An elegantly understated print featuring a bare foreground tree in a strangely empty landscape with just one small structure at the edge of a large clearing or field, signed in pencil at lower right corner and numbered 230/260 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction...

"William Hogarth" Taste in High Life The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

"William Hogarth" The Sleeping Congregation The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx...

Samuel Colman (1832-1920, sometimes misspelled as "Coleman") is today regarded as an important American artist of the nineteenth century, some of his works selling into the six figures at major auction. A traveler, he strayed far from his New England roots, taking in exotic locales in the Mediterranean, continental Europe, Mexico, and, notably, the American West. After training under Asher B...

Dramatic linocut print, the sheet 13" by 20", unframed, numbered at lower left 6/12 and pencil signed at lower right and dated there 1971, the "HB" blind stamp adjacent, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title, but skulls and other references to death seem to predominate, and the ink is black...

An elegantly understated print of flowers appearing to be carnations, and dahlias, the imagery generally appearing as monochromatic and grayish, with some light green and yellow color, signed in pencil at lower right corner and numbered 139/150 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction...

Original lithograph print, 7 1/4" by 10 3/8" inside the mat opening, the sheet 8 1/4" by 12 3/4", the title "Greeting Card for Aime Maeght", printed by Mourlot in the year 1960 in an unknown edition, on heavy Arches paper. The print is taped at top on the reverse...

This is a work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had fallen from favor. He revived the medium and truly excelled at it. By the early 1930's he had been exhibited at Boston's prestigious landmark Goodspeeds book store...

"William Hogarth" The Bench and Five Orders of Perriwigs The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

"William Hogarth" Scholars at a Lecture and The Company of Undertakers The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

Peter Moran, American, 1842-1914, etching, "Church of San Miguel, Santa Fe", image size 4 15/16 x 6 3/4 inches, plate signed lower left

78-2 (Water) In 1978 Haku Maki was nearing the end of his artistic effort using kanji (Chinese characters) as the main theme of his work. This print is one bold kanji, for Water. To make it easier for his gaijin admirers to know what it meant, he wrote "water' in the bottom margin...

A circa 1940 lithograph, signed in the plate, and bearing pencil signature of the printer in margin under the mat, by the noted California Scene artist PHIL PARADISE (1905-1997). This seems to be a scarce work, as I see only two other examples after an online search. Those two were pencil signed by the artist and numbered out of an edition of 100. So we can assume that this was a limited edition. Perhaps this particular example was a proof, accounting for its being signed by the printer, "P,...

Rare and complete book and portfolio with text and loose prints by famous late Japanese print maker Tokio Miyashita 宮下登喜雄 (1930-2011). Text is in Japanese. Title: Inu to kurashita jūninen: aiken Jun no shogai [犬と暮した十二年 : 愛犬ジュンの生涯 ] (Twelve Years of Living with a Dog: The Life of Beloved Dog June) Publisher: Gohachi Shobō (吾八書房) Year: 1996 Edition: 136/170 Number of prints: 6 (plus woodblock printed title slip) Technique: 2 woodblock prin...

Poem 71-76 is a yellow-gold print with a bit of a paisley influence. It is number 28 of an edition of 154. Created in 1971, it measures 13in wide x 19.5in high. It is in very good condition. There is tape residue on the back but the front is perfect. .

An etching of a Native American brave on horseback, by important California and western American artist EDWARD BOREIN (1872-1945). The print is a restrike, likely made from the original plates at some point after the artist's death. Measurements are 7" by 8 3/4" inside the plate line (the sheet 11" by 15 1/4", and 16" by 18" as framed in worn black painted oak circa 1920 frame). Borein's place in the hierarchy of western American art is secure. He was born near Oakland, California not all that ...

This is a color print after the work of California-based Neo-Romantic, surrealist painter ROBERT WATSON (1923-2004), measuring approximately 19" by 24" and 33" by 39" in 1980's style black and silver framing). The work is numbered 15/400 at lower left margin, and at lower right in the margin is a complete, initialed pencil drawing by Watson, adjacent to his full pencil signature. Watson, born near San Francisco, studied in New York and in Wisconsin with Frederic Taubes, before his first one-man ...

By the Liege, Belgium-born artist ARMAND HENRION (1875-1958), a fine color etching in oval shape, of two clowns in full makeup, pencil signed and numbered 19/500. The artist is known today for his wonderfully expressive depictions of the clown, as well as mime reactions. Most of the works are actually self portraits. The depictions in these portraits reveals an affinity for humanity rarely captured in portraiture. He worked generally in oil but also created a number of prints similar to thi...