Haku Maki did quite a number of prints using persimmon as a main theme Probably well over 100 He also began doing prints with ceramics around 1980 He probably did more than 100 ceramics theme prints. But the two there only came together in the persimmon and blue vase print shown here (and in an equally rare one with a persimmon and a strikingly beautiful yellow vase also shown here)...

In the 1960s, Haku Maki was beginning his career as a modern print maker. He used ersatz titles for different series of prints: Cell, Animal Song for the Zodiac, Proportion, Work, Figure,and Emanation. Flower Song was another. Here we show Flower Song 6, which I have just acquired, and Flower Song 3 which I have owned for a long time The others are not noteworthy. This one measures 13 x 17in/48 x 34cm.

I call this set of images The Zodiac but Maki formally called them Animal Song + the animal name in kanji. The prints here are Animal Song. Red Lantern Gallery in Kyoto distributed them in 1968. In 1968 Haku Maki was commissioned by Red Lantern Gallery to produce the 12 animals of the Zodiac in a series entitled Animal Song. My Research Note 3 described the set briefly. This is an enhanced version. Maki did only 50 copies of each print; that was a normal run for him in that period...

Jean Louis Forain, French, 1852-1931, lithograph, "En Greece", image size: 11 x 16 1/2 inches, edition of 100, signed in ink

Highly decorative pochoir print, circa 1920's, of children flying balloons against a gold sky, 9" by 7", 18" by 16" in playful bright red frame. This is likely an illustration for a children's book of the period. Condition is excellent. The frame has some scratches at top and left that could likely be minimized. The mat is a creamy color with pattern and consistency somewhat resembling that of a paper towel. Ideal for a child's room.

This short note looks at print 75-29, a beautifully painted kanji for wine.

An offset limited edition pencil signed print of St. Michael's Church in historic downtown Charleston, South Carolina, pencil signed by the artist, Charleston's long time fixture VIRGINIA FOUCHE BOLTON (1929-2004). The 13 1/2" by 20 3/4" print (22 1/2" by 29" framed) is numbered near the signature at bottom center 622/2000...

Pencil signed limited edition print "Watering Hole", circa 1970's, by the important Western American artist OLAF WIEGHORST (1899-1988). The print measures 21" by 26" and 30" by 35" framed in grayish wood. It is numbered 364/1500 at lower left margin and the artist has signed it in soft pencil at lower right. Wieghorst's works sell at major auctions of western American art, into the hundreds of thousands. Rumor has it that his "Navajo Madonna" masterpiece sold privately for $1.5 million...

Boulevard Brussels London by artist Perry Menkarn, frames print 7 x 9“ frame size 13 x 14“

Japanese Woodblock Print Nineteenth Century , Geisha 17x21. We have a fine selection

Jean Emile Laboureur 1887-1943 French This is an original engraving by French artist Jean Emile Laboureur. This engraving was created and printed in 1920. One of 6 pencil signed impressions prior to publication in L'Architectures in an edition of 500 unsigned impressions. The image measures 11 5/8X8 1/8 inches. Hand signed in pencil lower left. Very nicely framed with a linen matting. This is one of his largest images done in his distinctly cubist style.

Nicholas Dorigny, European, 1657-1746, Engraving after Zampeire from the fresco in the church of St. Andrew della Valle at Rome, "Saint Luke", image size: 22 3/4 x 17 1/2 inches, plate size: 24 3/8 x 17 3/4 inches, Prov. JW Randal: 2528

"William Hogarth" "Portrait of Charles Churchill (The Bruiser)" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

A civil war era lithograph showing views of Washington DC including a partial built Washington Monument The lithograph measuring 24” x 30”

PAIR of pochoir (airbrush over stencil) prints, one titled "IRIS I", the other "IRIS II", the first numbered 123/250 and measuring 28 1/2" by 20" (36" by 27" framed), the other numbered 161/250 and measuring 30 3/4" by 22 1/2 in thin wood frame (no mat), both signed in pencil and dated at lower right 1980. These are works by the popular California-born Photo-Realist artist BRIAN DAVIS (1946-). Davis grew up in the San Fernando Valley of Los Angeles and has lived in Reno, Nevada...

John Stockton deMartelly, American, 1877-1947, Lithograph, "Blue Valley Fox Hunt", image size 12 3/4 x 16 7/16 in, 1936, cat: Zink-10, pencil signed, framed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.

Fine engraving by Cousen, titled at bottom center "The Woodland Gate", after the original painting by English Royal Academician WILLIAM COLLINS (1788-1847), measuring 8 1/4" by 10 5/8" inside the mat with hand-drawn lines, 16" by 17 1/2" in silvery framing. This is a fine decorative print that is in extremely clean, wall-ready condition. According to information on the internet, Collins' work was prized more highly in the late 19th century than that of Constable and Turner...

This is an original etching by Reginald Marsh (American 1898-1954)of Minsky's Chorus, the famous Burlesque venue in New York City. The original painting of this scene is in the permanent collection of the Whitney Museum. The original shows a reverse scene. The sheet size is 10 1/2" x 14 1/4", with the impressed image size of 8 7/8" x 11 3/4". The paper is heavy, textured, with a slight cream hue. As is visible in the photos, there are losses to the margins on the right and at the bottom...