Original silk screen print of sunflowers by the Japanese artist, Yukio Katsuda. The use of very thick ink was part of Katsuda's technique lending the finished image a pointalist effect. Born in Japan in 1941, Katsuda has worked and exhibited extensively in both Japan and in the United States. This print is signed Y. Katsuda in pencil and dated '81. It is numbered 35 of 100 in this series. Katsuda also gave each of his print series a number...

Charming original print by the famed artitst Mayumi Oda. Entitled "Meet the Lord of Obstacle II" and numbered 27 in the series. The image depicts a green goddess (perhaps Green Tara, the Goddess of Compassion) in tantric embrace with a white Ganesha, the Hindu Remover of Obstacles. The Sun and Moon inhabit the sky at the same time above them. 1998. Signed by Mayumi Oda in pencil. Framed. Total size in frame: 29 1/4" high x 23 1/4" wide. Size of art: 17 1/2" high x 10 3/4" wide.

One of 12 lithographs published by Ackermann London, in 1840/41 as part of a portfolio, “12 Views in the Interior of Guiana.” The original sketches were made by John Morrison who accompanied Sir Robert Hermann Schomburgk on the exploration into what would become British Guiana. The sketches were developed by Charles Bentley into the drawings that were the basis for the lithographs...

A print by the Japanese print maker Haku Maki, 1924-2000. He began in a career as a kamikaze pilot during world war 2. The surrender by Japan saved his life. He became a teacher and learned print making. His prints are unusual as they start with a woodblock which is carved then pressed with cement. When the cement is dried, it is carved further. A wet paper is placed on the woodblock and left to dry. The resulting image has a wonderful texture and unique embossed finish...

A Very Rare Korean Young Lady Woodblock Print by Sul-Chon-Korean/Japanese: Korea, Korean calender dated 4287 (1954), Oban, tate-e, 37.5cm x 28cm. Title: series #4: a Portrai of Choson’s young lady. Artist: Sul-Chon. Signature: Sul-Chon in black seal and incense burner shapped real seal. Printed and publushed: 1954 Condition: an excellent condition with bright color, full margins and cleans without any stains, crease or any damages at all...

Original Albrecht Dürer woodblock print "The Flight into Egypt", from: The Life of the Virgin (B. 89; M., Holl. 201; S.M.S. 179) woodcut, circa 1504, This impression on laid paper with a Fleur de Lis watermark (Meder 122) it is an original 16th century print after the Italian edition with narrow margins with a 1 cm repaired tear top left otherwise in very good condition B. 11¾ x 8 5/16 in. (299 x 211 mm.) S. 11 7/8 x 8 5/16 in...

In 1966 Haku Maki produced one of his many abstract series. He did Cell and he did Proportion Here I show Proportion 10 the white strokes appear against a beautiful yellow background . Above the strokes is a white Sun. Wow there are two Maki seals one at the top right and another at the lower left There is a red splash in the center .two images f Proportion 9 are added where are Proportion 1 through 8? 43/50

Haku Maki did these huge prints from 1970 to 1973. This is Poem Reconciliation done in 1970. It is a big image; it boldly flows across the paper. It is clean not busy, dramatic and elegant. It is from an edition of 50. I have only ever seen this one number of the edition. It has a dazzling yellow sun and sharp red tear that balance the kanji in the center. It is signed and chopped and re-signed in black ink next to the chop. Everything clicks. It is 35in x 35in.

Haku Maki's Poem Z depicts a Heart by any other name. Maki began to use this theme early in his artistic life. The character was often vertical but this is the only time it was at an angle from the center and seemingly lacking in one stroke, Hence it is an unusual design and intellectually challenging. Its meaning is not immediately evident even to the literati. My curator in Beijing figured it out when she was opening the package and tilted it a bit. The print is large and subtle...

This is a brilliant example of Haku Maki's Big Red prints, his frequent use of a large red character on a black background.

I first saw this print in a small pamphlet from White Lotus Gallery in Oregon, acquired the print in ways that Du Yuesheng would be proud of and it has rested here for over two years It is a small print but it packs a punch. It shows a prancing dancing woman. What do you think? The kanji in the center of the print is set off by a tear at the left and a sun at the right. It measures 5.75” x 8.5”.

Maki’s earliest works were done in the late 1950s and remained rather unknown until the late 1960s. He first started producing prints using red ink in 1965 and this is probably the first example. It is also what I call a Big Red. It is very abstract and it fills up the whole sheet. Maki wanted his prints to have balance. This has it: the red field is pierced by three blue squares: two on the left side of the orange meteor-like strokes, and one on the right side...

This Maki print has had a charmed existence. It was printed in Japan in the mid-70s, just as Maki was beginning to leave the production of prints with kanji as the main theme and start doing then with Ceramics, mainly in the Collection series. This is the second print of his long ceramics series – some of which were simply entitled as this is with the year 75-59. This was done in 1975 and was a quite large edition 201. This one is number 5 of 201.The print was first distributed by Red Lan...

The Heart Sutra with Taro by Mayumi Oda. The paper is green with a sutra printed. A sutra is a formula or rule for life. A tree with large leaves and a frog are outlined by a silver spray. It measures 38.5" wide 12.25" tall. 28/50.

Green print of Earthship by Mayumi Oda. Print 16/100. A woman sails in a ship with an owl atop her head and a boat full of vegetables. Below the ship, in the ocean a sea turtle and a whale swim by. The sun smiles down upon the woman in the ship. It measures 11.75" wide 19" tall.

This colorful print is an early Maki embossed print. It is a quite small print done in a very low run. Only 30 copies were made. Maki started doing 50 copies by 1962. Earlier he may have lacked the confidence to do runs of that size so he did 30 as shown here The three red suns are dramatic, The print is signed in white ink, an early Maki touch. The 3 suns shimmer. The title is in kanji – a rare Maki style. This is Ji hao 31 [Signal 31]. The paper is double thick, an early use of such...

In the period 1966-67, Haku Maki did two large series with Song as the theme. There was Flower Song, a series of 10 prints. And there was Animal Song which was Maki’s Asian Zodiac series, with 12 images. It was also a small series with small editions--50 in the case of Animal Song (released in Kyoto, so very hard to find: only one friend has the full set), I do not know who has the full set of Flower Song. Equally rare is Moon Song. Many years ago I saw Moon Song 1 and did not buy it...

In 1971 Haku Maki Japanese Master print-maker was at the height of his creative powers. He had already done several “big” prints and turned his skills to producing dramatic prints. This Big Blue was one. It depicts a war instrument, a halberd. Maki created this design so that it showed how the character was written. He showed us how the stroke order flowed on a woodblock print. The first flowed from lower left corner to the top right, The second stroke flowed from top to bottom, piercing the...