A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition etchings, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This lithograph on Arches paper is from a 1994 portfolio titled “Constitutional Fantasy”, vol...

"William Hogarth" "The Beggar's Opera, Act III" Painted by William Hogarth, engraved by William Blake The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

A beautifu Eighteenth Century, hand colored Etching exotic monkey 10 x 8“ Frame size 16 x 14 framed and mat

Lithograph on paper, 8 3/4" by 12 3/8" inside the mat, 13 3/4" by 17 3/4" as framed, by American artist STOW WENGENROTH (1905-1978), pencil signed at lower right by the artist...

One of a number of William Russell Flint prints in my shop, this is a fresh and clean example of the fine color photolithographs issued for collectors over a period of decades. This example, published in 1939 in an edition of 306, is signed in pencil at lower right and bears the characteristic embossed blindstamp in lower left margin. The title is "Provencale Granary". The 1939 date would place this among the earlier prints in the long series that spanned decades...

"William Hogarth" "The Beggar's Opera" and "A Just View of the British Stage" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

Poem1 mu 無 depicts the kanji for not, none; this character often precedes another character to negate it. Maki liked this character and did it many times. He produced this one in the 1990s.The print is no. 568 of an edition of 777 and measures 11.25 sq in.

A set of eight framed collotype color prints after paintings by famous western American artist FREDERIC REMINGTON (1861-1909), originally published by Collier's Magazine, which had a contract with Remington. He was to paint a painting a month, and the prints derived from the painting would be widely distributed. The prints all bear in tiny type at lower left margin "COPYRIGHT 1909 BY P.F. COLLIER & SON"...

Seventeenth Century Lithograph of Carol of Souther Bremen c.1630 Measuring 14x10”

Original stone lithograph, not an offset print, 23 3/4" by 26 3/4" inside the mat (not examined out of frame), signed in the plate by the artist Jan TOOROP and dated in the plate 1915. Executed primarily in black, note the color----pale orange in the cap and shirt, blue in the trousers. Toorop is a major Dutch artist, one of whose works (painting) just exceeded $700,000 at auction. His prints and posters are much more affordable. I don't see that this one is pencil signed...

As Haku Maki aficionados know, Maki did many prints depicting the kanji for ox or bull. This one, Z-200b, is one of his great bulls. One of a small edition of 75, it is 12.5 in wide X 19in high. The print, created in 1999, is in excellent condition. For another wonderful example of Maki's ox-making, see Item#1452034 below--a brilliant Big Red ox.

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition etchings, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This lithograph on Arches paper is from a 1994 portfolio titled “Constitutional Fantasy”, vol...

One of a number in my shop inventory, this is a fresh and clean example of one of William Russell Flint's fine color photolithographs issued for collectors over a period of decades. This example, published in 1961 in an edition of 750, is signed in pencil at lower right and bears the characteristic embossed blindstamp in lower left margin. The title is "The Shower". The print measures 17 3/4" by 22 1/2" inside the mat and 26 1/2" by 30 1/2" as framed...

This is a true lithograph, numbered 170/200 at lower left margin, pencil signed by the artist at lower right, the title of the work given on reverse label as "My Beloved is Like a Roe". The lithograph is by the important Jewish artist THEO(DORE) TOBIASSE (1927-2012). Tobiasse has often been compared to Chagall and Picasso, with his figure-based, personal, dreamy interpretations of themes like the exploration of one's heritage, exile, and Biblical and erotic fantasy...

A large engraving of a mythological scene of Venus after her bath getting ready for a date with Adonis. The print was made by Etienne Baudet the French engraver who also worked in Rome. It is dated 1672. The print is after one of a series of 4 paintings by Francesco Albani that were commissioned by the Duke of Mantua in 1621. The painting that is the source of this print is now in the Louvre. Sight size 23 ¼ by 27 inches (59 by 68 cm), overall 28 ¼ by 32 ¼ inches (72 by 82 cm)...

A black and white photograph, titled in marker at lower left "Bill Graham and the Jefferson Airplane 1967", marker signed at lower right margin by the noted American late 20th century photographer MARK JAMES POWERS (ca. 1945-2014). The photograph was taken in Toronto, Canada. Powers traveled California and much of the rest of the United States, especially the South and West, from the mid 1960's through the mid 1970's, taking color and black and white images that document the times in most impr...

Etching on paper of the New York City elevated train line known popularly as "The L", as in "elevated line", and so titled ("The L - 23rd St. N.Y.") in a separate window in the mat, the primary image area 12 3/4" by 9 1/2", 21 1/2" by 17 1/4" as framed, signed at lower right in pencil, bearing the inscription "For Mr. Paul G. Sprunk from H. Van Notti--1923", and numbered "6" at lower left margin. The scene depicted is familiar urban scenery to any New Yorker or New York visitor. HENRY VAN NOTT...

A large clean lithograph print in the advanced naive style of acclaimed Jewish artist SHALOM OF SAFED (SHALOM MOSKOWITZ), 1895-1980. The imagery is colorful and comprehensive, featuring blue sky with clouds, architecture, figures, animals, and interiors, along with embedded messages in Hebrew. The Hassidic artist was a watchmaker by trade, and only late in life turned to his artistic talents. His original paintings have brought into five figures. He lived in Safed in the Galilee Hills for mos...