John Taylor Arms 1887-1953 American This is an artists proof etching by American artist John Taylor Arms. The title is Limoges, part of his French Church Series created and printed in 1932. This etching is hand signed in pencil with an image size of 10 1/16X13 5/8. This image is inscribed lower right: "Beautiful impression, pulled by D.S. and J.T.A." Inscribed also as artist proof number III. Printed on a J. Whatman watermarked laid type paper. A beautiful impression.

Clifford Lewis, American, 20th Century, Lithograph, "Red Mountain", 1937, edition 3/25, image size: 9 1/2X13 1/4", p/s,D

Edmund Blampied, British, 1886-1966, "A Jersey Vraic Cart". This is a very richly inked original etching, image size 8 5/8 x 11 1/8 inches, 1939, published by the Print Club, Cleveland, Ohio, plate signed and dated, pencil signed. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker...

A beautifully framed Original French 1920s Poster “RIFILOIL HUILES-ILO” official re-issue 1950s, measuring 43x30 inches, frame size is 49x36”

An example of the 1934/35 lithograph "Ruf Des Todes", from the "Death Cycle" series of lithographs by famous German artist KATHE KOLLWITZ (1867-1945). The sheet which measures 19" by 16" was long ago laid down to a board. Evident past attempts to remove an over mat has resulted in skinning of the paper in the lower portion, and residue from the over mat remains at top. There is a line from the old mat all around, with the paper within that line lightly browned...

Original etching in colors by Reinhold H Palenske (American, 1884-1954), circa 1935. This work is signed in pencil by the artist. From an edition of 100. Image size: 9 3/4 by 11 5/8". It is generally known as "Winter Woods". Currently framed. Appears to be in very good condition.

Albert W. Barker, American, 1874-1947, "Upper Barn, Winter," etching, 8 3/4 x 7 1/2 inches on 14 x 11 1/2 inch watermarked wove type paper. C. 1932. Initialed and dated on stone in the lower right, pencil signed in the lower right. Edition of 55. Catalog: Barker 122. The dark outline of the barn, with its modernistic texture and shadows, contrasts with the luminous winter sky. One of Barker's best prints.

Andre Dunoyer de Segonzac, French, 1884-1974, "The Beach at Saint Tropez," Etching with drypoint, image size 9 1/4 x 11 1/2, 1934, edition of 40, pencil signed and numbered. This print is also in the MoMA collection.

John Taylor Arms 1887-1953 American This is one of the most impressive etchings by American artist John Taylor Arms. This image is titled: In Memoriam, the view of the North Portal of Chartres Cathedral. It was from his French Church series. This etching was created and printed in 1939. It is from the 2nd state of two. Printed in an edition of 312. The image measures 14 5/8X12 inches...

A color lithograph print of the year 1937, signed in the plate, 13 1/2" by 10 1/2" (20 1/4" by 17 1/2" in wood frame, no mat), by the noted Spanish modern artist FRANCISCO BORES LOPEZ (1898-1972). The artist, more commonly known as Francisco Bores, was born in Madrid. He went to Paris and associated with the Surrealist movement, and became a friend of important artist Juan Gris...

Stow Wengenroth 1906-1978 American This is a fine dramatic study of old ships in the harbor by American artist Stow Wengenroth.. This image is from Boothbay Maine. It was created and printed in 1937 in an edition of 65. This lithograph is hand signed in pencil and has an image size of 8 7/8X15 3/4 inches. It appears in the Stuckey catalog as image number 71. A striking image, one Wengenroth's best..

Thomas W. Nason 1889-1971 New England This is a fine original wood engraving by American artist Thomas Nason. The title of this work is: Spring in the Poconos, it was created and printed in 1938 in an edition of 100. Done for the Buck Hill Falls Art Association. The image measures 6 1/2X8 1/8 inches. Hand signed and dated in pencil in the lower border.

Albert W. Barker, American, 1874-1947, "Beyond Paul Point," Lithograph, image size 11 7/8 x 8 7/8 inches, 1930, edition of 125, initialed and dated within the plate, pencil signed and editioned.

John Stockton deMartelly, American, 1877-1947, Lithograph, "Blue Valley Fox Hunt", image size 12 3/4 x 16 7/16 in, 1936, cat: Zink-10, pencil signed, framed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.

Adolf Dehn, American 1895 -1968

Schools -

Art Students League of New York

Minneapolis School of Fine Art/College Art Design

Exhibitions -

American Watercolor Society

Brooklyn Museum

Corcoran Gallery, Washington DC

Guggenheim Museum

Metropolitan Museum, New York

Museum of Modern Art, New York

Pennsylvania Academy of the Fine Arts

Whitney Museum of American Art

Li...

Hendrik Glintenkamp 1887-1946 American This is a finely detailed wood engraving by American artist Hendrik Glintenkamp (1887-1946) The title is: Manhattan construction, Radio City, N.Y. It was created and printed in 1932, and is numbered 25/100. Hand signed in pencil lower border and also on the back of the sheet. Very fine condition.

Lawrence Nelson Wilbur, American, 1897-1988, "Peck's Slip- N.Y.C." Etching, image size 6 3/4 x 8 5/8 inches, 1936, edition of 65 proofs, pencil signed and titled "Lawrence Nelson Wilbur" l.r. and "Peck's Slip-NYC" l.l., publishers blindstamp l.r.

Highly decorative pochoir print, circa 1920's, of children flying balloons against a gold sky, 9" by 7", 18" by 16" in playful bright red frame. This is likely an illustration for a children's book of the period. Condition is excellent. The frame has some scratches at top and left that could likely be minimized. The mat is a creamy color with pattern and consistency somewhat resembling that of a paper towel. Ideal for a child's room.

Clara Colline 1881-1945 Kansas Artist, American This is a fine block print by Kansas artist Clara Colline (1881-1945) The title written in pencil lower left is: Wind in the Cottonwoods. THis image done circa 1920 is hand signed in pencil and has an image size of: 9X11 3/4 inches. Colline was a student of Birger Sandzen. His influence is clearly seen here.

iebmann, Alexander (Berlin 1871) Dutch landscape, signed Alexander Liebmann in pencil bottom right, combined graphic technique/paper, glass, frame

This color aquatint by Luigi Kasimir measures 17 3/4 x 15 inches, pencil signed, plated dated 1925, cat: Lorenz-5. Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene.

John Taylor Arms, American, 1887-1953, "Gerona". An excellent example of the artistry of the American printmaker, John Taylor Arms. This image measures 12 1/4 x 7 3/4 inches, pencil signed and dated 1925, from his Spanish Church Series #5, printed by Frederick Reynolds in an edition of 152, cat: Fletcher 164...

William Lee Hankey,1869-1952 British, "Forgiveness", etching, image size 7 3/4X7 1/4 inches, pencil signed and artists blindstamp

This is a wood engraving print titled "Les Visages", by the important French artist GEORGES ROUAULT (1871-1958). The print measures 7" by 8 3/4" inside the mat (13 3/4" by 15 1/2" as framed). I believe that this is from the edition published at a later date (circa 1960's) by the Collectors' Guild of New York; the print is dated in the plate 1927, and signed in the plate at lower right. The condition is very good with even very light toning of the paper...

Albert W. Barker, American, 1874-1947, lithograph, "Rising Mist, Martha's Vineyard," image size 11 x 7 3/8 inches, 1927, Stone No. 14, pencil signed and numbered 44/50.

Auguste Brouet 1872-1941 French This is a beautiful color aquatint etching by the French artist Auguste Brouet. The title is: Arabesque, created and printed in 1920 in an edition of 250, this impression is numbered 155/250. Hand signed in pencil, A ballet scene with two dancers performing an arabesque. At the back an opulent stage set, with other performers standing in the wings. The image measures 10 3/4X15 inches...

After a drawing by the noted French artist JEAN-FRANCIS AUBURTIN (1866-1930), this is an engraving in sanguine colored ink by the noted Swiss artist GEORGES AUBERT (1886-1961). Both artists have signed their names in pencil, Auburtin at the left and Aubert at the right. The work measures approximately 14" on a side within the mat opening (not examined out of frame), and 20" by 18 1/2" as framed...

Nineteenth century French engraving of the Monastery at Cluny by artist, engraver and etcher Charles K. 31”x25”

Etching on paper of the New York City elevated train line known popularly as "The L", as in "elevated line", and so titled ("The L - 23rd St. N.Y.") in a separate window in the mat, the primary image area 12 3/4" by 9 1/2", 21 1/2" by 17 1/4" as framed, signed at lower right in pencil, bearing the inscription "For Mr. Paul G. Sprunk from H. Van Notti--1923", and numbered "6" at lower left margin. The scene depicted is familiar urban scenery to any New Yorker or New York visitor...

A posthumously published (1993) etching "Men at Rigging", the plate apparently originally cut by famous and important California artist ARMIN HANSEN (1886-1957) circa 1924, even though the work is dated 1930 after the faint plate signature. According to the printed narrative on the backing, the plate was never printed in Hansen's lifetime. It was finally printed in 1993 in an edition of 50 by the Monterey Peninsula Museum of Art (and two others "for the estate").  This one is numbered 15/50.�...

Joseph Pennell, American, 1857-1926, "The Square". This 1920 etching by the American artist Joseph Pennell measures 9 3/4 x 7 7/8 inches, pencil signed, edition of probably 50 proofs, cat: Wuerth 740. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes. He also prin...

John Taylor Arms, American, 1887-1953, "Amiens". This 1926 etching by the American artist, John Taylor Arms, measures 10 3/4 x 9 7/8 inches, pencil signed and dated, also called "The Cathedral of Notre Dame, From the Lower Town", edition of 100, from his French Church Series #8, cat: Fletcher 181, printed by Frederick Reynolds. This etching won the "John G. Agar Prize, Fifth Annual Exhibition by Living American Etchers, National Arts Club, New York, N.Y." in 1927.

Lovis Corinth 1858-1925 German This is a fine original lithograph by German artist Lovis Corinth. The title Tal Grund (The Valley) from the series Vorfruhling im Gebirge (early spring in the Mountains). It was published by Euphorion Verlag, Berlin in 1922 in an edition of 125 impressions. This was part of a series of 5 lithographs. The image measures 12 3/4X17 inches. Printed on a medium weight wove type paper.

Lithograph on paper, 7 1/2" by 4 1/2" (13 1/8" by 10" as framed), signed in pencil at lower right by the noted German Jewish artist HERMANN STRUCK (1876-1944). The subject is a man wearing a cap. Struck was born in Berlin or Orthodox Jewish parentage. Early in his life he met the Zionist leader Theodor Herzl (1860-1904), a meeting which profoundly influenced the artist. Struck's most desirable subject matter, scenes of Israel from the late 1920's, have brought to the $25,000 area at auction. ...

Mary elizabeth Groom 1903-1958 British/Suffolk Artist This is an original pencil signed and titled wood engraving by British artist Mary Elizabeth Groom. The title is: The Crucifixion, created and printed circa . 1929, it is numbered as 4/30. The image measures 9 1/2X7 1/4 inches. Printed on a thin japan type sheet. Groom was a well known artist and illustrator one of the Suffolk artists. She was also a founding member of the English Wood Engraving Society starting in 1926. Mary studi...

Hans Frank, Austrian (1884-1948)
Venice II, 1925 (Venedig II, 1925)
Date: 1925.
Paper size: 17.5 X 13.25 inches (44.5 x 33.9 cm).
Window size: 16 x 12 inches (40.5 x 30.5 cm).
Signed and dated at lower right.
Medium: Color woodcut on laid Japanese paper.
Condition: Small crease at upper right corner. The odd small mark in image.
Attached with archival tape to top of a 24 x 20-inch matte).