked "imp" by Berk Chappell. cf: "The Lost Works of Wendell H. Black" by Henry Sayre, plates 7 and 8--plates are misattributed in the book, since GH III should be plate 8, and GH IV should be plate 7.

Original engraving on copper by Wendell H. Black )American, 1919-1972), first edition, printed posthumously by Berkley Chappell. 6 1/4" by 8 1/4" image alone. Titled an numbered 7/25 l.l. Signed and dated 1965 l.r. This etching is illustrated (plate 3) in "The Lost Works of Wendell H. Black" by Henry Sayre.

Original etching with aquatint by Wendell H. Black (American, 1919-1972), first edition, posthumously printed by Berkley Chappell. Excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated "65" l.r. 4" by 6" image alone. For information regarding this artist please see "The Lost Prints of Wendell H. Black" by Henry Sayre. (this work is plate 1 in "The Lost Prints...)

Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, titled and numbered 9/25 l.l. and signed and dated l.r. Also signed and inscribed "imp" by Berkley Chappell. cf: "The Lost Prints of Wendell H. Black" by Henry Sayre.

Original engraving on copper by Wendell H. Black (American, 1919-1972), first edition of 25 printed posthumously by Berkley Chappell, and signed by Elaine Black the artist's wife. In excellent unframed condition. Titled in pencil l.l. and numbered 7/25. Signed and dated in pencil l.r. :Wendell Black '54 by Elaine. Also signed by Berkley Chappell and marked "imp". 7 3/4 by 13 1/2 image alone. For information regarding this artist and this print please see "The Lost Prints of Wendell H...

This c.1925 etching by William Meyerowitz measures 7 7/8 x 9 7/8 inches, plate and pencil signed, framed. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.

A very rare lithograph by the British artist Edmund Blampied measuring 17 1/2 x 14 inches, pencil signed and numbered 3/3. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.

Original etching by the British artist, Arthur Brisco, measuring 6 1/2 x 10 7/8 inches, 1926, signed and numbered; 62/75, cat: Hurst-158. Britain's "General Strike" was the theme of Brisco's dramatic image of "The Orator". The strike, mainly by coal-miners upset with their goverments' reduction in wages and worsening conditions, also included dockers, printers, power station workers and transport workers, thus Brisco's interest in the subject.

Printed by Delatre in Paris, this Felix Bracquemonde frontispiece measures 14 x 9 3/4 inches, published by Alfred Cadart, Paris. Created in 1865, this bold allegorical etching was created as the frontispiece to a volume of the renowned periodical of the Société des Aqua-Fortistes, a group promoting etching as a fine art. Richly inked on watermarked Aqua-Fortistes laid paper, which was made especially for these publications.

This 1921 original etching by the British artist, Ernest Lumsden, measures 14 3/8 x 8 1/2 inches, pencil signed, dated in the plate, 1921. Rotherhithe, meaning "a mariner's haven", in southeast London, was the first place that docks were constructed for the convenience of the Londoners.

This 1911 drypoint etching by Frank Short measures 9 3/4 x 13 3/4 inches, pencil signed, cat: Hardie-350.

This color aquatint by Luigi Kasimir measures 17 3/4 x 15 inches, pencil signed, plated dated 1925, cat: Lorenz-5. Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene.

This etching with aquatint by the German artist, Johann Gottlieb Theophilus Amadeus Prestel, measures 12 5/8 x 18 1/2 inches, 1784, in two colors on green paper, plate signed and dated, after Parmigianino, artist info on backing, thread margins all around.

This c. 1877 drypoint on copper measures 6 x 9 inches, pencil signed, cat: Schneiderman-152, III/V, artist proof. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894.

This etching by the British artist Seymour Haden measures 7 x 10 1/4 inches, pencil signed, plate dated 1874, I/V, Cat: Schneiderman-144. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler...

Etching by the British artist Sir Francis Seymour Haden measuring 5 7/8 x 8 7/8 inches, pencil signed, plate dated, 1877, cat: Schneiderman-155. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler...

Ten of Staves chromolithograph by Salvador Dali from the Lyle Stuart Tarot Cards series produced in the late 1970s. The print is signed in pencil on the bottom margin and numbered in a set of 250. The print is in a black suitable for hanging frame, but we suspect that the new owner will wish to reframe. Authenticity guaranteed. Dimension: 37 1/2" x 26"

Galerie Charpentier Exhibition Poster for 1957 entitled Cent Chefs-d'Oeuvre de l'Art Francais, featuring the Manet painting Henry Bernstein enfant painted in 1881. Poster is very good condition with slight age discoloration around the edges. It includes a thin black utility frame which we have not photographed and only crudely cropped out of the image...

A wood block print based upon the watercolors produced by Salvador Dali for the critically acclaimed illustration of Dante's Divine Comedy. The monumental collaboration of painter, wood block artists, and publishers spanned a period of nearly 25 years. This particular print is from Inferno Canto 4 News of the Limbos. While prints from the Divine Comedy are readily available, this one is particularly desirable above the others...

A very fine mid 20th century neo-impressionist silk screen print of a small village scene, possibly European. The print is an artist proof signed d fritz - we believe, but could be d frity. The foreground tree is spectacular. Condition is very good but is faded somewhat and has a tear in the margin which we hope to fix before selling. Dimension: 29" x 21" sheet

Internationally acclaimed artist Bruce Onobrakpeya (b. 1932 ) produced this slightly surrealistic image of a black mythical beast during one of his earlier periods of artistic expression in 1963. The serigraph depicts an animal with an arrow drooping from its forehead, protesting, perhaps, the excessive hunting and extinction of Africa's wild life...

A fine 20th C. print variously titled Red Fuji; Fine Wind; Clear Weather, and Gaifû kaisei, originally create by Japanese wood block artist Katsushika Hokusai, c. 1830 as part of the monumental 36 Views of Mount Fuji. Although this print has not been examined outside of its frame, it appears to be in superb condition with bright vivid color...

Tavik F. Simon, Czech, "From the Latin Quarter". This 1907 etching and aquatint by Tavik F. Simon measures 12 3/4 x 16 1/2 inches, pencil signed, numbered "81", edition of 150, cat: Novak-69, G. Petit publisher's blindstamp on l.l. T.F.Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and traveled extensively throughout Europe, as well as Asia and the U.S...

In this note, one of three he numbered Note 23, Daniel Tretiak discusses a Big Blue print Poem 69-17 plus another black-and-white Poem 71-84--and how he acquired them.

Internationally acclaimed artist Bruce Onobrakpeya (b. 1932 ) produced this expressionistic image of a black fishes during one of his earlier periods of artistic expression in 1963. The serigraph depicts gold fish swimming in a pond or lake expressing, perhaps, the beauties of African natural life. Onobrakpeya has a wide following, including Prince Phillip of the United Kingdom from whom Nigeria, Onobrakpeya's native country, gained independence in 1960...

John James Audubon's Birds of America ranks among the most majestic of American fine arts, blending the disciplines of ornithology with 2 forms of art - watercolor and print making, and capturing the primitive state of the still young nation vast natural endowment. We are fortunate enough to have one of these prints produced by Robert Havell in 1836. The artistic stance of this subject, Bonapartian Gulls, commends it as an especially desirable Audubon print for 3 primary reasons: 1. It is viv...

Joseph Pennell (American 1857-1926)

The Inauguration Steps, 1912

Lithograph on ivory laid paper

17 x 22 (image); 19 x 24.5 (sheet); 17.75" x 22.25" (sight); 24" x 30" (frame)

Wuerth 265

Washington D.C. series. Edition of 25. Signed on stone and in pencil and inscribed: " #2 The Inauguration Portico"

This is from a series of six lithographs made for the Century Magazine entitled "The Capitol at Washington” and described as the "East Front of the Capitol" ...

Fine print by the renowned artist Goya, matted and framed. Condition is good with very slight foxing at top. Although the matting could be updated, it is still in ready to hang condition. From festivalofbritain.org: Francisco José de Goya y Lucientes: Woman seized by a horse, c. 1815 - 24.Etching, burnished aquatint, drypoint and burin. Plate 10 from The Disparates Published for the first time by the Academy of San Fernando in Madrid in 1864, under the title Los Proverbios, each plate fro...

From a set of lithographs, Paris Dans sa Splenour, published in 1861, titled, “LE NOUVEAU LOUVRE/Vue prise du Palais Tuileries.” The printer and lithographer are shown in details of the lower left and right corners. The image without printing is 9 7/8 by 14 ½ inches (25 x 27 cm), the page 13 ¼ by 19 ¼ inches (34 x 49 cm).

Condition; some rubbing to the surface and some of what look to be ink spots. New frame and acid free mat and backing.

Interesting and dynamic image of a bygone...

Very large 18th century stipple engraving of a fashionable crowd under the trees in the park with Buckingham house (later altered to become Buckingham Palace) in the background. Titled, “The Promenade in St. James Park,” it was engraved by F. D. Soiron, designed by Edward Dayes in 1790 and published by T. Gaugain in London in 1793. This image is the original print with hand coloring. Sight size 18 by 26 inches, frame 27 ¼ by 35 ¼ inches.

Condition: some discoloration and minor foxing. ...

This is one of three research notes that were numbered 23. This one is about Work 73-2, a Maki homage to a 19th-century Chinese writer. Dan Tretiak wrote: Enigma. The original eBay seller wrote this in his listing. He really got it right. Maki’s print has the four-character phrase as done by Deng in his writing in the 19th century We confirm Deng and Maki were in sync. The arrangement of Maki’s gold seal is more used in Chinese than Japanese. In any case ENJOY

Charming Original photograph of smiling village children by the famous photographer, Si Cho Ko. From Taiwan, Si Cho Ko has traveled and exhibited extensively including the National Art Museum of China in 2007. Si Chi Ko is the first Taiwan photographer to hold a photograph exhibition in the Chinese mainland. He brought over 80 pieces of art works, reflecting his passion towards life, love of nature and also the loneliness from the bottom of his heart. This photograph is signed in pen by...

Dan Tretiak wrote about a print he didn't own and simply described it here: sad stuff.

An etching entitled "Tamba House" by the artist Brian Williams depicting a beautiful old traditional Japanese house in a rural mountain setting. Set against a backdrop of pine forests and mountains in Japan, the house is immersed in a deep snow. Signed in pencil and dated '87. This is an original print #43 of 100. Unframed. Brian Williams was born the first son of American missionary parents in Peru in 1950. At age 16 he moved to California to finish high school and college. In 1975 he ...

Mortimer Menpes, English, 1860-1938, "Interior of St Maclou, Rouen". This etching by Mortimer Menpes measures 12 3/8 x 6 3/8 inches, pencil signed, c. 1902, edition of 50, looking towards the Gothic Baldachin. Menpes attended the School of Art in London in 1878 and started exhibiting at the Royal Academy in 1880. He became a major figure in the etching revival, producing more than seven hundred different etchings and drypoints, which he usually printed himself.

Cornelius Visscher, Dutch, 1629-1658, "Het Gesprek (The Conversation)". This 17th century engraving by the Dutch artist, Cornelius Visscher, measures 9 7/8 x 8 1/2 inches, c.1655, on laid paper with partial collectors seal on back. "A.V. Oftade pinxit et excud., C. Visscher fecit aqua forti. and Ger. Valk Excudit" printed on bottom margin. Born into the city of Haarlem during the early decades of the 17th century where a diverse artistic community prospered, Visscher became one of the most accom...

Here is a rare complete set of nine lithograph/prints including one of Senator McGovern during his presidential run that year as well as eight others signifying campaign issues.The content page lists the artists with a small box picture of their work/issues. It is noted that the prints are issued in offset lithography in a numbered edition of 375, and signed in print by each artist with the EXCEPTION of the McGovern print.Each Measures 16" x 19.5" They include: 1)McGovern by Paul Giovanopolis, ...

Thomas B. Lawson, American, 1808-1888, "Daniel Webster with bust of Washington". A very fine original engraving of Daniel Webster, after the painting by Thomas B. Lawson, image size 26 1/2 x 18 inches, 1852, engraved and printed by C. E. Wagstaff and Jos. Andrews, in what appears to be the original frame. Daniel Webster was a noted Senator, lawyer and politician from New Hampshire, who also served as secretary of state twice, under the administrations of William Henry Harrison, John Tyler and Mi...

Tavik F. Simon, Czechoslovakian, 1877-1942, "Puente Nuevo at Rondo- Spain". This is a remarkable original etching by Czechoslovakian artist T. F. Simon, depicting the stunning architecture of the Puente Nuevo bridge in Ronda, Spain. The image size is 13 1/4 x 9 1/8 inches, published in 1913 in an edition of 150, cat: Novak-206, nunmbered in pencil with the artist's stamp lower left, pencil signed lower right. The Puente Nuevo was designed by architect Jose Martin de Aldehuela, and was built over...

Sir Francis Seymour Haden, British, 1818-1910, "Shere Mill Pond No. II". This is a very fine early state etching, image size 7 x 13 1/8 inches, 1860, state VI/IX, cat: Schneiderman-37, plate signed and dated. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law, James Whistler. In addition to being a highly regarded artist, he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first pr...

A hand colored lithograph of the interior of a dark house with a fire and a man lighting a candle with the title, “INTERIOR OF THE CHIEF’HOUSE AT THE KURDISH VILLAGE OF ESPINDAR.” In the lower left under the border is printed, “R.CLIVE, DEL.” and lower right DICKINSON AND CO LITH.” Image with border 7 ¼ inches (18 cm) tall and 10 inches (25.5 cm) wide. With title 8 ½ inches (21.5 cm) tall. Sheet 16 3/8 inches (41.5 cm) by 22 5/8 inches (56 cm).

Condition: Edges worn and broken ...

A hand colored lithograph of the town with the fortress in the background of Van in western Turkey. This lithograph is from 'Sketches between the Persian Gulf & Black Sea', 24 plates, Dickinson Bros., London 1852. Titled, “FORTRESS AND TOWN OF VAN.” Lower left inscribed, “R.CLIVE, DEL.” And lower right, DICKINSON AND CO LITH.” Image with border 9 5/8 inches (24.5 cm) tall by 14 ½ (37 cm) wide. With title 10 1/8 inches (26 cm) tall. Sheet 16 3/8 inches (41.5 cm) by 22 5/8 inches ...

One of 12 lithographs published by Ackermann London, in 1840/41 as part of a portfolio, “12 Views in the Interior of Guiana.” The original sketches were made by John Morrison who accompanied Sir Robert Hermann Schomburgk on the exploration into what would become British Guiana. The sketches were developed by Charles Bentley into the drawings that were the basis for the lithographs. Printed in black with hand coloring.

This lithograph depicts mountains in the Pakaraima chain. The highest...

Lithograph Roman Ruin in desert published London 1852 A hand colored lithograph of a group of travelers with camels stopped for a meal break with a ruined omphalos in the distance. This lithograph is from 'Sketches between the Persian Gulf & Black Sea', 24 plates, Dickinson Bros., London 1852. Titled, “ROMAN RUIN IN THE DESERT ON THE WAY TO PALMYRA.” Also l.l. “R.CLIVE, DEL.” and l.r.” DICKINSON AND CO LITH.” Image with border 9 inches (23cm) tall by 13 ¾ inches (35 cm) wide. With ...

Hans Bok, American, 1914-1964, "Lazy Afternoon". This c. 1940 lithograph by the American artist Hannes Bok measures 9 1/4 x 13 5/8 inches, pencil signed and titled. AAA label with artist provenance included, edition of 250. Bok's real name was Wayne Francis Woodard, a talented artist, apparent at an early age, who went on to become an illustrator, writer of poetry and science fiction, painter and printmaker. His mentors were Maxfield Parrish and Ray Bradbury, both having profound influences on h...

Original lithograph on wove paper by Hermann Max Pechstein (German,1881-1955), dated 1917, signed in the plate HMP and dated 1917, and signed in pencil and dated lower right. Image size: approximately 10cm by 16cm. An extremely rare original lithograph by a major artist. Cf: LACMA Collection. Provenance: the estate of a Holocaust survivor in Charlotte NC.

Stephen Parrish, American, 1846-1938, "Fishery on the Dee". A very fine original etching by American artist Stephen Parrish, this image is one of three images Parrish created of Chester, a small walled town near Liverpool, England. The image size is 9 1/4 x 7 3/8 inches, 1884, state I/II, before the remarque in the lower margin, cat: Schneider- 107, pencil signed.

Anthony Van Dyck, European, 1599-1641, "Adrianus Stalbent". This is an original engraving by Paulus Pontius after the painting by Anthony Van Dyck. The image size is 9 5/8 x 6 3/4 inches, c. 1700s, inscribed "Ant. van Dyck pinxit" and "Paul. du pont sculpt" in the lower left margin, with the title and a phrase in Latin below the image, with the original Kennedy Gallery label. Stalbent was a Flemish landscape painter and friend of Anthony Van Dyck when this portrait was painted. This engraving is...

This note, another of the many Daniel Tretiak wrote in 2015,looks at newly emerged early works of Haku Maki.

Clifford Addams, American, 1876-1942, "Dreamer by the Thames". This is a great London etching by American artist Clifford Addams, image size 8 7/8 x 7 1/2 inches, c. 1902, edition of 75, inscribed in the plate, "Loci dulcedo nos attinet" (the sweetness of the place holds us), pencil signed and numbered. Clifford Addams grew up outside Philadelphia and studied art in the U. S. before leaving to further his studies in Europe. He traveled extensively throughout Holland, France, Spain, Italy and Bri...

Max Pollak, Austrian/American, 1886-1970, "L'Dia". A very fine original etching in colors by Max Pollak, image size 11 1/2 x 4 3/8 inches, c. 1930, from a small edition of 60 impressions, pencil signed, titled and numbered. Max Pollak was grew up in Vienna, Austria and attended the Vienna Academy of Art where he studied with portrait artist Fernand Schmutzer. Pollack became well known for his portraits and his etchings, and in 1910 won the Prix de Rome. After serving in the Austrian Army during ...

Capt Cook " Morai Burial Place Owhyhee with A view of a Priests House"the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 9.5 x 15.5 inches. Sheet:

Capt Cook Terreeoboo Gifts and The Death of capt Cook c 1788 the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 9.5 x 15.5 inches. Sheet:

Capt Cook "Habitations and People of the Island of Atooi" c 1790 , the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 8.5 x 14.25 inches. Sheet: 9.5 x 15.25 inches Description: Landscape engraved by S. Middiman, figures engraved by J. Hall. Drawing by John Webber

Capt Cook "Landing Of Capt Cook at Tanna New Hebrides" 1790, the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 8.5 x 14.25 inches. Sheet: 9.5 x 15.25 inches Description: Landscape engraved by S. Middiman, figures engraved by J. Hall. Drawing by John Webber

Capt Cook Voyage Engraving "The inside of a Hippa New Zealand" 1790 9 by 14.5 trimmed . the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 8.5 x 14.25 inches. Sheet: 9.5 x 15.25 inches Description: Landscape engraved by S. Middiman, figures engraved by J. Hall. Drawing by John Webber

An Offering Before Captain Cook, in the Sandwich Islands (Hawaii) Plate 60 for Voyage to the Pacific Ocean 1776-1780, recording the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 8.5 x 14.25 inches. Sheet: 9.5 x 15.25 inches Description: Landscape engraved by S. Middiman, figures engraved by J. Hall. Drawing by John Webber