Johan Barthold Jongkind, Dutch, 1819-1891, "Sortie de la Maison Cochin (Faubourg Saint-Jacques)". This 1878 etching by the Dutch artist, Johan Barthold Jongkind, measures 5 3/4 x 9 1/8 inches, plate signed and dated. Early proof before letters, D-20, II/IV. Framed.

William Lee Hankey, British, 1869-1952, "Evening," etching, image size 9 x 9 7/8 inches on 10 7/8 x 11 7/8 wove-type paper C 1919. Pencil signed. Artist blindstamp, plate initialed in the lower right.

Sir Frank Short 1857-1945 British This is an original pencil signed mezzotint by British artist Sir Frank Short. The subject is Sir Francis Seymour Haden aged 74. Haden was the "Father Figure of the British etching Revival". This image measures 11 1/8X14 1/4 inches. This mezzotint was created after the painting by G.P. Jacomb Hood. This mezzotint is in perfect condition, nicely framed with archival materials.

Modern Italian etching, titled at lower left in pencil "Susanna", signed at lower right margin "G. Piccolo", circa mid 20th century. The print measures 9 3/4" by 7 3/4" inside the mat and 16 3/4" by 14 3/4" framed. Subject is the story of Susannah and the Elders, from the Bible's Book of Daniel. This has been interpreted by countless artists over the centuries. Our artist is Giacomo Picollo (1905-1988). Picollo created a number of watercolor landscapes which appear at auction...

Charles P. Renouard, French, 1845-1924, Etching, "Bathers", image size: 4 7/8X6 3/4", pencil signed

A framed and matted etching possibly of the River Seine. There are water stains along the bottom edge of the mat as well as very light foxing; the print also appears to have light foxing around the corners. Stamped A. Delauney del 8c sc in the lower left corner. The picture measures 5-1/4" x 3-1/2"; the frame, 8" x 9-7/8". Not examined out of the frame.

Born in Germany. Known for etchings and prints of Germany and Bohemia with incredible details

Biography Samuel Arlent Edwards was born in 1862 in Somerset, England. He studied art and architecture at the Kensington Museum Art School from 1877 to 1881, and then continued studies in engraving with Appleton, Josey & Alais in London. He achieved early success in making mezzotint reproductions of well-known paintings, a path he was to follow all his life...

Original etching on paper watermarked "France" (probably Arches paper), 9 3/4" by 7 7/8" (image only), and the sheet with at least 1 1/8" margins (up to nearly 2" at right), pencil signed at lower right by the noted American printmaker LUIGI LUCIONI (1900-1988). This is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery of that state...

Drypoint etching print "Chattes" (Cats) published in Paris in the year 1909 by Gustave Pellet, 8 3/4" by 12 1/4" inside the inner fillet, 17 3/4" by 21 3/4" as nicely framed, numbered in pencil 38/50 (and faint red cypher stamp) at lower right margin, and pencil signed by the artist at lower center right margin. There is a crease in each lower corner that I believe likely dates to the time of printing, and there are a few foxing spots, but the overall appearance is excellent...

Luigi Kasimir, Austrian/American, 1881-1962, color etching, "Corvara (Dolomites)," image size 13 1/2 x 13 1/4 inches, 1916, inscribed in the plate "Corvara 11 Feb. 1916," pencil signed.

Friedrich (Fritz) Heubner, 1896-1974, German, drypoint etching, "Portrait of a Young Woman ("Madchenkopf"), image size 12 3/4 x 9 5/8 inches, pencil signed

Original, very scarce (edition of 30?) unframed 1909 etching known as "Pittsburgh, no. II", signed at lower right center in pencil by the important American etcher, illustrator, critic, author and teacher JOSEPH PENNELL (1857-1926). Evidently, Pennell himself printed this particular example as "imp" is written after his name. The sheet, heavily trimmed at three sides as seen, measures 9" by 12"...

John Taylor Arms, American, 1887-1953, etching, "Aspiration, La Madeleine Verneuil-Sur-Avre", image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.

Wenzel Hollar (1607-1677), Adam Elsheimer, etching after a painting of Elsheimer by Jan Meyssens, 1649, with text below. Pennington 1397, third state (of 6). In generally good condition, on laid paper . 6 1/4 x 4 1/2, the sheet 10 3/8 x 6 1/2 inches. Mounted to a large window page

Original etching by Alfred Hutty (USA, SC, 1877-1954). This work is titled "My Doorway on Tradd Street" or "Stairway, 46 Tradd Street". Signed in pencil by the artist and with the snail cypher. In excellent condition. Provenance: Childs Gallery Boston.

This is an original etching by American artist Isac Friedlander. It is titled: "Lest we Forget", it was created and printed in 1942 this one is editioned as 2/14. The artist's view of the aftermath of war in europe. The image measures 10 1/4X13 7/8 inches. It is hand signed, titled, dated and editioned in the lower margin by the artist in pencil. Isac Friedlander (1890-1968) was born in Mitau, Latvia...

Japanese limited edition copperplate etching titled “Lake Landscape” by Tanaka Ryohei (1933-2019). Pencil-signed, dated '99, and numbered 37/150 in the lower margin. The title in kanji and the number 630 is at the bottom left margin. Paper: 10 3/16" x 11 7/8" (image: 6 1/2" x 8"). Very good overall condition with only a tiny bend in the very edge of the upper left margin. Never framed.

Alphonse Legros, French, 1837-1911, "Le Voyageur a l'Abri," Etching and aquatint, image size 9 3/8 x 6 1/4 inches, Bliss 83, pencil signed, l.r "A. Legros", laid watermark paper, collectors stamp.

Louis Auguste Mathieu Legrand, French, 1863-1951, etching, "La Femme au Parapluie" (Lady with Umbrella), image size 14 1/4 x 6 inches, signed and dedicated in pen "A Mon Ami Mil..." (To My Friend Mil...), framed.

Etching on paper, 16 1/4" by 14 1/4", with narrow metal framing, pencil signed at lower right by artist, who, if I read correctly the Russian on the reverse, is one VLADIMIR KOSTROMIN. An old original label on reverse has a 1978 date, so I would imagine the print dates to the late 1970's. The ink is a greenish black. Moisture has compromised the margins and mold stained and rippled them; reframing would help exclude that...

Original oversize deep etching on zinc by Wendell H. Black (American, 1919-1972), one of the last plates Black worked on before his death. Titled and numbered 7/25. Signed and dated l.r. 23 1/2 by 35. In excellent original condition. From the first edition of this work, posthumously printed by Berkley Chappell.

Ca 1950 Ten collectible Italian scenes of ancient Rome. Each etching/print is in excellent condition in the original folder. January 1950 is noted in Italian in the right corner. All measure 11-1/2" x17"

Walter Tittle 1883-1966 American This is a fine original drypoint etching by American artist Walter Tittle. The title is: Church of the Heavenly Rest, which was built in New York City in 1929. This etching is hand signed in ink and measures 12X10 inches, nicely framed with archival materials. A very rich impression, Tittle at his very best...

Pencil signed at lower right and bearing "Artist's Proof" at lower left is this etching, 10 3/4" by 8 1/2" inside the mat, 18 3/4" by 15 3/4" as framed, by the noted late American artist JACK LEVINE (1915-2010). Levine, deceased in 2010 at the age of 95, will be remembered as an artist who bucked the modernism trends to pursue his own trail in social satire, caricature, and "Hebraism". He was born in Boston and was exposed to the grittier aspects of street life...

David Y. Cameron 1865-1945 British This is an original etching by British artist David Y. Cameron. The title is: Ayr, Bremen, Vienna. It was created and printed in 1889. The image is pencil signed in pencil by the artist and the image measures 6 11/16X11 3/4 inches.

Japanese limited-edition copperplate etching titled "Big Tree No. 2" by Tanaka Ryohei (1933-2019). Pencil-signed, dated '83, and numbered 33/130 in the lower margin. Paper size 13 1/4" x 12” (image: 9 x 8 1/4"). Never framed. Very good overall condition. There are a few pinhead sized light brown spots in the margin.

A nineteenth century gentleman deep in thought, searching for the answer to an obviously vexing problem, is the subject of this etching, created in the late 1870's by artist Leon Richeton (1854-1934) after the original painting by Scottish artist ERSKINE NICOL (1825-1904). The artist was born in Edinburgh and taught in Ireland in the years surrounding the Great Potato Famine of the late 1840's...

William Walcot 1874-1943 British This is a fine drypoint etching by British artist William Walcot. This image of the Brooklyn Bridge was done in his series of 5 etchings of New York City published in 1923 as a portfolio. This etching is hand signed in pencil in the lower border. The image measures 8 1/4X9 3/4 inches. Nicely Framed with archival materials.

Jacques James Joseph Tissot 1836-1902 French This is a fine original etching by French artist James Tissot. The title is: Reverie, it was created and printed in 1880 in an edition of 100. The image measures 9X 4 7/16 inches. The image is plate signed and dated upper right corner of the image, printed on a medium weight laid type paper. A very rich impression, nicely framed. This image appears in the Wentworth catalog as image number 52.

Joseph Pennell, American, 1857-1926, "Waterloo Bridge and Somerset House". A beautiful architectural cityscape by master printmaker, Joseph Pennell. Measuring 8 x 11 inches, it is pencil signed with publishers label on the backing. Created in 1905 in an edition of probably 75, cat: Wuerth #379. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography...

This is an etching on laid paper, the sheet 10 1/2" by 14", simply framed, pencil signed by listed American early 20th century artist HORACE DEVITT WELSH (1888-1942). The subject appears to be a coastal location in Maine, judging from the sails in the distance and the mountainous coast. Welsh was a student of William Merritt Chase, Thomas Anschutz, and Joseph Pennell. He does not appear to have been especially well known, and there are few auction records, but he did exhibit at the Art Insti...

Samuel Coleman, American, 1832-1920, Etching, "The Olive Trees on the Riviera", 1884, image size: 10 3/4X14 1/2", pencil signed, plate monogramed

Lester George Hornby 1882-1956 American This is an original color aquatint etching by American artist Lester George Hornby. The title is "Le Fete a Pantin", it was created and printed in 1911 in an edition of 25. The image measures 9 3/4X14 5/8 inches. This etching is hand signed in pencil lower right and printed on a medium weight laid type paper.

Stephen Parrish, American, 1846-1938, etching, "Port of Nice", image size: 3 7/8 x 5 inches, 1888, cat. Schneider-145, pencil signed lower right

Original color etching, engraving, and mixed media by Pierre Courtin (French, born 1921). This rare work is signed l.r. It is also titled "Reims", dated "21 octobre 1959", and numbered 4/4. The plate measures 17 1/4" by 7 1/2 " (44cm by 19cm). The framed dimensions are 26" by 15". Appears to be in excellent condition. Pierre Courtin in one of the most important master engravers of the 20th century.

Original etching by Jacques Callot LE MASSACRE DES INNOCENTS printed in 1618 in Florence, powerful violent biblical scene represented in a European city setting. Lieure catalog number 278, second state of two, excellent impression of this important print. In excellent condition, framed and glazed, not examined outside of frame. Plate size 13,5 x 107 mm (5 3/8 x 4 3/16 inches), frame size 11 x 9 inches.

William Lee Hankey, European, 1869-1952, etching, "Trincket Box", image size: 4 5/8 6 3/8 inches, pencil signed, blind stamp.

Original etching LA REVUE (The Review) by Jacques Callot printed in 1627, second state of two, Lieure catalog number 592. The print was done just before Callot started working on a huge print “Le Siege de Breda” and must have been done for better understanding of military formations. The print is in excellent condition, framed and glazed, not inspected outside of frame. Plate size 12.0 x 16.0 cm (4 3/4 x 6 5/16 inches), frame size 8 3/4 x 11 3/4 inches. Excellent design, wonderful Callot etc...

Sir Francis Seymour Haden, British, 1818-1910, "Shere Mill Pond, No. II". A beautiful etching by Sir Francis Seymour Hayden measuring 7 x 13 inches, pencil signed on l.r., Schneiderman cat: 37, state VIII/IX, 1860, printed on japan paper, label from Harlow and McDonald included. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law, James Whistler. In addition to being a highly regarded artist, he was a successful surgeon, acco...

Alphonse Legros 1837-1911 French This is a fine large etching by French artist Alphonse Legros. The title is; Le Retour du Bois (Return from the Woods), Created circa 1880's. This was part of his series known as Death and the Wood cutter. This pencil signed impression measures 9 1/4X14 inches. Legros was a well known founder of the etching revival in France. This is one of his largest compositions. This image is in the collections of many museums through out the world. The catalog list...

Stephen Parrish, American, 1846-1938, "A Fishing Hamlet- Bay of Fundy, 1882," Etching, image size 5 1/4 x 8 1/8 inches, 1882, plate signed l.l. "S Parrish" and "68" l.r., pencil signed l.r. "Stephen Parrish". This etching was made by Parrish after his painting, "A Fishing Hamlet, Bay of Fundy--Evening, which was shown at the National Academy of Design in March 1882.

A fine example of one of the 58 images from the famous "Miserere" series of prints by famous French artist GEORGES ROUAULT (1871-1958), this being plate number 3, "Toujours Flagelle" ("Forever Scourged"), dated 1922, printed in 1927 in an edition of 425, and finally actually published after the war in 1948. The series is described by many, in many ways; most mention that Rouault was one of the most important religious artists of the 20th century, and that this landmark series of prints, created...

Andre Dunoyer de Segonzac, French, 1884-1974, "The Beach at Saint Tropez," Etching with drypoint, image size 9 1/4 x 11 1/2, 1934, edition of 40, pencil signed and numbered. This print is also in the MoMA collection.

Original etching by Wendell H. Black (American, 1919-1972). First edition printed posthumously by Berkley Chappell. In original unframed condition. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '56 by Elaine" l.r. Plate 14 in "The Lost Works of Wendell H. Black" by Henry Sayre.

Donald Shaw MacLaughlan was born in Charlottetown, Prince Edward Island, Canada on November 9, 1876. His family moved to Boston, Massachusetts in 1890 where he began to experiment with different art media; watercolor, oil painting and finally, etching – with a few attempts at lithography. This piece on toned paper depicts a view of Venice Italy, done circa 1910 measuring 21x18 inches

Etching with color possibly hand-applied, 9" by 8 1/2" as framed, unsigned, by important French 20th century artist MARIE LAURENCIN (1885-1956). From having checked the 1981 catalog raisonne by Daniel Marchesseau, I have determined that the most official title of this work is "Fillette aux Yeux Vertes" ("Young Girl with Green Eyes", although a number of other titles are in common usage for this essually popular print). Laurencin is a major French 20th century artist, and her original paintings s...

Robin Tanner 1904-1988 British This is a fine early etching by British artist Robin Tanner. The title is: The Gamekeepers Cottage, it was created and printed in 1928 in an edition of 50, this impression is numbered as XXV. The image measures 6 7/8X8 3/4 inches. The subject was thought to be made at Annie Bryant's old cottage in Kington Langley; at Rose Cottage, Corsham, the home of Heather Spackman, his future wife, and at the family house of the Spackmans. This etching was reprinted in...

Edgar Chahine This is an original etching by French artist Edgar Chahine. The title is: "Maree Basse,1930" A great depiction of a day at the beach. The image measures 8 5/8X12 1/2 inches. Pencil signed lower left border.printed on a medium weight wove type paper. Fine use of plate tone in the sky and water.

Sir William Russell Flint 1880-1969 British This is a fine expressive drypoint etching by British artist Sir William Russell Flint. The title is: Clatter and Whirl, Granada, it was created and printed in 1931 in an edition of 75. This image is hand signed, with sepia ink, numbered as XV and inscribed as using An antique laid type sheet from 1744, "D.R." The image measures 8 1/4X13 7/8 inches, printed with a brown toned ink, a very rich impression.

Original drypoint engraving on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In original unframed condition. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '51 by Elaine" l.r. 12 1/2 by 23 1/2 image alone. Plate 2 in "The Lost Prints of Wendell H. Black" by Henry Sayre.

For the alum of the University of California at Berkeley, a fine etching of the year 1947, titled "Campanile, U.C." at lower left margin and pencil signed at lower right by listed California artist ALEXANDER (ALEC) STERN (1904-1994), the subject the iconic Campanile bell tower on the campus of the University of California at Berkeley. The view takes in the tower, the East Bay hills beyond, a campus building, and in the foreground, likely the famous Sather Gate. This is an unusually fine impres...

Japanese Etching by "Norikane Hiroto",(1949 - ) "Shiragawago" signed by pencil and numbered "121/500" by artist, frame size - 9" x 6 1/2", image size - 3 3/4" x 5 1/2", beautiful historical World Heritage Site "Shiragawako" farm house with thick forest mountain behind, framed by Kanda Gallery (B-O-Q) in double mats and rounded corner black wooden frame, the condition is in excellent condition.

A very fine English Eighteenth Century Etching of a Gentleman 20” x 17”

Sir Isaac Newton PRS (25 December 1642 – 20 March 1726/27[a]) was an English mathematician, physicist, astronomer, theologian, and author (described in his time as a "natural philosopher") who is widely recognised as one of the greatest mathematicians, physicists, and most influential scientists of all time. He was a key figure in the philosophical revolution known as the Enlightenment. His book Philosophiæ Naturalis Principia Mathematica (Mathematical Principles of Natural Philosophy), first...

Original intaglio by Wendell H. Black (American, 1919-1972), first edition posthumously printed by Berkley Chappell. In excellent original condition. 16 by 23 1/2. Titled and marked a/p l.l. Also signed "Wendell H. Black '52 by Elaine" l.r. Also inscribed bottom right of the sheet: "Berk Chappell-imp". Provenance available.

Stephen Parrish, American, 1846-1938, "Near Dinard, Brittany, 1888," Etching, image size 5 1/4 x 8 1/2 inches, 1888, plate signed l.l. "Stephen Parrish", cat: Schneider-136.

William Lee-Hankey, British, 1869-1952, Etching with Drypoint, "Corner of the Fish Market", image size 8 x 6 inches

Sir Francis Seymour Haden 1818-1910, British, "A Lancashire River", etching, 1881, S-204, This river was a well-known, Salmon pool on the Ribble, image 11X15 13/16 inches, pencil signed

Sir Francis Seymour Haden, British, 1818-1910, etching, "The Two Sheep", image size: 4 1/2 x 5 7/8 inches, 1870, cat. Harrinton-177, cat. Schneiderman-132, state V/V, pencil signed.