Japanese print YUHAN Ito (1867 – 1942) Itsukushima Shrine at Miyajima. Woodblock print with ink and color on paper. Vertical ôban. Around 1910. A good model published by Nishinomiya. Framed.

A color print of the Montana landscape, specifically the mountain seen from the Many Glacier region of Glacier National Park, titled at bottom margin "Indian Paintbrush" (the red flowers, commonly seen in the mid-summer wildflower bloom at the park), hand signed in felt pen at lower right and numbered there 272/600, by noted contemporary Western American artist MARK OGLE (1952-)...

A beautifu Eighteenth Century, hand colored Etching exotic monkey 10 x 8“ Frame size 16 x 14 framed and mat

Original diptych (deep etch on zinc) by Wendell H. Black (USA, 1919-1972), circa 1961. 12 1/2 by 23 1/2 each. Titled l.l. and numbered 7/25. Signed and dated "Wendell Black 61 by Elaine". From the first edition of this work, printed posthumously by Berkley Chappell, and signed by Black's widow Elaine. No lifetime edition exists. cf: The Lost Works of Wendell H. Black, plates 22 and 23. The model in this diptych, probably the artist's wife, is also on the cover of the book.

Benton Spruance lithograph entitled "Fortune Teller"

Pencil signed and dated '54

13" x 17"

In very good original condition

Presented in the original frame

Benton Spruance - American/ Pa., 1904 - 1967

**One of a number of prints by the artist in my shop** Lithograph on paper, the sheet 24 1/4" by 18 1/2" framed, signed in pencil at lower right and numbered 31/100 at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975). This is an example of the accomplished lithography of this major European artist, the paintings of whom command well into five figures at auctions in Europe and the USA...

"William Hogarth" Sancho at the Feast, Starved by his Physician The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

Haku Maki did some purely white prints—some had a small splash of color, others had none. This one, 81-3, offers three white plump persimmons. Persimmons were an oft-used subject, sometimes a single depiction of the fruit, sometimes two, but very rarely three persimmons and even more rarely done only in white. The print measures 9.5in W x 10.75in H and is in excellent condition. An edition of 130, this one is number 90.

French Artist Henri Fantin-Latour 1836-1904 Lithograph”Baccus” Measuring 8x6 inches, in a very fine gilt frame measuring 14x12” with a linen liner Henri Fantin-Latour (14 January 1836 – 25 August 1904) was a French painter and lithographer best known for his flower paintings and group portraits of Parisian artists and writers…. He was born Ignace Henri Jean Théodore Fantin-Latour in Grenoble, Isère...

"William Hogarth" Portrait of John Wilkes The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Arthur Bowen Davies, American, 1862-1928, Lithograph, "Afternoon" 1921, image size 6 x 5 inches, pencil signed

John Taylor Arms, American, 1887-1953, "Cavendish Common," Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs...

This is a wood engraving print titled "Les Visages", by the important French artist GEORGES ROUAULT (1871-1958). The print measures 7" by 8 3/4" inside the mat (13 3/4" by 15 1/2" as framed). I believe that this is from the edition published at a later date (circa 1960's) by the Collectors' Guild of New York; the print is dated in the plate 1927, and signed in the plate at lower right. The condition is very good with even very light toning of the paper...

Etching on paper, 5 1/4" by 6 3/4" (10 1/4" by 14 3/8" as framed), the subject the old downtown of Sawbridgeworth, Hertfordshire, England, including a church and medieval buildings, by the important American printmaker JOHN TAYLOR ARMS JR. (1887-1953). Arms was one of the best known and most highly respected American printmakers of the first half of the twentieth century...

Offered together as a pair, two hand signed color offset prints of marine wildlife, each with signed ORIGINAL WATERCOLOR DRAWINGS in the margins, by the internationally known artist ROBERT WYLAND (born 1956). As a bonus, I am including a copy of his book "The Art of Wyland", 1992, which has been hand signed by the artist. The smaller print, (25" by 19 1/2"), of the whales, is titled "Saving Whales" at lower center margin, and is numbered 9/45 at lower left margin...

Picasso photolithograph poster for an exhibition held in early 1956 at the Galerie Lucie Weill in Paris. The measurements are 24 1/2" by 16 3/4". There is a narrow inexpensive black frame, and no glass. On the reverse of the framing materials is written in pencil, "Picasso/Papiers colles dessin M.F./photolitho 67 x 46 cm./1000 copies"...

Joseph Fernand Henri Léger (French)February 4, 1881 – August 17, 1955) was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually modified into a more figurative, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art.

Circa 1850 lithograph with hand coloring, titled at bottom "The Flight into Egypt", published by the noted American lithographer James Baillie. Baillie began his career in the late 1830's as a picture framer in New York City, and then worked as a colorist for the Currier and Ives firm. By 1843 or 1844 he had struck out on his own, producing a wide range of lithographed images in the style of his former employer...