SALVADOR DALI
"INFERNO 24"
from the series "The Divine Comedy"
ORIGINAL INDIVIDUAL MAT-SLEEVE COLOR WOOD ENGRAVING ON BFK RIVES PAPER with 'Les heures claires" Watermark
Hand-Signed in Red Pencil by Salvador Dali
Numbered 150/150, in Red Pencil, by the author
In accordance with The Official Catalog of Graphic Works of SALVADOR DALI, by Albert Field, page 189
Valued at $6,500, in accordance with the "Print Price Guide to the Graphic Wor...
Kane und Abel, is a German Expressionist woodcut done in 1923, measuring 21” x 22”. Gerhard Marcks (18 February 1889 – 13 November 1981) was a German artist, known primarily as a sculptor, but who is also known for his drawings, woodcuts, lithographs and ceramics.
Early life[edit]
Marcks was born in Berlin, where, at the age of 18, he worked as an apprentice to sculptor Richard Scheibe.[citation needed] In 1914, he married Maria Schmidtlein, with whom he would raise six children...
A wood block print based upon the watercolors produced by Salvador Dali for the critically acclaimed illustration of Dante's Divine Comedy. The monumental collaboration of painter, wood block artists, and publishers spanned a period of nearly 25 years. This particular print is from Inferno Canto 4 News of the Limbos.
While prints from the Divine Comedy are readily available, this one is particularly desirable above the others...
A rare and wonderful set in three horizontal frames of a series of Japanese life during the Meiji period. The frames each measuring 19”x50”
Original Japanese woodblock print by Utagawa Hiroshige (Hiroshige II), from his series "One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)", circa 1860. This vertical oban is signed Hiroshige ga. Published by Uoya Eikishi. Beautiful color and condition. Never framed. A rare print from a series partially based on Hiroshige I's series (Famous Views of the 60-odd Provinces). This particular view by his protege is not based on a Hiroshige I work.
Around 1960 Haku Maki probably did the Ox as a woodblock print. He was then a young artist in Tokyo. He may have done some Ox images before James Michener did his now wellknown book, but probably not many: 510 were used in the book The Modern Japanese Print". The prints of Japanese artists included in the book are large-ish, it is not embossed...
These are three images of a very rarely seen Maki series,the Drop series.If any friend can send me images of Drop 1, 4, or 5, I would appreciate it.
Large extremely rare oversize woodcut by Wendell H. Black (American, 1919-1972). This is a rare proof printed and signed by the artist himself. It is illustrated in "The Lost Prints of Wendell H. Black" by Henry Sayre, Figure 9. Laid down, presumably by the artist, to safeguard its integrity. This work measures 46" by 22". It is titled in pencil by the artist's hand lower left, and is signed and dated lower right...
Poem 69-13 is an old embossed print. Created in 1969, it is in excellent condition. It measures 11 1/8in W x 15in H and is number 61 of an edition of 82.
Japanese limited edition woodblock print by Morihiro Sato (b. 1943) depicting white bellflowers. A student of Joichi Hoshi who was influenced by Hoshi's use of metallic pigments, the artist set the flowers and partial moon (or sun) against a metallic background. Depending upon the lighting conditions (see image taken with flash) the background appears either golden or silver. The print is pencil-titled in kanji "Autumn (Bellflowers)" and numbered 3/55 at the lower left...
Japanese woodblock print by the artist Kazuhiko Sanmonji entitled "Zen Garden of Ryoanji". Printed in gray, brown and yellow ink on paper. Signed and titled in pencil. Dated 1999. Artist proof.
Dimensions: Size of paper: 4 3/4" high x 13 1/2" long. Size of art including signature: 3" high x 12 1/2" long
This is a block print on an unusual paper, the subject a mounted Native American banging his drum while on a white horse, signed in the block by the important "dean of Arizona artists", LON MEGARGEE (1883-1960). The striking image might be after a painting by the artist, who, the story goes, was passed one day in the desert by a warrior in a dreamy trance-like reverie state, working his drum in this manner, barely noticing the white man watching him pass...
Large limited-edition Japanese woodblock print by Joshua Rome (b. 1953) titled “Amawaku no Harusame” dated 4/15/1981. The bottom margin is titled, dated, numbered 70/100 and signed in pencil. The artist's red seal is beside the signature. At the bottom margin edge in pencil is "Spring Rain," the artist's name in English, and the original purchase price of $225. Paper: 18 3/8" x 25" (image: 15 3/4” x 21 5/8"). Very good overall condition...
Poem 71-71 is a Maki depiction of 子 Child and is one of those large red kanji on a black background that Daniel Tretiak valled a Big Red. This one measures 12in W by 17.5in H and is no.13 of an edition of 153. It is in excellent condition.
Print by Birger Sandzen (Swedish American Artist 1871-1954), titled "The Sentinels", a well known image by this revered artist, done with what is described as Nailhead print making, similar to his woodblock and linoleum prints, though having much more precise definition and detail.
Measures: Sheet size (actual size of sheet minus edge losses) 10 7/8" x 8 5/8", image is 4 3/4" x 7".
Signed on lower right in pencil, his initials BS in the lower right of the print, titled "The Sentinels" on low...
A Very Fine Haku Maki (1924-2000) Japanese Woodblock Print with Persimmon
This print is a striking reddish orange persimmon with leaves tipped with a special Japanese lacquerand the thin and thick contrasted dark back ground.
Title: 81-10, Persimmon,
Signed Haku Maki, sealed Haku Maki in red seal
Edition: 86/190 on the bottom margin.
It’s in very good condition with full margins and a frame without any lay down with glue.(
it just has been made a frame with a cardboard back with a ...
Hasui Kawase, oban yoko-e, ¡°Rain at Nissaka (Tokaido Road)¡±, later edition, fine impression, color and condition.
Masao Ido
Zuihou-In III (Rock garden)
Date: 1990.
Size: Approximately 18 x 13 inches.
Edition: 27/180
Signed in pencil and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Faint matte line in margin.
Zuihoin is part of Daitoku-ji Temple in Kyoto.