Etching of a Chicago landmark, the Museum of Science and Industry, signed in the plate at lower left and dated there 1931 by the listed English-born artist who worked in a number of geographical areas of the United States, LEON PESCHERET (1892-1971). States in which the artist worked include Virginia, Tennessee, South Carolina, Wisconsin (where he lived for quite some time), Illinois, and notably, Arizona and the Southwest...

A photographic print, apparently printed in Italy, featuring Harry Jackson's important sculpture of John Wayne on a horse, autographed and then dedicated "For my good friend Mert/All the best to you/Your friend/Harry/June 10, 1991/Cody Wyoming". HARRY JACKSON (1924-2011) was a western American artist for many decades, best known for his sculptures, some large or life-size, featuring cowboys, horses and indians...

Reproductive etcher and watercolourist; born in Walkern, Hertfordshire; studied at Bedford Park School of Art and St John's College, Richmond; a gold medalist at St Louis in 1904, his first major success; exhibited from 1895 at the Royal Academy, Grosvenor Galleries, Royal Glasgow Institute for the Fine Arts, Paris Salon, Connell and Sons, Walker Art Gallery, Liverpool and with the Society of Mezzotint Engravers; commissioned by major publishers: Henry Graves, Frost & Read and James Connell to p...

Yasuo Kuniyoshi 1893-1953 Japanese /American This is an original lithograph created by Japanese American artist Yasuo Kuniyoshi. The title is Burlesque Queen, it was created and printed in 1936 for the American Artists School in New York City. It was created in an edition of 100. The image measures 11 5/8X9 1/2 inches. This image is plate signed as issued, it is inscribed in pencil lower left "100 prints"...

This is a block print on an unusual paper, the subject a mounted Native American banging his drum while on a white horse, signed in the block by the important "dean of Arizona artists", LON MEGARGEE (1883-1960). The striking image might be after a painting by the artist, who, the story goes, was passed one day in the desert by a warrior in a dreamy trance-like reverie state, working his drum in this manner, barely noticing the white man watching him pass...

Beautiful geometric print after Sonya or Robert Delaunay measuring 10x8”

Maki’s Big Reds—an appellation which my late husband Daniel Tretiak gave to Maki’s large, red designs (usually kanji) on black backgrounds—are well-represented by this ox, a subject Maki did many times. An artist’s proof (A.P.), it measures 16in x 21.75in.

Etching on paper, 6 1/8" by 9" inside the mat (13 1/8" by 15 1/2" as framed in attractive oak), the title "Emigrants on the Plains", bearing at lower left margin "F.O.C. Darley, fecit." and at lower center "Entered according to act of Congress, A.D. 1869, by D. Appleton & Co in the clerks' office of the district court for the southern district of N.Y.", and at lower right "H.B. Hall, Jr. sc."...

An early (circa 1920's) woodcut print titled at lower left margin "Pikes Peak", numbered there 8/100, and pencil signed at lower right by early, historical Colorado artist HAIM DAVID SPIVAK (1893-1932). The work measures 4" by 5 7/8" inside the mat and 9 1/2" by 11 1/2" in black strip frame. This sharply printed piece shows the famous Colorado mountain near Colorado Springs, a farm or homestead in the foreground. Spivak's works are rare, as he died at age 39 of a brain tumor...

Offered together as a pair, two hand signed color offset prints of marine wildlife, each with signed ORIGINAL WATERCOLOR DRAWINGS in the margins, by the internationally known artist ROBERT WYLAND (born 1956). As a bonus, I am including a copy of his book "The Art of Wyland", 1992, which has been hand signed by the artist. The smaller print, (25" by 19 1/2"), of the whales, is titled "Saving Whales" at lower center margin, and is numbered 9/45 at lower left margin...

Serigraph (silkscreen) print after a painting by the giant of modern art, GEORGES BRAQUE (1882-1963), 9 3/4" by 32" (an impressive 18 1/4" by 41" framed), signed in the print at lower left and dated there 1920. The title, "The Blue Plums", appears in the wide margin below the mat. Braque needs little introduction, as one of the famous names of modern art who in the early years of the century developed, along with his friend Picasso, the Cubism movement, which changed the art world forever...

Joseph Addison (1 May 1672 – 17 June 1719) was an English essayist, poet, playwright and politician. He was the eldest son of The Reverend Lancelot Addison. His name is usually remembered alongside that of his long-standing friend Richard Steele, with whom he founded The Spectator magazine. His simple prose style marked the end of the mannerisms and conventional classical images of the 17th century. This work is part of a series all dated London 1748, measuring 15x9”

SIXTEEN black and white vintage photographs, circa 1930 to 1950, all pencil signed by noted mid century California photographer FRED WILLIAM CARTER (1897-1974). The photos are all mounted on card and each is pencil signed by the photographer; two are titled: one says "Santa Monica Bay" and the other "Odes of March/silver 1931". Subjects are mostly California landscapes, with trees, coast, mountains, and one still life...

Maki’s earliest works were done in the late 1950s and remained rather unknown until the late 1960s. He first started producing prints using red ink in 1965 and this is probably the first example. It is also what I call a Big Red. It is very abstract and it fills up the whole sheet. Maki wanted his prints to have balance. This has it: the red field is pierced by three blue squares: two on the left side of the orange meteor-like strokes, and one on the right side...

The Title: "The Wizard of OZ"
Artist: "Melanie Taylor Kent" American
Medium: Original Serigraph on arches paper, unframed
The size of Sheet: 40" x 27 3/4"
The size of Image: 32" x 22"
The year made: 1989
Signature: Lower right , signed in pencil
Edition Number: Artist Proof in pencil lower left
The condition: Excellent, never been framed.

Beautiful Original Serigraph by world renown artist, Melanie Taylor Kent...

In 1968 and 69 Haku Maki produced Poem 5 for Festive Wine. That image was a paradigm of clarity as to what the kanji or Woman ought to look like. It was a smooth svelte character. Yet at this same time, he also did this print, a tall gangly woman. It is Poem 69-50. She looks as if she is askelter, not all “together”. Or is the left leg longer than the right one? The print itself is done in the Maki manner: Size 10.5 “ x 10.5”. Maki used splashes on his prints to give dynamism to ...

Samuel Coleman, American, 1832-1920, Etching, "The Olive Trees on the Riviera", 1884, image size: 10 3/4X14 1/2", pencil signed, plate monogramed

Japanese Woodblock Print Nineteenth Century Geisha and Samurai 17x21 inches. Call or email. We have a rare and fine selection of Japanese art dating to 1860