Q R T U V W X Y (*) Z Poem T is a distant Predecessor of image 10 Most if not all the prints in this series were sold through Red Lantern Gallery in Kyoto. missing J K L M N O - other than G and S. U is clearly a predecessor of Poem 59-55

In 1971 Haku Maki produced two large prints, one Sun and one Moon. Sun shows a dramatic sun with a red dash all surrounded by a gold field-- Poem 71-100. Poem 72-101 is Moon with a similar design. There is a dark spot in the center. Each print was produced in editions of 156. This pair was offered privately and on eBay by a very insightful seller from Tennessee. After these presumably successful runs Maki did a smaller pair, each with the same title and same design...

This note, another of the many Daniel Tretiak wrote in 2015,looks at newly emerged early works of Haku Maki.

In 1960 Maki did the image shown. It is called Symbol. In all the years of collecting Maki prints and images I have never seen this one again. It is quite large but seems cluttered. Forty years later he did it as a print and a post card even as one friend has suggested he did the print before 1999, the date on the print. The seals are authentic not printed, and they are original Maki seals from well-used chops.

In 1976 Haku Maki did his eight-volume San Mon Ban--a total of 96 different embossed images. These included many items Maki had just used, would use soon and used later. I first show images of two prints like those in San Mon Ban but slightly larger. Then two images of insects in San Mon Ban and then 4 images of insects long hidden in my archives--even to me. These might all be called Maki Lite...

Dan Tretiak wrote about a print he didn't own and simply described it here: sad stuff.

If the Master could do a Seat series in the 1960s he must have decided to do a Sink series in 1972. First, it did a small image in 1972 and then he ended the year with a larger image depicting the same sink theme. It is the one pictured here, Poem 72-61 Sink-S. It measures 9.75sq in.

Original etching and aquatint with sugar lift by Michael Mazur (USA, 1935-2009). Artist Proof. Titled "Bench and Chair" in pencil l.m. Signed and dated 72 in pencil by the artist l.r. From an edition of about 12 impressions. Paper: Fabriano Murillo. Printed by Robert Townsend and the artist; plate preparation by the artist. cf: The Prints of Michael Mazur with a Catalogue Raisonne 1956-1999 (this work is illustrated on p.192 of the catalogue raisonne.)

This is Daniel Tretiak's note about Maki huge print Poem-Woman, which is a horizontal print that measures 3ft x 6ft. His note is in the photos that are a part of this entry. Here he described photos that he was presenting along with his note. He said: Frame 8 is the same image but done with a yellow sun and purple moon. It is 33/50. This suggests many of the first 33 and then some were done this way; then Maki did not use these colors. I do not own this print...

This research note looks at rarely seen Maki prints including early ones like Work Mu 2, done in 1961, and Symbol 2 from 1957.

Big Green shows 4 moving figures.A similar image is in the US in the kas frane but it is 3 moving figures. I think these were not frequent uses for Maki Poem 71-84

This note discusses new (in 2015)finds in the world of Haku Maki prints.

This huge print Work 73-54 (Fish) is one of three unusually large prints Maki did. It measures 3ft x 6ft. Please see the research note that is included with the photos.

Haku Maki (1924 to 2000) was an important late 20th Century Japanese printmaker. He created images often using kanji (originally: Chinese characters) as the theme for his prints. He created about 2000 different images. Many are known. Here I present a number of images which I had never seen until this year even as I have gathered many...

This note is the fourth in the series of Research Notes.

Maki's Emanation series may well have been 100 different images. This is an early one. It shows a young man ready to grope a woman’s breasts. Who is the man and who is the woman? Adam and Eve? Maki and his wife? Maki and another woman? It measures 16" x 16". Here I show images of the current emanation and single images of other prints in the Emanation series. The last frame is Emanation 100.

I call this set of images The Zodiac but Maki formally called them Animal Song + the animal name in kanji. The prints here are Animal Song. Red Lantern Gallery in Kyoto distributed them in 1968. In 1968 Haku Maki was commissioned by Red Lantern Gallery to produce the 12 animals of the Zodiac in a series entitled Animal Song. My Research Note 3 described the set briefly. This is an enhanced version. Maki did only 50 copies of each print; that was a normal run for him in that period...

Daniel Tretiak, after publishing his book The Life and Works of Haku Maki in 2007, found that he had more to say about prints as they came into his life. And so, from time to time, he wrote Research Notes and published them on this site. For Note 1, he wrote the following: This is a collage of Maki prints depicting the tokkuri (sake bottle). We have added images of most of the prints here. Enjoy. Be Sure to CLICK Above as directed, please.