Manuel Robbe, French, 1872-1936, "Le Bouquet de Violettes," etching, plate measures 7 1/2 x 11 3/4 inches on 22 3/4 x 16 1/4 inch watermarked arches laid type paper. Colored etching and Aquatint. C. 1903. 1st state, edition of 65. Larger edition of 100 after signature was added to plate. Pencil signed in the lower right. Catalog: P-K 105. An intimate portrait of a young woman in her dressing room affixing flowers to her dress.

A beautiful Taiwanese woodblock of the famous cave paintings measuring 22” x 35” framed amd matted

Haku Maki did many prints some with interesting backgrounds some not. This modest run of rather large pints had a special black background: it is the texture of old leather. . Maki created and used this technique only in 1981 prints and mainly in persimmons. The persimmons are plump and meaty the green leaves of the fruit are nicely proportioned. Maki did only a few twin persimmon prints and none after 1980 except this one. 81-10 is in frame 2...

Original oversize deep etching on zinc by Wendell H. Black (American, 1919-1972), one of the last plates Black worked on before his death. Titled and numbered 7/25 l.l. Signed and dated l.r. 23 1/2" by 35". In excellent original condition. From the first edition of this work, posthumously printed by Berkley Chappell.

Original print in black and white, described on paperwork affixed to the backing as a Heliogravure, 10 1/4" by 8 3/4" inside the mat (26" by 22" as framed), not signed or numbered. The popular and familiar image is "Gabrielle et Jean" (after the famous painting of Renoir's wife and son). Heliogravure is described as one of the very earliest photographic etching processes. Apparently in 1919 at the artist's death, heliogravures were made of many of his popular paintings...

Original Japanese woodblock triptych by Utagawa Kunisada (Toyokuni III) of a Kabuki subject, circa 1852. This work is signed Toyokuni ga and depicts the actors Iwai Kumesaburo III, Ichikawa Saruzo I, and Ichikawa Danjuro VIII in the play: Jiraiya Goketsu Monogatari. 3 oban panels, in beautiful color and condition, never framed.

This is a lithograph, titled "Heure Matinale", 19 3/4" by 25 3/4", unframed, signed in pencil at lower right by the artist and dated there "61", with "epreuve d'artiste" notation, by the noted CoBra artist GUILLAUME CORNELIS VAN BEVERLOO, best known by the pseudonym "CORNEILLE" (the French word for "crow"). The regular edition of this print appears to have been of 120 examples, on BFK Rives paper (and this has those watermarks)...

Paul Cesar Helleu 1859-1927 French This is a fine hand colored drypoint etching by French artist Paul Cesar Helleu. This portrait is of the artist's daughter Ellen. Created and printed in 1897 this etching measures 13X12 inches. Hand signed in pencil lower left border. Printed in a sepia toned ink and some touches of hand coloring.

The size of Sheet: 16 5/8 x 12 1/4
Image size:. 11 1/2x 8 1/8
Artist: Jo Ann Mulroy
Medium: Serigraph on 100% Arche paper.
The Title: Diversion
The condition: Excellent, It never been framed
The year of Serigraph: 1990
Edition No.: 3/10
Signed on lower right in pencil by Artist: Jo Ann Mulroy
This is very unique Serigraph work first time showing in our website. The condition of Serigraph is excellent. It never been framed...

Engraving on paper, the sheet 16" by 13 /4" (23 3/4" by 20" as framed), the subject man's cruelty to animals. This work, part of a series of images dealing with the subject, has become over time a landmark commentary on man's cruelty to his fellow creatures. This print is by one of the most famous satirists and social commentators of all time, WILLIAM HOGARTH of England (1697-1764)...

A PAIR of black and white photos of Chinese families, taken no doubt in China, circa early 20th century. The photos, which measure 11" by 14 1/4" (16" by 20 1/2" in black metal strip frames behind plexi) are later 20th century reprints of the originals. The images provide a fascinating look at the people of China in the early years of the century.

Large extremely rare oversize woodcut by Wendell H. Black (American, 1919-1972). This is a rare proof printed and signed by the artist himself. It is illustrated in "The Lost Prints of Wendell H. Black" by Henry Sayre, Figure 9. Laid down, presumably by the artist, to safeguard its integrity. This work measures 46" by 22". It is titled in pencil by the artist's hand lower left, and is signed and dated lower right...

Troy Kinney 1871-1938 American This is one of the most important works by American artist Troy Kinney (1871-1938) This artist was best known for his studies of Ballet and Modern Dance. The title of this work is: Lopokova and Nijinski in Les Sylphides. It was created and printed in 1916, This hand colored etchings is numbered as 76/82. The image measures 12 1/8X9 7/8 inches. The etching is hand signed in pencil lower left border...

A Dutch 17th century etching of a standing horse near a humble abode, 6 3/4" by 7 3/4" (14" by 15 1/2" in 20th century appropriate black frame), unsigned, and with no initials or other indication as to authorship. The work bears old pencil notations on the reverse side of the mat; there appear to be names of potential artists that were pondered by a previous observer in my position (including, it appears, question marks to himself)...

In this note, one of three he numbered Note 23, Daniel Tretiak discusses a Big Blue print Poem 69-17 plus another black-and-white Poem 71-84--and how he acquired them.

Lithograph with hand coloring from the Imperial folio quadrupeds series circa 1846, plate number 85, depicting the species Meriones americanus, Barton (the jumping mouse), by the important American naturalist artist and lithographer JOHN JAMES AUDUBON (1785-1851). Audubon was assisted by his son John Woodhouse Audubon, and the printing was by J. T. Bowen of Philadelphia...

Lawrence Kupferman, American, 1909-1982, etching, "Victorian House", image size: 13 7/8 x 9 5/8 inches, pencil signed

One of 12 lithographs published by Ackermann London, in 1840/41 as part of a portfolio, “12 Views in the Interior of Guiana.” The original sketches were made by John Morrison who accompanied Sir Robert Hermann Schomburgk on the exploration into what would become British Guiana. The sketches were developed by Charles Bentley into the drawings that were the basis for the lithographs. Printed in black with hand coloring.

Esmeralda is the site of a Spanish mission that is now part of the Ven...