The sheet size: 29 7/8" x 22"
The image size: 25 3/4" x 19 1/4"
The title: "Jardin a Antibes"
Medium: 100% Arches paper.
Artist: Paul Guiramand (1926-2008)
Made year: July 1985
Edition Number; 167/175, in pencil
Signed: Guiramand signed in pencil lower right.
The condition: Excellent, never been framed.
The lithograph was stored away last 30 years.
It came with the Certificate of authenticity...
Raphael Sabatini - Cabaret black face performer
1927
Sheet size - 12 1/2" x 9 1/2"
Unframed
Pencil signed
Raphael Sabatini, 1898 – 1985, Philadelphia, Pa...
A Fumio Tamura 1969 Nokemono framed litho print 2/7. This evocative semi-erotic colour lithograph print entitled "Nokemono" (translated from Japanese - outcast) was produced in 1969 by Fumio Tamura (Japan, 1941-). Fumio Tamura was born in the Nagano prefecture, and he graduated from Tokyo Art College in 1968, so this 1969 litho dates from early in his career. It is in a metal frame, and it measures 24-1/2" x 21", with an image size of 18" x 14-1/2"...
A Hand Colored Botanical Print Portraying Gladiolas. The Artist is the Victorian Jane Webb Loudon (1807-1858), and the Print is from the book “The Ladies Flower Garden of Ornamental Bulbous Plants” (plate 12), published in 1841 by Day and Haghe London, Lithographer to Queen Victoria. The print is triple matted and elegantly framed. Dimensions; 19.5" x 18". Excellent condition. See also item number 601985 (1542B).
A Hand Colored Botanical Print Portraying Four Varieties of Watsonia. The Artist is the Victorian Jane Webb Loudon (1807-1858), and the Print is from the book “The Ladies Flower Garden of Ornamental Bulbous Plants” (plate 9), published in 1841 by Day and Haghe London, Lithographer to Queen Victoria. The print is triple matted and elegantly framed. Dimensions; 19.5" x 18". Excellent condition. See also item number 601990 (1542A).
Wolgfang Roth - 20th century German/American
Color lithograph entitled "Elephant Ballerina" from the "Circus Suite" c...
A mid-Victorian chromolithographic print c1860-80 in a period gilt frame depicting two kissing children with a doll. This unsigned 7-1/4 x 5-1/2" print is mounted on a lined mat and encased on a period 11 x 9" gilt wood frame with original glass; it is in excellent original condition with no rips, tears, foxing, staining, fading, losses, damage or repairs other than a small water stain to the mat on the lower right corner and some minor scrapes to the gilding on the frame...
Albert W. Barker, American, 1874-1947, "Beyond Paul Point," Lithograph, image size 11 7/8 x 8 7/8 inches, 1930, edition of 125, initialed and dated within the plate, pencil signed and editioned.
Benton Murdoch Spruance, American, 1904-1967, "Set Pieces: Vanity of Trust," lithograph, image size 13 x 18 1/2 inches, 1949, edition of 30, pencil signed, titled and editioned. Spruance studied in Paris after winning the coveted Cresson Scholarship in 1928 while attending college at the Pennsylvania Academy of Fine Art. He studied with Edmond and Jaques Desjobert in Paris before returning to the US and continuing his nearly forty year career as a printmaker.
teaching example board wrapped in thin paper
last 2 images
seller
claims this is from Oakland Museum seller claims it is signed by Maki the writing and the date are NOT Maki style Maki did the print but did he sign it? did he sign this "painting"
friend doubts Oakland Museum and Maki would not have meshed
Tabletop Still Life with Fruit
A lithograph by C.H. Crosby & Co., 1874, in a folk art carved frame.
Print size: 5.25” x 7.5”
Frame size (max): 10.5” x 12.5”
George O. Pop Hart, American, 1868-1933, "the Mule Car," Lithograph, image size 9 1/2 x 13 inches, 1928, pencil signed l.r. "Pop Hart".
Rare early original lithograph by Adolph Dehn (American, 1895-1968), circa 1930. Offered framed under glass. Pencil signed, dated, titled, and numbered 17/30. In very good condition (light paper toning, no foxing or other notable issues). Adolph Dehn was one of the most important American lithographers of the 20th century. (the white streaks on the photos are reflections on the glass.)
William Gropper color lithograph
Orchestra
c. 1940
Artist proof
Signed in pencil
Image - 17" x 24"
With frame - 24 1/2" x 31 1/2"
Very good condition
Joseph Pennell, American, 1857-1926, "Eleusis: The Pavement of the Temple". This is a gorgeous original lithograph of ancient Greek ruins by Joseph Pennell, from his series "In the Land of Temples", based on his travels through Greece and Italy. The image size is 16 1/2 x 21 3/4 inches, published in 1913 in a very small edition of 50, printed on a watermarked wove type paper, pencil signed...
Arthur Bowen Davies, American, 1862-1928, "Circling Doves". This transfer lithograph by Arthur Davies measures 16 5/8 x 11 9/16 inches in an edition of 25 or less. Created in 1921, it is signed by the artist on the lower margin. Printed on medium weight paper, it is #189 in the Czestochowski catalog. Davies was known for his unique decorative style, often visualized in a fantasy world of female figures...
Arthur Bowen Davies, American, 1862-1928, "Olympic Game". This is a very cool lithograph on zinc, image size 12 5/8 x 17 7/8 inches, 1919-1920, from a very small edition of 27 or fewer impressions, cat: Czestochowski-134, printed by Bolton Brown, pencil signed. Provenance: The Cleveland Museum of Art. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs...
John Stockton deMartelly, American, 1903-1979, "Give Us This Day". This is a beautiful original lithograph by American Regionalist artist John deMartelly. The image size is 13 1/8 x 13 5/8 inches, 1937, pencil signed. John deMartelly studied at the Pennsylvania School of Fine Arts, as well as in Italy and London...
Claude Weisbach, French, 1927-, "The Amateur's Visit". A fine modernist color lithograph, image size 20 5/8 x 29 1/4 inches, 1973, pencil signed and titled, with a blindstamp in French designating this impression an artist proof apart from the published edition.
Limited Edition Print Lithograph on Paper
Size: 31 x 23 in | 79 x 58 cm
Edition: From the edition of 300
Framed: not framed
Hand Signed: Pencil, in Lower Right
Limited Edition Print Lithograph
Size: 34 x 24 in | 86 x 61 cm
Edition: 145/300
Framed: Not Framed
Federico Castellon, Spanish-American, 1914-1971, "By the Arks". This 1941 lithograph measures 9 x 11 7/8 inches, pencil signed, edition of 250, published by Associated American Artists, NY. Primarily a self-taught artist who was heavily influenced by Dali, Picasso and Rouault. At 18, Castellon had his first solo show with the help of his mentor, Diego Rivera, who recognized the young man's talent...
A chromo-lithograph by G. Dianz (?) and copyrighted by F. DeMauro 23 Duane St. New York.The picture is slightly curled on the lower edge but covered by the frame. Framed under glass, the frame measures 18" x 21-1/2".
Original lithograph on wove paper by Hermann Max Pechstein (German,1881-1955), dated 1917, signed in the plate HMP and dated 1917, and signed in pencil and dated lower right. Image size: approximately 10cm by 16cm. An extremely rare original lithograph by a major artist. Cf: LACMA Collection. Provenance: the estate of a Holocaust survivor in Charlotte NC.
Hans Bok, American, 1914-1964, "Lazy Afternoon". This c. 1940 lithograph by the American artist Hannes Bok measures 9 1/4 x 13 5/8 inches, pencil signed and titled. AAA label with artist provenance included, edition of 250. Bok's real name was Wayne Francis Woodard, a talented artist, apparent at an early age, who went on to become an illustrator, writer of poetry and science fiction, painter and printmaker...
Lithograph Roman Ruin in desert published London 1852
A hand colored lithograph of a group of travelers with camels stopped for a meal break with a ruined omphalos in the distance. This lithograph is from 'Sketches between the Persian Gulf & Black Sea', 24 plates, Dickinson Bros., London 1852. Titled, “ROMAN RUIN IN THE DESERT ON THE WAY TO PALMYRA.” Also l.l. “R.CLIVE, DEL.” and l.r.” DICKINSON AND CO LITH.” Image with border 9 inches (23cm) tall by 13 ¾ inches (35 cm) wide. With ...
One of 12 lithographs published by Ackermann London, in 1840/41 as part of a portfolio, “12 Views in the Interior of Guiana.” The original sketches were made by John Morrison who accompanied Sir Robert Hermann Schomburgk on the exploration into what would become British Guiana. The sketches were developed by Charles Bentley into the drawings that were the basis for the lithographs. Printed in black with hand coloring.
This lithograph depicts mountains in the Pakaraima chain. The highest...
A hand colored lithograph of the town with the fortress in the background of Van in western Turkey. This lithograph is from 'Sketches between the Persian Gulf & Black Sea', 24 plates, Dickinson Bros., London 1852. Titled, “FORTRESS AND TOWN OF VAN.” Lower left inscribed, “R.CLIVE, DEL.” And lower right, DICKINSON AND CO LITH.” Image with border 9 5/8 inches (24.5 cm) tall by 14 ½ (37 cm) wide. With title 10 1/8 inches (26 cm) tall. Sheet 16 3/8 inches (41.5 cm) by 22 5/8 inches ...
A hand colored lithograph of the interior of a dark house with a fire and a man lighting a candle with the title, “INTERIOR OF THE CHIEF’HOUSE AT THE KURDISH VILLAGE OF ESPINDAR.” In the lower left under the border is printed, “R.CLIVE, DEL.” and lower right DICKINSON AND CO LITH.” Image with border 7 ¼ inches (18 cm) tall and 10 inches (25.5 cm) wide. With title 8 ½ inches (21.5 cm) tall. Sheet 16 3/8 inches (41.5 cm) by 22 5/8 inches (56 cm).
Condition: Edges worn and broken ...
Here is a rare complete set of nine lithograph/prints including one of Senator McGovern during his presidential run that year as well as eight others signifying campaign issues.The content page lists the artists with a small box picture of their work/issues.
It is noted that the prints are issued in offset lithography in a numbered edition of 375, and signed in print by each artist with the EXCEPTION of the McGovern print.Each Measures 16" x 19.5" They include: 1)McGovern by Paul Giovanopolis, ...
From a set of lithographs, Paris Dans sa Splenour, published in 1861, titled, “LE NOUVEAU LOUVRE/Vue prise du Palais Tuileries.” The printer and lithographer are shown in details of the lower left and right corners. The image without printing is 9 7/8 by 14 ½ inches (25 x 27 cm), the page 13 ¼ by 19 ¼ inches (34 x 49 cm).
Condition; some rubbing to the surface and some of what look to be ink spots. New frame and acid free mat and backing.
Interesting and dynamic image of a bygone...
Joseph Pennell
(American 1857-1926)
The Inauguration Steps, 1912
Lithograph on ivory laid paper
17 x 22 (image); 19 x 24.5 (sheet); 17.75" x 22.25" (sight);
24" x 30" (frame)
Wuerth 265
Washington D.C. series. Edition of 25. Signed on stone and in pencil and inscribed: " #2 The Inauguration Portico"
This is from a series of six lithographs made for the Century Magazine entitled "The Capitol at Washington” and described as the "East Front of the Capitol" ...
Galerie Charpentier Exhibition Poster for 1957 entitled Cent Chefs-d'Oeuvre de l'Art Francais, featuring the Manet painting Henry Bernstein enfant painted in 1881. Poster is very good condition with slight age discoloration around the edges. It includes a thin black utility frame which we have not photographed and only crudely cropped out of the image. The very high quality lithograph is printed by Mourlot Paris.
Galerie Charpentier was a renowned French art gallery established in Paris whi...
Ten of Staves chromolithograph by Salvador Dali from the Lyle Stuart Tarot Cards series produced in the late 1970s. The print is signed in pencil on the bottom margin and numbered in a set of 250. The print is in a black suitable for hanging frame, but we suspect that the new owner will wish to reframe. Authenticity guaranteed.
Dimension: 37 1/2" x 26"
Rare original lithograph by Franz Bernheimer (Germany, USA, Israel, 1911-1997). Signed in pencil l.r. and dated 1958. Also numbered No35 in pencil l.l. Bernheimer was born in Germany. He studied art in Munich and Zurich before WWII. He escaped Nazi Germany and emigrated to the USA via Cuba. He taught at Brooklyn College, at Sweet Bryar College, and eventually moved to Israel where he taught at Haifa University.
Albert W. Barker, American, 1874-1947, "Upper Barn, Winter," etching, 8 3/4 x 7 1/2 inches on 14 x 11 1/2 inch watermarked wove type paper. C. 1932. Initialed and dated on stone in the lower right, pencil signed in the lower right. Edition of 55. Catalog: Barker 122. The dark outline of the barn, with its modernistic texture and shadows, contrasts with the luminous winter sky. One of Barker's best prints.